There were a few seats at the western end, and into one of these Christopher found his way, signing himself first from the stoup at the door, and inclining before he went in. Then he leaned his chin on his hands and looked eagerly.
It was difficult to make out details clearly at the further end, for the church was poorly lighted, and there was no western window; the glare from the white roads, too, along which he had come still dazzled him, but little by little, helped by his own knowledge of the place, he began to see more clearly.
* * * * *
High above him ran the lines of the clerestory, resting on the rounded Norman arches, broken by the beam that held the mighty rood, with the figures of St. Mary and St. John on either side; and beyond, yet higher, on this side of the high altar, rose the lofty air of the vault ninety feet above the pavement. To left and right opened the two western transepts, and from where he knelt he could make out the altar of St. Martin in the further one, with its apse behind. The image of St. Pancras himself stood against a pillar with the light from the lamp beneath flickering against his feet. But Christopher's eyes soon came back to the centre, beyond the screen, where a row of blackness on either side in the stalls, marked where the monks rested back, and where he would soon be resting with them. There were candles lighted at sparse intervals along the book-rests, that shone up into the faces bent down over the wide pages beneath; and beyond all rose the altar with two steady flames crowning it against the shining halpas behind that cut it off from the four groups of slender carved columns that divided the five chapels at the extreme east. Half-a-dozen figures sat about the nave, and Christopher noticed an old man, his white hair falling to his shoulders, two seats in front, beginning to nod gently with sleep as the soft heavy waves of melody poured down, lulling him.
He began now to catch the words, as his ears grew accustomed to the sound, and he, too, sat back to listen.
"Fiat pax in virtute tua: et abundantia in turribus tuis;" "Propter fratres meos et proximos meos:" came back the answer, "loquebar pacem de te." And once more: "Propter domum Domini Dei nostri: quaesivi bona tibi."
Then there was a soft clattering roar as the monks rose to their feet, and in double volume from the bent heads sounded out the Gloria Patri.
It was overwhelming to the young man to hear the melodious tumult of praise, and to remember that in less than a week he would be standing there among the novices and adding his voice. It seemed to him as if he had already come into the heart of life that he had felt pulsating round him as he swam in the starlight a month before. It was this that was reality, and the rest illusion. Here was the end for which man was made, the direct praise of God; here were living souls eager and alert on the business of their existence, building up with vibration after vibration the eternal temple of glory in which God dwelt. Once he began to sing, and then stopped. He would be silent here until his voice had been authorized to join in that consecrated offering.
He waited until all was over, and the two lines of black figures had passed out southwards, and the sacristan was going round putting out the lights; and then he too rose and went out, thrilled and excited, into the gathering twilight, as the bell for supper began to sound out from the refectory tower.
He found Mr. Morris waiting for him at the entrance to the guest-house, and the two went up the stairs at the porter's directions into the parlour that looked out over the irregular court towards the church and convent.
Christopher sat down in the window seat.
Over the roofs opposite the sky was still tender and luminous, with rosy light from the west, and a little troop of pigeons were wheeling over the church in their last flight before returning home to their huge dwelling down by the stream. The porter had gone a few minutes before, and Christopher presently saw him returning with Dom Anthony Marks, the guest-master, whom he had got to know very well on former visits. In a fit of shyness he drew back from the window, and stood up, nervous and trembling, and a moment later heard steps on the stairs. Mr. Morris had slipped out, and now stood in the passage, and Chris saw him bowing with a nicely calculated mixture of humility and independence. Then a black figure appeared in the doorway, and came briskly through.
"My dear Chris," he said warmly, holding out his hands, and Chris took them, still trembling and excited.
They sat down together in the window-seat, and the monk opened the casement and threw it open, for the atmosphere was a little heavy, and then flung his arm out over the sill and crossed his feet, as if he had an hour at his disposal. Chris had noticed before that extraordinary appearance of ease and leisure in such monks, and it imperceptibly soothed him. Neither would Dom Anthony speak on technical matters, but discoursed pleasantly about the party at Overfield Court and the beauty of the roads between there and Lewes, as if Chris were only come to pay a passing visit.
"Your horses are happy enough," he said. "We had a load of fresh beans sent in to-day. And you, Chris, are you hungry? Supper will be here immediately. Brother James told the guest-cook as soon as you came."
He seemed to want no answer, but talked on genially and restfully about the commissioners who had come from Cluny to see after their possessions in England, and their queer French ways.
"Dom Philippe would not touch the muscadel at first, and now he cannot have too much. He clamoured for claret at first, and we had to give him some. But he knows better now. But he says mass like a holy angel of God, and is a very devout man in all ways. But they are going soon."
Dom Anthony fulfilled to perfection the ideal laid down for a guest-master in the Custumal. He showed, indeed, the "cheerful hospitality to guests" by which "the good name of the monastery was enhanced, friendships multiplied, enmities lessened, God honoured, and charity increased." He recognised perfectly well the confused terror in Christopher's mind and his anxiety to make a good beginning, and smoothed down the tendency to awkwardness that would otherwise have shown itself. He had a happy tranquil face, with wide friendly eyes that almost disappeared when he laughed, and a row of even white teeth.
As he talked on, Christopher furtively examined his habit, though he knew every detail of it well enough already. He had, of course, left his cowl, or ample-sleeved singing gown, in the sacristy on leaving the church, and was in his black frock girded with the leather belt, and the scapular over it, hanging to the ground before and behind. His hood, Christopher noticed, was creased and flat as if he were accustomed to sit back at his ease. He wore strong black leather boots that just showed beneath his habit, and a bunch of keys, duplicates of those of the camerarius and cook, hung on his right side. He was tonsured according to the Benedictine pattern, and his lips and cheeks were clean-shaven.
He noticed presently that Christopher was eyeing him, and put his hand in friendly fashion on the young man's knee.
"Yes," he said, smiling, "yours is ready too. Dom Franklin looked it out to-day, and asked me whether it would be the right size. But of the boots I am not so sure."
There was a clink and a footstep outside, and the monk glanced out.
"Supper is here," he said, and stood up to look at the table—the polished clothless top laid ready with a couple of wooden plates and knives, a pewter tankard,