Although a Federalist, and, as he described himself, “an admirer of General Hamilton, and a partisan with him in politics,” he accepted a retainer from Burr’s friends in 1807, and attended his trial in Richmond, but more in the capacity of an observer of the scene than a lawyer. He did not share the prevalent opinion of Burr’s treason, and regarded him as a man so fallen as to be shorn of the power to injure the country, one for whom he could feel nothing but compassion. That compassion, however, he received only from the ladies of the city, and the traits of female goodness manifested then sunk deep into Irving’s heart. Without pretending, he says, to decide on Burr’s innocence or guilt, “his situation is such as should appeal eloquently to the feelings of every generous bosom. Sorry am I to say the reverse has been the fact: fallen, proscribed, prejudged, the cup of bitterness has been administered to him with an unsparing hand. It has almost been considered as culpable to evince toward him the least sympathy or support; and many a hollow-hearted caitiff have I seen, who basked in the sunshine of his bounty while in power, who now skulked from his side, and even mingled among the most clamorous of his enemies…. I bid him farewell with a heavy heart, and he expressed with peculiar warmth and feeling his sense of the interest I had taken in his fate. I never felt in a more melancholy mood than when I rode from his solitary prison.” This is a good illustration of Irving’s tender-heartedness; but considering Burr’s whole character, it is altogether a womanish case of misplaced sympathy with the cool slayer of Alexander Hamilton.
V. THE KNICKERBOCKER PERIOD
Not long after the discontinuance of “Salmagundi,” Irving, in connection with his brother Peter, projected the work that was to make him famous. At first nothing more was intended than a satire upon the “Picture of New York,” by Dr. Samuel Mitchell, just then published. It was begun as a mere burlesque upon pedantry and erudition, and was well advanced, when Peter was called by his business to Europe, and its completion was fortunately left to Washington. In his mind the idea expanded into a different conception. He condensed the mass of affected learning, which was their joint work, into five introductory chapters, — subsequently he said it would have been improved if it had been reduced to one, and it seems to me it would have been better if that one had been thrown away, — and finished “A History of New York, by Diedrich Knickerbocker,” substantially as we now have it. This was in 1809, when Irving was twenty-six years old.
But before this humorous creation was completed, the author endured the terrible bereavement which was to color all his life. He had formed a deep and tender passion for Matilda Hoffman, the second daughter of Josiah Ogden Hoffman, in whose family he had long been on a footing of the most perfect intimacy, and his ardent love was fully reciprocated. He was restlessly casting about for some assured means of livelihood which would enable him to marry, and perhaps his distrust of a literary career was connected with this desire, when after a short illness Miss Hoffman died, in the eighteenth year of her age. Without being a dazzling beauty, she was lovely in person and mind, with most engaging manners, a refined sensibility, and a delicate and playful humor. The loss was a crushing blow to Irving, from the effects of which he never recovered, although time softened the bitterness of his grief into a tender and sacred memory. He could never bear to hear her name spoken even by his most intimate friends, or any allusion to her. Thirty years after her death, it happened one evening at the house of Mr. Hoffman, her father, that a granddaughter was playing for Mr. Irving, and in taking her music from the drawer, a faded piece of embroidery was brought forth. “Washington,” said Mr. Hoffman, picking it up, “this is a piece of poor Matilda’s workmanship.” The effect was electric. He had been talking in the sprightliest mood before, but he sunk at once into utter silence, and in a few moments got up and left the house.
After his death, in a private repository of which he always kept the key, was found a lovely miniature, a braid of fair hair, and a slip of paper, on which was written in his own hand, “Matilda Hoffman;” and with these treasures were several pages of a memorandum in ink long since faded. He kept through life her Bible and Prayer Book; they were placed nightly under his pillow in the first days of anguish that followed her loss, and ever after they were the inseparable companions of all his wanderings. In this memorandum — which was written many years afterwards — we read the simple story of his love:
“We saw each other every day, and I became excessively attached to her. Her shyness wore off by degrees. The more I saw of her the more I had reason to admire her. Her mind seemed to unfold leaf by leaf, and every time to discover new sweetness. Nobody knew her so well as I, for she was generally timid and silent; but I in a manner studied her excellence. Never did I meet with more intuitive rectitude of mind, more native delicacy, more exquisite propriety in word, thought, and action, than in this young creature. I am not exaggerating; what I say was acknowledged by all who knew her. Her brilliant little sister used to say that people began by admiring her, but ended by loving Matilda. For my part, I idolized her. I felt at times rebuked by her superior delicacy and purity, and as if I was a coarse, unworthy being in comparison.”
At this time Irving was much perplexed about his career. He had “a fatal propensity to belles-lettres;” his repugnance to the law was such that his mind would not take hold of the study; he anticipated nothing from legal pursuits or political employment; he was secretly writing the humorous history, but was altogether in a low-spirited and disheartened state. I quote again from the memorandum:
“In the mean time I saw Matilda every day, and that helped to distract me. In the midst of this struggle and anxiety she was taken ill with a cold. Nothing was thought of it at first; but she grew rapidly worse, and fell into a consumption. I cannot tell you what I suffered. The ills that I have undergone in this life have been dealt out to me drop by drop, and I have tasted all their bitterness. I saw her fade rapidly away; beautiful, and more beautiful, and more angelical to the last. I was often by her bedside; and in her wandering state of mind she would talk to me with a sweet, natural, and affecting eloquence, that was overpowering. I saw more of the beauty of her mind in that delirious state than I had ever known before. Her malady was rapid in its career, and hurried her off in two months. Her dying struggles were painful and protracted. For three days and nights I did not leave the house, and scarcely slept. I was by her when she died; all the family were assembled round her, some praying, others weeping, for she was adored by them all. I was the last one she looked upon. I have told you as briefly as I could what, if I were to tell with all the incidents and feelings that accompanied it, would fill volumes. She was but about seventeen years old when she died. “I cannot tell you what a horrid state of mind I was in for a long time. I seemed to care for nothing; the world was a blank to me. I abandoned all thoughts of the law. I went into the country, but could not bear solitude, yet could not endure society. There was a dismal horror continually in my mind, that made me fear to be alone. I had often to get up in the night, and seek the bedroom of my brother, as if the having a human being by me would relieve me from the frightful gloom of my own thoughts. “Months elapsed before my mind would resume any tone; but the despondency I had suffered for a long time in the course of this attachment, and the anguish that attended its catastrophe, seemed to give a turn to my whole character, and throw some clouds into my disposition, which have ever since hung about it. When I became more calm and collected, I applied myself, by way of occupation, to the finishing of my work. I brought it to a close, as well as I could, and published it; but the time and circumstances in which it was produced rendered me always unable to look upon it with satisfaction. Still it took with the public, and gave me celebrity, as an original work was something remarkable and uncommon in America. I was noticed, caressed, and, for a time, elevated by the popularity I had gained. I found myself uncomfortable in my feelings in New York, and traveled about a little. Wherever I went, I was overwhelmed with attentions; I was full of youth and animation, far different from the being I now am, and I was quite flushed with this early taste of public favor. Still, however, the career of gayety and notoriety soon palled on me. I seemed to drift about without aim or object, at the mercy of every breeze; my heart