In the mind of Mademoiselle, who had lived through so many periods, it was the low birth of the Abbé which would have affected the Admiral. "Whatever may be said," added she, "I can never believe that persons of quality abandon themselves to the point which their slanderers say. For even if they did not consider their own safety, worldly honour is in my opinion so beautiful a thing that I do not comprehend how any one can despise it."
Mademoiselle did not transgress upon the respect due to the hierarchy of rank; for the rest, she contented herself with what are called the morals of respectable people, which have always been sufficiently lenient. She understood, however, all the difference between this morality and Christian principles.
The Provinciales (1656) had made it clear to the blindest that it was necessary to choose between the two. Mademoiselle had under this influence made a visit to Port Royal des Champs[63] and had been entirely won by these "admirable people" who lived like saints and who spoke and wrote "the finest eloquence," while the Jesuits would have done better to remain silent, "having nothing good to say and saying it very badly," "for assuredly there were never fewer preachers amongst them than at present nor fewer good writers, as appears by their letters. This is why for all sorts of reasons they would have done better not to write."
Seeing Mademoiselle so favourably impressed, one of the Monsieurs of Port Royal, Arnauld d'Andilly, said upon her departure, "You are going to the Court; you can give to the Queen account of what you have seen."—"I assure you that I will willingly do this."
Knowing her disposition, there is but little doubt that she kept her word; but this was all. The worthy Mademoiselle, incapable of anything low or base, did not dream for a second of allowing the austere morality, ill fitted for the needs of a court, to intervene in influencing her judgments upon others, or in the choice of her friends. She blamed the Duchesse de Châtillon for reasons with which virtue, properly named, had nothing to do. We see her soon after meeting Mme. de Montespan, because common morality has nothing to blame in a King's mistress.
Mme. de Sévigné agreed with Mademoiselle and they were not alone. This attitude gave a kind of revenge to the Jesuits.
Tastes became as common as sentiments; those of the King were not yet formed, and the pleasure taken in the ballet in the theatre of the Louvre injured the taste for what was, in fact, no longer tragedy. Corneille had given up writing for the first time in 1652, after the failure of his Pertharite. The following year, Quinault made his debut and pleased. He taught in his tragi-comedies, flowery and tender, that "Love makes everything permissible," which had been said by Honoré d'Urfé in l'Astrée, a half-century previous, and he retied, without difficulty, after the Corneillian parenthesis, the thread of a doctrine which has been transmitted without interruption to our own days.
Love justifies everything, for the right of passion is sacred, nothing subsists before it.
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