The Poetical Works of Mark Akenside. Mark Akenside. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mark Akenside
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And tune to Attic themes the British lyre.

       Table of Contents

      ARGUMENT.

      The separation of the works of Imagination from Philosophy, the cause of their abuse among the moderns. Prospect of their reunion under the influence of public Liberty. Enumeration of accidental pleasures, which increase the effect of objects delightful to the Imagination. The pleasures of sense. Particular circumstances of the mind. Discovery of truth. Perception of contrivance and design. Emotion of the passions. All the natural passions partake of a pleasing sensation; with the final cause of this constitution illustrated by an allegorical vision, and exemplified in sorrow, pity, terror, and indignation.

      When shall the laurel and the vocal string

       Resume their honours? When shall we behold

       The tuneful tongue, the Promethéan band

       Aspire to ancient praise? Alas! how faint,

       How slow the dawn of Beauty and of Truth

       Breaks the reluctant shades of Gothic night

       Which yet involves the nations! Long they groan'd

       Beneath the furies of rapacious force;

       Oft as the gloomy north, with iron swarms

       Tempestuous pouring from her frozen caves, 10

       Blasted the Italian shore, and swept the works

       Of Liberty and Wisdom down the gulf

       Of all-devouring night. As long immured

       In noontide darkness, by the glimmering lamp,

       Each Muse and each fair Science pined away

       The sordid hours: while foul, barbarian hands

       Their mysteries profaned, unstrung the lyre,

       And chain'd the soaring pinion down to earth.

       At last the Muses rose, [Endnote L] and spurn'd their bonds,

       And, wildly warbling, scatter'd as they flew, 20

       Their blooming wreaths from fair Valclusa's [Endnote M] bowers

       To Arno's [Endnote N] myrtle border and the shore

       Of soft Parthenopé. [Endnote O] But still the rage

       Of dire ambition [Endnote P] and gigantic power,

       From public aims and from the busy walk

       Of civil commerce, drove the bolder train

       Of penetrating Science to the cells,

       Where studious Ease consumes the silent hour

       In shadowy searches and unfruitful care.

       Thus from their guardians torn, the tender arts [Endnote Q] 30

       Of mimic fancy and harmonious joy,

       To priestly domination and the lust

       Of lawless courts, their amiable toil

       For three inglorious ages have resign'd,

       In vain reluctant: and Torquato's tongue

       Was tuned for slavish pasans at the throne

       Of tinsel pomp: and Raphael's magic hand

       Effused its fair creation to enchant

       The fond adoring herd in Latian fanes

       To blind belief; while on their prostrate necks 40

       The sable tyrant plants his heel secure.

       But now, behold! the radiant era dawns,

       When freedom's ample fabric, fix'd at length

       For endless years on Albion's happy shore

       In full proportion, once more shall extend

       To all the kindred powers of social bliss

       A common mansion, a parental roof.

       There shall the Virtues, there shall Wisdom's train,

       Their long-lost friends rejoining, as of old,

       Embrace the smiling family of Arts, 50

       The Muses and the Graces. Then no more

       Shall Vice, distracting their delicious gifts

       To aims abhorr'd, with high distaste and scorn

       Turn from their charms the philosophic eye,

       The patriot bosom; then no more the paths

       Of public care or intellectual toil,

       Alone by footsteps haughty and severe

       In gloomy state be trod: the harmonious Muse

       And her persuasive sisters then shall plant

       Their sheltering laurels o'er the bleak ascent, 60

       And scatter flowers along the rugged way.

       Arm'd with the lyre, already have we dared

       To pierce divine Philosophy's retreats,

       And teach the Muse her lore; already strove

       Their long-divided honours to unite,

       While tempering this deep argument we sang

       Of Truth and Beauty. Now the same glad task

       Impends; now urging our ambitious toil,

       We hasten to recount the various springs

       Of adventitious pleasure, which adjoin 70

       Their grateful influence to the prime effect

       Of objects grand or beauteous, and enlarge

       The complicated joy. The sweets of sense,

       Do they not oft with kind accession flow,

       To raise harmonious Fancy's native charm?

       So while we taste the fragrance of the rose,

       Glows not her blush the fairer? While we view

       Amid the noontide walk a limpid rill

       Gush through the trickling herbage, to the thirst

       Of summer yielding the delicious draught 80

       Of cool refreshment, o'er the mossy brink

       Shines not the surface clearer, and the waves

       With sweeter music murmur as they flow?

      Nor this alone; the various lot of life

       Oft from external circumstance assumes

       A moment's disposition to rejoice

       In those delights which, at a different hour,

       Would pass unheeded. Fair the face of Spring,

       When rural songs and odours wake the morn,

       To every eye; but how much more to his 90

       Round whom the bed of sickness long diffused

       Its melancholy gloom! how doubly fair,

       When first with fresh-born vigour he inhales

       The balmy breeze, and feels the blessed sun

       Warm at his bosom, from the springs of life

       Chasing oppressive damps and languid pain!

      Or shall I mention, where celestial Truth

       Her awful light discloses, to bestow

       A more majestic pomp on Beauty's frame?

       For man loves knowledge, and the beams of Truth 100

       More welcome touch his understanding's eye,

       Than all the blandishments of sound his ear,