The Religion of Babylonia and Assyria. Morris Jastrow

tie. In this way, there arose in Babylon a selection, as it were, out of an infinite variety of personified forces, manifest or concealed, that at one time may have been objects of worship. The uniformity of the spirit world, which is the characteristic trait of primitive Animism, gave way to a differentiation regulated by the political development and the social growth of Babylonia. The more important natural forces became gods, and the inferior ones were, as a general thing, relegated to the secondary position of mere sprites, like the jinns, in Arabic beliefs. Only in the case of the guardian spirit of an entire city or district, would there result—and even this not invariably—an elevation to the grade of deity, in the proper sense of the word. In many cases, however, this guardian deity might be a heavenly body, as the moon or sun or stars, all of which were supposed to regulate the fate of mankind or some force of nature, as the rain or the storm; and even if this were not originally the case, the protecting deity might, in the course of time, become identified with one of the forces of nature; and, if for no other reason, simply because of the prominence which the worship of the force in question acquired in the place. As a consequence, the mixture of local and nature cults is so complete that it is often impossible to distinguish the one from the other. It is hard in many cases to determine whether the deity which is identified with a certain city was originally a mere local spirit watching over a certain restricted territory, or a personification of a natural force associated in some way with a certain section of Babylonia.

CHAPTER IV.

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BABYLONIAN GODS PRIOR TO THE DAYS OF HAMMURABI.

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      With these preliminary remarks, we may turn, as the first part of our subject, to a consideration of the oldest of the Babylonian gods. Our main sources are the inscriptions of the old Babylonian rulers, above referred to. These are, in most cases, of a dedicatory character, being inscribed on statues, cylinders, or tablets, placed in the temples or on objects—cones, knobs, stones—presented as votive offerings to some god. Besides the inscriptions of the rulers, we have those of officials and others. Many of these are likewise connected directly or indirectly with religious worship.

      The advantage of the historical texts over the purely religious ones consists in their being dated, either accurately or approximately. For this reason, the former must be made the basis for a rational theory of the development of the Babylonian pantheon through the various periods above instanced. The data furnished by the religious texts can be introduced only, as they accord with the facts revealed by the historical inscriptions in each period.

Taking up the group of inscriptions prior to the union of the Babylonian States under Hammurabi, i.e., prior to 2300 B.C., we find these gods mentioned: Bel, Belit, Nin-khar-sag, Nin-girsu, also appearing as Shul-gur, Bau, Ga-tum-dug, Ea, Nin-a-gal, Nergal, Shamash, under various forms Â, who is the consort of Shamash, Nannar or Sin, Nanâ, Anunit, Ishtar, Innanna or Ninni, Ninâ, Nin-mar, Dun-shagga, Gal-alim, Anu, Nin-gish-zida, Nin-si-a, Nin-shakh, Dumu-zi, Lugal-banda and his consort Nin-gul, Dumuzi-zu-aba, Nisaba, Ku(?)anna, Lugal-erima(?), Dagan, Ishum, Umu, Pa-sag, Nin-e-gal, Nin-gal, Shul(or Dun)-pa-uddu, and Nin-akha-kuddu.

Regarding these names, it may be said at once that the reading, in many cases, is to be looked upon as merely provisional. Written, as they usually are, in the ideographic "style," the phonetic reading can only be determined when the deity in question can be identified with one, whose name is written at some place phonetically, or when the ideographs employed are so grouped as to place the phonetic reading beyond doubt. The plan to be followed in this book will be to give the ideographic reading[24] as provisional wherever the real pronunciation is unknown or uncertain. The ideographic designation of a deity is of great value, inasmuch as the ideographs themselves frequently reveal the character of the god, though of course the additional advantage is obvious when the name appears in both the ideographic and the phonetic writing. It will, therefore, form part of a delineation of the Babylonian pantheon to interpret the picture, as it were, under which each deity is viewed.

En-lil or Bel.

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Taking up the gods in the order named, the first one, Bel, is also the one who appears on the oldest monuments as yet unearthed—the inscriptions of Nippur. His name is, at this time, written invariably as En-lil. In the Babylonian theology, he is 'the lord of the lower world.' He represents, as it were, the unification of the various forces whose seat and sphere of action is among the inhabited parts of the globe, both on the surface and beneath, for the term 'lower world' is here used in contrast to the upper or heavenly world. Such a conception manifestly belongs to the domain of abstract thought, and it may be concluded, therefore, that either the deity belongs to an advanced stage of Babylonian culture, or that the original view of the deity was different from the one just mentioned. The latter is the case. Primarily, the ideograph Lil is used to designate a 'demon' in general, and En-lil is therefore the 'chief demon.' Primitive as such a conception is, it points to some system of thought that transcends primitive Animism, which is characterized rather by the equality accorded to all spirits. The antiquity of the association of En-lil with Nippur justifies the conclusion that we have before us a local deity who, originally the protecting spirit merely, of a restricted territory, acquires the position of 'chief demon' as the town of Nippur grows to be the capitol of a large and powerful district. The fame and sanctity of Nippur survives political vicissitudes; and, indeed, in proportion as Nippur loses political prestige, the great deity of the place is released from the limitations due to his local origin and rises to the still higher dignity of a great power whose domain is the entire habitable universe. As the 'lord of the lower world,' En-lil is contrasted to a god Anu, who presides over the heavenly bodies. The age of Sargon (3800 B.C.), in whose inscriptions En-lil already occurs, is one of considerable culture, as is sufficiently evidenced by the flourishing condition of art, and there can therefore be no objection against the assumption that even at this early period, a theological system should have been evolved which gave rise to beliefs in great powers whose dominion embraces the 'upper' and 'lower' worlds. It was because of this wide scope of his power that he became known as Bel, i.e., the lord par excellence; and it is equally natural to find his worship spread over the whole of Babylonia. In the south, the patron deity of Lagash is designated by Gudea as "the mighty warrior of Bel," showing the supremacy accorded to the latter. A temple to En-lil at Lagash, and known as E-adda, 'house of the father,' by virtue of the relationship existing between the god of Nippur and Nin-girsu, is mentioned by Uru-kagina. The temple is described as a lofty structure 'rising up to heaven.' In the north, Nippur remains the place where his worship acquired the greatest importance, so that Nippur was known as the "land of Bel." The temple sacred to him at that place was a great edifice, famous throughout Babylonian history as E-Kur, i.e., mountain house, in the construction of which, a long line of Babylonian rulers took part. From Naram-Sin, ruler of Agade, on through the period of Cassite rule, the kings of Nippur proudly include in their titles that of 'builder of the Temple of Bel at Nippur,' measuring their attachment to the deity by the additions and repairs made to his sacred edifice.[25] Besides the kings of Agade, the rulers of other places pay their devotions to Bel of Nippur. So, a king of Kish, whose name is read Alu-usharshid by Professor Hilprecht,[26] brings costly vases of marble and limestone from Elam and offers them to Bel as a token of victory; and this at a period even earlier than Sargon. Even when En-lil is obliged to yield a modicum of his authority to the growing supremacy of the patron deity of the city of Babylon, the highest tribute that can be paid to the latter, is to combine with his real name, Marduk, the title of "Bel," which of right belongs to En-lil. We shall see how this combination of En-lil, or Bel,