"Your new friend looks like a poet," said Weeks, with a thin smile on his careworn, bitter mouth.
"He is a poet."
"Did he tell you so? In America we should call him a pretty fair specimen of a waster."
"Well, we're not in America," said Philip frigidly.
"How old is he? Twenty-five? And he does nothing but stay in pensions and write poetry."
"You don't know him," said Philip hotly.
"Oh yes, I do: I've met a hundred and forty-seven of him."
Weeks' eyes twinkled, but Philip, who did not understand American humour, pursed his lips and looked severe. Weeks to Philip seemed a man of middle age, but he was in point of fact little more than thirty. He had a long, thin body and the scholar's stoop; his head was large and ugly; he had pale scanty hair and an earthy skin; his thin mouth and thin, long nose, and the great protuberance of his frontal bones, gave him an uncouth look. He was cold and precise in his manner, a bloodless man, without passion; but he had a curious vein of frivolity which disconcerted the serious-minded among whom his instincts naturally threw him. He was studying theology in Heidelberg, but the other theological students of his own nationality looked upon him with suspicion. He was very unorthodox, which frightened them; and his freakish humour excited their disapproval.
"How can you have known a hundred and forty-seven of him?" asked Philip seriously.
"I've met him in the Latin Quarter in Paris, and I've met him in pensions in Berlin and Munich. He lives in small hotels in Perugia and Assisi. He stands by the dozen before the Botticellis in Florence, and he sits on all the benches of the Sistine Chapel in Rome. In Italy he drinks a little too much wine, and in Germany he drinks a great deal too much beer. He always admires the right thing whatever the right thing is, and one of these days he's going to write a great work. Think of it, there are a hundred and forty-seven great works reposing in the bosoms of a hundred and forty-seven great men, and the tragic thing is that not one of those hundred and forty-seven great works will ever be written. And yet the world goes on."
Weeks spoke seriously, but his gray eyes twinkled a little at the end of his long speech, and Philip flushed when he saw that the American was making fun of him.
"You do talk rot," he said crossly.
XXVII
Weeks had two little rooms at the back of Frau Erlin's house, and one of them, arranged as a parlour, was comfortable enough for him to invite people to sit in. After supper, urged perhaps by the impish humour which was the despair of his friends in Cambridge, Mass., he often asked Philip and Hayward to come in for a chat. He received them with elaborate courtesy and insisted on their sitting in the only two comfortable chairs in the room. Though he did not drink himself, with a politeness of which Philip recognised the irony, he put a couple of bottles of beer at Hayward's elbow, and he insisted on lighting matches whenever in the heat of argument Hayward's pipe went out. At the beginning of their acquaintance Hayward, as a member of so celebrated a university, had adopted a patronising attitude towards Weeks, who was a graduate of Harvard; and when by chance the conversation turned upon the Greek tragedians, a subject upon which Hayward felt he spoke with authority, he had assumed the air that it was his part to give information rather than to exchange ideas. Weeks had listened politely, with smiling modesty, till Hayward finished; then he asked one or two insidious questions, so innocent in appearance that Hayward, not seeing into what a quandary they led him, answered blandly; Weeks made a courteous objection, then a correction of fact, after that a quotation from some little known Latin commentator, then a reference to a German authority; and the fact was disclosed that he was a scholar. With smiling ease, apologetically, Weeks tore to pieces all that Hayward had said; with elaborate civility he displayed the superficiality of his attainments. He mocked him with gentle irony. Philip could not help seeing that Hayward looked a perfect fool, and Hayward had not the sense to hold his tongue; in his irritation, his self-assurance undaunted, he attempted to argue: he made wild statements and Weeks amicably corrected them; he reasoned falsely and Weeks proved that he was absurd: Weeks confessed that he had taught Greek Literature at Harvard. Hayward gave a laugh of scorn.
"I might have known it. Of course you read Greek like a schoolmaster," he said. "I read it like a poet."
"And do you find it more poetic when you don't quite know what it means? I thought it was only in revealed religion that a mistranslation improved the sense."
At last, having finished the beer, Hayward left Weeks' room hot and dishevelled; with an angry gesture he said to Philip:
"Of course the man's a pedant. He has no real feeling for beauty. Accuracy is the virtue of clerks. It's the spirit of the Greeks that we aim at. Weeks is like that fellow who went to hear Rubenstein and complained that he played false notes. False notes! What did they matter when he played divinely?"
Philip, not knowing how many incompetent people have found solace in these false notes, was much impressed.
Hayward could never resist the opportunity which Weeks offered him of regaining ground lost on a previous occasion, and Weeks was able with the greatest ease to draw him into a discussion. Though he could not help seeing how small his attainments were beside the American's, his British pertinacity, his wounded vanity (perhaps they are the same thing), would not allow him to give up the struggle. Hayward seemed to take a delight in displaying his ignorance, self-satisfaction, and wrongheadedness. Whenever Hayward said something which was illogical, Weeks in a few words would show the falseness of his reasoning, pause for a moment to enjoy his triumph, and then hurry on to another subject as though Christian charity impelled him to spare the vanquished foe. Philip tried sometimes to put in something to help his friend, and Weeks gently crushed him, but so kindly, differently from the way in which he answered Hayward, that even Philip, outrageously sensitive, could not feel hurt. Now and then, losing his calm as he felt himself more and more foolish, Hayward became abusive, and only the American's smiling politeness prevented the argument from degenerating into a quarrel. On these occasions when Hayward left Weeks' room he muttered angrily:
"Damned Yankee!"
That settled it. It was a perfect answer to an argument which had seemed unanswerable.
Though they began by discussing all manner of subjects in Weeks' little room eventually the conversation always turned to religion: the theological student took a professional interest in it, and Hayward welcomed a subject in which hard facts need not disconcert him; when feeling is the gauge you can snap your angers at logic, and when your logic is weak that is very agreeable. Hayward found it difficult to explain his beliefs to Philip without a great flow of words; but it was clear (and this fell in with Philip's idea of the natural order of things), that he had been brought up in the church by law established. Though he had now given up all idea of becoming a Roman Catholic, he still looked upon that communion with sympathy. He had much to say in its praise, and he compared favourably its gorgeous ceremonies with the simple services of the Church of England. He gave Philip Newman's Apologia to read, and Philip, finding it very dull, nevertheless read it to the end.
"Read it for its style, not for its matter," said Hayward.
He talked enthusiastically of the music at the Oratory, and said charming things about the connection between incense and the devotional spirit. Weeks listened to him with his frigid smile.
"You think it proves the truth of Roman Catholicism