Lakamba came out on the platform before his own house and sat down—perspiring, half asleep, and sulky—in a wooden armchair under the shade of the overhanging eaves. Through the darkness of the doorway he could hear the soft warbling of his womenkind, busy round the looms where they were weaving the checkered pattern of his gala sarongs. Right and left of him on the flexible bamboo floor those of his followers to whom their distinguished birth, long devotion, or faithful service had given the privilege of using the chief's house, were sleeping on mats or just sat up rubbing their eyes: while the more wakeful had mustered enough energy to draw a chessboard with red clay on a fine mat and were now meditating silently over their moves. Above the prostrate forms of the players, who lay face downward supported on elbow, the soles of their feet waving irresolutely about, in the absorbed meditation of the game, there towered here and there the straight figure of an attentive spectator looking down with dispassionate but profound interest. On the edge of the platform a row of high-heeled leather sandals stood ranged carefully in a level line, and against the rough wooden rail leaned the slender shafts of the spears belonging to these gentlemen, the broad blades of dulled steel looking very black in the reddening light of approaching sunset.
A boy of about twelve—the personal attendant of Lakamba—squatted at his master's feet and held up towards him a silver siri box. Slowly Lakamba took the box, opened it, and tearing off a piece of green leaf deposited in it a pinch of lime, a morsel of gambier, a small bit of areca nut, and wrapped up the whole with a dexterous twist. He paused, morsel in hand, seemed to miss something, turned his head from side to side, slowly, like a man with a stiff neck, and ejaculated in an ill-humoured bass—
"Babalatchi!"
The players glanced up quickly, and looked down again directly. Those men who were standing stirred uneasily as if prodded by the sound of the chief's voice. The one nearest to Lakamba repeated the call, after a while, over the rail into the courtyard. There was a movement of upturned faces below by the fires, and the cry trailed over the enclosure in sing-song tones. The thumping of wooden pestles husking the evening rice stopped for a moment and Babalatchi's name rang afresh shrilly on women's lips in various keys. A voice far off shouted something—another, nearer, repeated it; there was a short hubbub which died out with extreme suddenness. The first crier turned to Lakamba, saying indolently—
"He is with the blind Omar."
Lakamba's lips moved inaudibly. The man who had just spoken was again deeply absorbed in the game going on at his feet; and the chief—as if he had forgotten all about it already—sat with a stolid face amongst his silent followers, leaning back squarely in his chair, his hands on the arms of his seat, his knees apart, his big blood-shot eyes blinking solemnly, as if dazzled by the noble vacuity of his thoughts.
Babalatchi had gone to see old Omar late in the afternoon. The delicate manipulation of the ancient pirate's susceptibilities, the skilful management of Aissa's violent impulses engrossed him to the exclusion of every other business—interfered with his regular attendance upon his chief and protector—even disturbed his sleep for the last three nights. That day when he left his own bamboo hut—which stood amongst others in Lakamba's campong—his heart was heavy with anxiety and with doubt as to the success of his intrigue. He walked slowly, with his usual air of detachment from his surroundings, as if unaware that many sleepy eyes watched from all parts of the courtyard his progress towards a small gate at its upper end. That gate gave access to a separate enclosure in which a rather large house, built of planks, had been prepared by Lakamba's orders for the reception of Omar and Aissa. It was a superior kind of habitation which Lakamba intended for the dwelling of his chief adviser—whose abilities were worth that honour, he thought. But after the consultation in the deserted clearing—when Babalatchi had disclosed his plan—they both had agreed that the new house should be used at first to shelter Omar and Aissa after they had been persuaded to leave the Rajah's place, or had been kidnapped from there—as the case might be. Babalatchi did not mind in the least the putting off of his own occupation of the house of honour, because it had many advantages for the quiet working out of his plans. It had a certain seclusion, having an enclosure of its own, and that enclosure communicated also with Lakamba's private courtyard at the back of his residence—a place set apart for the female household of the chief. The only communication with the river was through the great front courtyard always full of armed men and watchful eyes. Behind the whole group of buildings there stretched the level ground of rice-clearings, which in their turn were closed in by the wall of untouched forests with undergrowth so thick and tangled that nothing but a bullet—and that fired at pretty close range—could penetrate any distance there.
Babalatchi slipped quietly through the little gate and, closing it, tied up carefully the rattan fastenings. Before the house there was a square space of ground, beaten hard into the level smoothness of asphalte. A big buttressed tree, a giant left there on purpose during the process of clearing the land, roofed in the clear space with a high canopy of gnarled boughs and thick, sombre leaves. To the right—and some small distance away from the large house—a little hut of reeds, covered with mats, had been put up for the special convenience of Omar, who, being blind and infirm, had some difficulty in ascending the steep plankway that led to the more substantial dwelling, which was built on low posts and had an uncovered verandah. Close by the trunk of the tree, and facing the doorway of the hut, the household fire glowed in a small handful of embers in the midst of a large circle of white ashes. An old woman—some humble relation of one of Lakamba's wives, who had been ordered to attend on Aissa—was squatting over the fire and lifted up her bleared eyes to gaze at Babalatchi in an uninterested manner, as he advanced rapidly across the courtyard.
Babalatchi took in the courtyard with a keen glance of his solitary eye, and without looking down at the old woman muttered a question. Silently, the woman stretched a tremulous and emaciated arm towards the hut. Babalatchi made a few steps towards the doorway, but stopped outside in the sunlight.
"O! Tuan Omar, Omar besar! It is I—Babalatchi!"
Within the hut there was a feeble groan, a fit of coughing and an indistinct murmur in the broken tones of a vague plaint. Encouraged evidently by those signs of dismal life within, Babalatchi entered the hut, and after some time came out leading with rigid carefulness the blind Omar, who followed with both his hands on his guide's shoulders. There was a rude seat under the tree, and there Babalatchi led his old chief, who sat down with a sigh of relief and leaned wearily against the rugged trunk. The rays of the setting sun, darting under the spreading branches, rested on the white-robed figure sitting with head thrown back in stiff dignity, on the thin hands moving uneasily, and on the stolid face with its eyelids dropped over the destroyed eyeballs; a face set into the immobility of a plaster cast yellowed by age.
"Is the sun near its setting?" asked Omar, in a dull voice.
"Very near," answered Babalatchi.
"Where am I? Why have I been taken away from the place which I knew—where I, blind, could move without fear? It is like black night to those who see. And the sun is near its setting—and I have not heard the sound of her footsteps since the morning! Twice a strange hand has given me my food to-day. Why? Why? Where is she?"
"She is near," said Babalatchi.
"And he?" went on Omar, with sudden eagerness, and a drop in his voice. "Where is he? Not here.