"Yes," announced the Colonel later that evening to his wife, spreading his hands out as he spoke. "Yes, my dear, I have made a discovery, and an alarming one. You know, I'm rarely at fault where the children are concerned—and I've noted all the symptoms with unusual care. James, my dear, is an imaginative boy."
He paused to note the effect of his words, but seeing none, continued:
"I regret to be obliged to say it, but it's a fact beyond dispute. His head is simply full of things, and he talked to me this evening about tunnels and slippery moonlight till I very nearly lost my temper altogether. Now, the boy will never make a man unless we take him in hand properly at once. We must get him a governess, or something, without delay. Just fancy, if he grew up into a poet or one of these—these——"
In his distress the soldier could only think of horse-terms, which did not seem quite the right language. He stuck altogether, and kept repeating the favourite gesture with his open hand, staring at his wife over his glasses as he did so.
But the mother never argued.
"He's very young still," she observed quietly, "and, as you have always said, he's not a bit like other boys, remember."
"Exactly what I say. Now that your eyes are opened to the actual state of affairs, I'm satisfied."
"We'll get a sensible nursery-governess at once," added the mother.
"A practical one?"
"Yes, dear."
"Hard-headed?"
"Yes."
"And well educated?"
"Yes."
"And—er—firm with children. She'll do for the lot, then."
"If possible."
"And a young woman who doesn't go in for poetry, and dreaming, and all that kind of flummery."
"Of course, dear."
"Capital. I felt sure you would agree with me," he went on. "It'd be no end of a pity if Jimbo grew up an ass. At present he hardly knows the difference between a roadster and a racer. He's going into the army, too," he added by way of climax, "and you know, my dear, the army would never stand that!"
"Never," said the mother quietly, and the conversation came to an end.
Meanwhile, the subject of these remarks was lying wide awake upstairs in the bed with the yellow iron railing round it. His elder brother was asleep in the opposite corner of the room, snoring peacefully. He could just see the brass knobs of the bedstead as the dying firelight quivered and shone on them. The walls and ceiling were draped in shadows that altered their shapes from time to time as the coals dropped softly into the grate. Gradually the fire sank, and the room darkened. A feeling of delight and awe stole into his heart.
Jimbo loved these early hours of the night before sleep came. He felt no fear of the dark; its mystery thrilled his soul; but he liked the summer dark, with its soft, warm silences better than the chill winter shadows. Presently the firelight sprang up into a brief flame and then died away altogether with an odd little gulp. He knew the sound well; he often watched the fire out, and now, as he lay in bed waiting for he knew not what, the moonlight filtered in through the baize curtains and gradually gave to the room a wholly new character.
Jimbo sat up in bed and listened. The house was very still. He slipped into his red dressing-gown and crept noiselessly over to the window. For a moment he paused by his brother's bed to make sure that he really was asleep; then, evidently satisfied, he drew aside a corner of the curtain and peered out.
"Oh!" he said, drawing in his breath with delight, and again "oh!"
It was difficult to understand why the sea of white moonlight that covered the lawn should fill him with such joy, and at the same time bring a lump into his throat. It made him feel as if he were swelling out into something very much greater than the actual limits of his little person. And the sensation was one of mingled pain and delight, too intense for him to feel for very long. The unhappiness passed gradually away, he always noticed, and the happiness merged after a while into a sort of dreamy ecstasy in which he neither thought nor wished much, but was conscious only of one single unmanageable yearning.
The huge cedars on the lawn reared themselves up like giants in silver cloaks, and the horse-chestnut—the Umbrella Tree, as the children called it—loomed with motionless branches that were frosted and shining. Beyond it, in a blue mist of moonlight and distance, lay the kitchen-garden; he could just make out the line of the high wall where the fruit-trees grew. Immediately below him the gravel of the carriage drive sparkled with frost.
The bars of the windows were cold to his hands, yet he stood there for a long time with his nose flattened against the pane and his bare feet on the cane chair. He felt both happy and sad; his heart longed dreadfully for something he had not got, something that seemed out of his reach because he could not name it. No one seemed to believe all the things he knew in quite the same way as he did. His brothers and sisters played up to a certain point, and then put the things aside as if they had only been assumed for the time and were not real. To him they were always real. His father's words, too, that evening had sorely puzzled him when he came to think over them afterwards: "They're a baby's notions.... They're silly, silly, silly." Were these things real or were they not? And, as he pondered, yearning dumbly, as only these little souls can yearn, the wistfulness in his heart went out to meet the moonlight in the air. Together they wove a spell that seemed to summon before him a fairy of the night, who whispered an answer into his heart: "We are real so long as you believe in us. It is your imagination that makes us real and gives us life. Please, never, never stop believing."
Jimbo was not quite sure that he understood the message, but he liked it all the same, and felt comforted. So long as they believed in one another, the rest did not matter very much after all. And when at last, shivering with cold, he crept back to bed, it was only to find through the Gates of Sleep a more direct way to the things he had been thinking about, and to wander for the rest of the night, unwatched and free, through the wonders of an Enchanted Land.
Jimbo, as his father had said, was an imaginative child. Most children are—more or less; and he was "more," at least, "more" than his brothers and sisters. The Colonel thought he had made a penetrating discovery, but his wife had known it always. His head, indeed, was "full of things,"—things that, unless trained into a channel where they could be controlled and properly schooled, would certainly interfere with his success in a practical world, and be a source of mingled pain and joy to him all through life. To have trained these forces, ever bursting out towards creation, in his little soul,—to have explained, interpreted, and dealt fairly by them, would perhaps have been the best and wisest way; to have suppressed them altogether, cleaned them out by the process of substitution, this might have succeeded too in less measure; but to turn them into a veritable rout of horror by the common method of "frightening the nonsense out of the boy," this was surely the very worst way of dealing with such a case, and the most cruel. Yet, this was the method adopted by the Colonel in the robust good-nature of his heart, and the utter ignorance of his soul.
So it came about that three months later, when May was melting into June, Miss Ethel Lake arrived upon the scene as a result of the Colonel's blundering good intentions. She brought with her a kind disposition, a supreme ignorance of unordinary children, a large store of self-confidence—and a corded yellow tin box.
CHAPTER