The Complete Works of J. M. Barrie (With Illustrations). James Matthew Barrie

damnation—auld kirk, play-acting, chapel. Chapel was the name always given to the English Church, of which I am too much an Auld Licht myself to care to write even now. To belong to the chapel was, in Thrums, to be a Roman Catholic, and the boy who flung a clod of earth at the English minister—who called the Sabbath Sunday—or dropped a "divet" down his chimney was held to be in the right way. The only pleasant story Thrums could tell of the chapel was that its steeple once fell. It is surprising that an English church was ever suffered to be built in such a place; though probably the county gentry had something to do with it. They travelled about too much to be good men. Small though Thrums used to be, it had four kirks in all before the Disruption, and then another, which split into two immediately afterwards. The spire of the parish church, known as the auld kirk, commands a view of the square, from which the entrance to the kirkyard would be visible, if it were not hidden by the town-house. The kirkyard has long been crammed, and is not now in use, but the church is sufficiently large to hold nearly all the congregations in Thrums. Just at the gate lived Pete Todd, the father of Sam'l, a man of whom the Auld Lichts had reason to be proud. Pete was an every-day man at ordinary times, and was even said, when his wife, who had been long ill, died, to have clapped his hands and exclaimed, "Hip, hip, hurrah!" adding only as an afterthought, "The Lord's will be done." But midsummer was his great opportunity. Then took place the rouping of the seats in the parish church. The scene was the kirk itself, and the seats being put up to auction were knocked down to the highest bidder. This sometimes led to the breaking of the peace. Every person was present who was at all particular as to where he sat, and an auctioneer was engaged for the day. He rouped the kirk-seats like potato-drills, beginning by asking for a bid. Every seat was put up to auction separately; for some were much more run after than others, and the men were instructed by their wives what to bid for. Often the women joined in, and as they bid excitedly against each other the church rang with opprobrious epithets. A man would come to the roup late, and learn that the seat he wanted had been knocked down. He maintained that he had been unfairly treated, or denounced the local laird to whom the seat-rents went. If he did not get the seat he would leave the kirk. Then the woman who had forestalled him wanted to know what he meant by glaring at her so, and the auction was interrupted. Another member would "thrip down the throat" of the auctioneer that he had a right to his former seat if he continued to pay the same price for it. The auctioneer was screamed at for favouring his friends, and at times the roup became so noisy that men and women had to be forcibly ejected. Then was Pete's chance. Hovering at the gate, he caught the angry people on their way home and took them into his workshop by an outside stair. There he assisted them in denouncing the parish kirk, with the view of getting them to forswear it. Pete made a good many Auld Lichts in his time out of unpromising material.

      Sights were to be witnessed in the parish church at times that could not have been made more impressive by the Auld Lichts themselves. Here sinful women were grimly taken to task by the minister, who, having thundered for a time against adultery in general, called upon one sinner in particular to stand forth. She had to step forward into a pew near the pulpit, where, alone and friendless, and stared at by the congregation, she cowered in tears beneath his denunciations. In that seat she had to remain during the forenoon service. She returned home alone, and had to come back alone to her solitary seat in the afternoon. All day no one dared speak to her. She was as much an object of contumely as the thieves and smugglers whom, in the end of last century, it was the privilege of Feudal Bailie Wood (as he was called) to whip round the square.

      It is nearly twenty years since the gardeners had their last "walk" in Thrums, and they survived all the other benefit societies that walked once every summer. There was a "weavers' walk" and five or six others, the "women's walk" being the most picturesque. These were processions of the members of benefit societies through the square and wynds, and all the women walked in white, to the number of a hundred or more, behind the Tilliedrum band, Thrums having in those days no band of its own.

      From the north-west corner of the square a narrow street sets off, jerking this way and that as if uncertain what point to make for. Here lurks the post-office, which had once the reputation of being as crooked in its ways as the street itself.

      A railway line runs into Thrums now. The sensational days of the post-office were when the letters were conveyed officially in a creaking old cart from Tilliedrum. The "pony" had seen better days than the cart, and always looked as if he were just on the point of succeeding in running away from it. Hooky Crewe was driver; so-called because an iron hook was his substitute for a right arm: Robbie Proctor, the blacksmith, made the hook and fixed it in. Crewe suffered from rheumatism, and when he felt it coming on he stayed at home. Sometimes his cart came undone in a snowdrift; when Hooky, extricated from the fragments by some chance wayfarer, was deposited with his mail-bag (of which he always kept a grip by the hook) in a farm-house. It was his boast that his letters always reached their destination eventually. They might be a long time about it, but "slow and sure" was his motto. Hooky emphasized his "slow and sure" by taking a snuff. He was a godsend to the post-mistress, for to his failings or the infirmities of his gig were charged all delays.

      At the time I write of, the posting of the letter took as long and was as serious an undertaking as the writing. That means a good deal, for many of the letters were written to dictation by the Thrums schoolmaster, Mr. Fleemister, who belonged to the Auld Kirk. He was one of the few persons in the community who looked upon the despatch of his letters by the postmistress as his right, and not a favour on her part; there was a long-standing feud between them accordingly. After a few tumblers of Widow Stables's treacle-beer—in the concoction of which she was the acknowledged mistress for miles around—the schoolmaster would sometimes go the length of hinting that he could get the postmistress dismissed any day. This mighty power seemed to rest on a knowledge of "steamed" letters. Thrums had a high respect for the schoolmaster; but among themselves the weavers agreed that, even if he did write to the Government, Lizzie Harrison, the postmistress, would refuse to transmit the letter. The more shrewd ones among us kept friends with both parties; for, unless you could write "writ-hand," you could not compose a letter without the schoolmaster's assistance; and, unless Lizzie was so courteous as to send it to its destination, it might lie—or so it was thought—-much too long in the box. A letter addressed by the schoolmaster found great disfavour in Lizzie's eyes. You might explain to her that you had merely called in his assistance because you were a poor hand at writing yourself, but that was held no excuse. Some addressed their own envelopes with much labour, and sought to palm off the whole as their handiwork. It reflects on the postmistress somewhat that she had generally found them out by next day, when, if in a specially vixenish mood, she did not hesitate to upbraid them for their perfidy.

      To post a letter you did not merely saunter to the post-office and drop it into the box. The cautious correspondent first went into the shop and explained to Lizzie how matters stood. She kept what she called a bookseller's shop as well as the post-office; but the supply of books corresponded exactly to the lack of demand for them, and her chief trade was in nicknacks, from marbles and money-boxes up to concertinas. If he found the postmistress in an amiable mood, which was only now and then, the caller led up craftily to the object of his visit. Having discussed the weather and the potato-disease, he explained that his sister Mary, whom Lizzie would remember, had married a fishmonger in Dundee. The fishmonger had lately started on himself and was doing well. They had four children. The youngest had had a severe attack of measles. No news had been got of Mary for twelve months; and Annie, his other sister, who lived in Thrums, had been at him of late for not writing. So he had written a few lines; and, in fact, he had the letter with him. The letter was then produced, and examined by the postmistress. If the address was in the schoolmaster's handwriting, she professed her inability to read it. Was this a t or an l or an i? was that a b or a d? This was a cruel revenge on Lizzie's part; for the sender of the letter was completely at her mercy. The schoolmaster's name being tabooed in her presence, he was unable to explain that the writing was not his own; and as for deciding between the t's and l's, he could not do it. Eventually he would be directed to put the letter into the box. They would do their best with it, Lizzie said, but in a voice that suggested how little hope she had of her efforts to decipher it proving successful.

      There was an opinion among some of the people that the letter should not be stamped by the sender. The proper thing to do was to drop a penny for the stamp into the box