"Mr. Davies! For God's sake, have pity on me, Mr. Davies. On my oath, I say—" and his voice sank to silence as he heard the message, and strove in vain to bite his lip; and summon up to his aid some tinge of manhood. He stood there a moment, wavering as the leaves of an aspen, and then he was gone out into the street, as Dyson thought silently, with his doom upon his head. He had not been gone a minute when it suddenly flashed into Dyson's mind that he knew the man; it was undoubtedly the young man with spectacles for whom so many ingenious persons were searching; the spectacles indeed were missing, but the pale face, the dark whiskers, and the timid glances were enough to identify him, Dyson saw at once that by a succession of hazards he had unawares hit upon the scent of some desperate conspiracy, wavering as the track of a loathsome snake in and out of the highways and byways of the London cosmos; the truth was instantly pictured before him, and he divined that all unconscious and unheeding he had been privileged to see the shadows of hidden forms, chasing and hurrying, and grasping and vanishing across the bright curtain of common life, soundless and silent, or only babbling fables and pretences. For him in an instant the jargoning of voices, the garish splendor, and all the vulgar tumult of the public-house became part of magic; for here before his eyes a scene in this grim mystery play had been enacted, and he had seen human flesh grow gray with a palsy of fear; the very hell of cowardice and terror had gaped wide within an arm's breadth. In the midst of these reflections, the barman came up and stared at him as if to hint that he had exhausted his right to take his ease, and Dyson bought another lease of the seat by an order for more beer. As he pondered the brief glimpse of tragedy, he recollected that with his first start of haunted fear the young man with whiskers had drawn his hand swiftly from his great coat pocket, and that he had heard something fall to the ground; and pretending to have dropped his pipe, Dyson began to grope in the corner, searching with his fingers. He touched some thing, and drew it gently to him, and with one brief glance, as he put it quietly in his pocket, he saw it was a little old-fashioned note book, bound in faded green morocco.
He drank down his beer at a gulp, and left the place, overjoyed at his fortunate discovery, and busy with conjecture as to the possible importance of the find. By turns he dreaded to find perhaps mere blank leaves, or the labored follies of a betting-book, but the faded morocco cover seemed to promise better things, and hint at mysteries. He piloted himself with no little difficulty out of the sour and squalid quarter he had entered with a light heart, and emerging at Gray's Inn Road, struck off down Guilford Street, and hastened home, only anxious for a lighted candle and solitude.
Dyson sat down at his bureau, and placed the little book before him; it was an effort to open the leaves and dare disappointment. But in desperation at last he laid his finger between the pages at haphazard, and rejoiced to see a compact range of writing with a margin, and as it chanced, three words caught his glance, and stood out apart from the mass. Dyson read:
THE GOLD TIBERIUS,
and his face flushed with fortune and the lust of the hunter.
He turned at once to the first leaf of the pocket-book, and proceeded to read with rapt interest the
History of the Young Man with Spectacles
From the filthy and obscure lodging, situated, I verily believe, in one of the foulest slums of Clerkenwell, I indite this history of a life which, daily threatened, cannot last for very much longer. Every day, nay, every hour, I know too well my enemies are drawing their nets closer about me; even now, I am condemned to be a close prisoner in my squalid room, and I know that when I go out I shall go to my destruction. This history, if it chance to fall into good hands, may, perhaps, be of service in warning young men of the dangers and pitfalls that most surely must accompany any deviation from the ways of rectitude.
My name is Joseph Walters. When I came of age I found myself in possession of a small but sufficient income, and I determined that I would devote my life to scholarship. I do not mean the scholarship of these days; I had no intention of associating myself with men whose lives are spent in the unspeakably degrading occupation of "editing" classics, befouling the fair margins of the fairest books with idle and superfluous annotation, and doing their utmost to give a lasting disgust of all that is beautiful. An abbey church turned to the base use of a stable or a bake-house is a sorry sight; but more pitiable still is a masterpiece spluttered over with the commentator's pen, and his hideous mark "cf."
For my part I chose the glorious career of scholar in its ancient sense; I longed to possess encyclopædic learning, to grow old amongst books, to distil day by day, and year after year, the inmost sweetness of all worthy writings. I was not rich enough to collect a library, and I was therefore forced to betake myself to the Reading-Room of the British Museum.
O dim, far-lifted and mighty dome, Mecca of many minds, mausoleum of many hopes, sad house where all desires fail. For there men enter in with hearts uplifted, and dreaming minds, seeing in those exalted stairs a ladder to fame, in that pompous portico the gate of knowledge; and going in, find but vain vanity, and all but in vain. There, when the long streets are ringing, is silence, there eternal twilight, and the odor of heaviness. But there the blood flows thin and cold, and the brain burns adust; there is the hunt of shadows, and the chase of embattled phantoms; a striving against ghosts, and a war that has no victory. O dome, tomb of the quick; surely in thy galleries where no reverberant voice can call, sighs whisper ever, and mutterings of dead hopes; and there men's souls mount like moths towards the flame, and fall scorched and blackened beneath thee, O dim, far-lifted, and mighty dome.
Bitterly do I now regret the day when I took my place at a desk for the first time, and began my studies. I had not been an habitué of the place for many months, when I became acquainted with a serene and benevolent gentleman, a man somewhat past middle age, who nearly always occupied a desk next to mine. In the Reading-Room it takes little to make an acquaintance, a casual offer of assistance, a hint as to the search in the catalogue, and the ordinary politeness of men who constantly sit near each other; it was thus I came to know the man calling himself Dr. Lipsius. By degrees I grew to look for his presence, and to miss him when he was away, as was sometimes the case, and so a friendship sprang up between us. His immense range of learning was placed freely at my service; he would often astonish me by the way in which he would sketch out in a few minutes the bibliography of a given subject, and before long I had confided to him my ambitions.
"Ah," he said, "you should have been a German. I was like that myself when I was a boy. It is a wonderful resolve, an infinite career. 'I will know all things;' yes, it is a device indeed. But it means this—a life of labor without end, and a desire unsatisfied at last. The scholar has to die, and die saying, 'I know very little.'"
Gradually, by speeches such as these, Lipsius seduced me: he would praise the career, and at the same time hint that it was as hopeless as the search for the philosopher's stone, and so by artful suggestions, insinuated with infinite address, he by degrees succeeded in undermining all my principles. "After all," he used to say, "the greatest of all sciences, the key to all knowledge, is the science and art of pleasure. Rabelais was perhaps the greatest of all the encyclopædic scholars; and he, as you know, wrote the most remarkable book that has ever been written. And what does he teach men in this book? Surely, the joy of living. I need not remind you of the words, suppressed in most of the editions, the key of all the Rabelaisian mythology, of all the enigmas of his grand philosophy, Vivez joyeux. There you have all his learning; his work is the institutes of pleasure as the fine art; the finest art there is; the art of all arts. Rabelais had all science, but he had all life too. And we have gone a long way since his time. You are enlightened, I think; you do not consider all the petty rules and by-laws that a corrupt society has made for its own selfish convenience as the immutable decrees of the eternal."
Such were the doctrines that he preached; and it was by such insidious arguments, line upon line, here a little