'Last night the dogs did bark,
I went to the gate to see.
When every lass had her spark,
But nobody comes to me.
And it's Oh dear! what will become of me?
Oh dear, what shall I do?
Nobody coming to marry me,
Nobody coming to woo.
My father's a hedger and ditcher,
My mother does nothing but spin,
And I am a pretty young girl,
But the money comes slowly in'—
Then suddenly she confronted the fair-haired farmer Runham, coming out of a tavern, with the flail over his shoulder. A little disconcerted at encountering him, she paused in her song, but soon recovered herself, and began again at the interrupted verse:—
'My father's a hedger and ditcher,
My mother'—
'Kainie! Are you beside yourself, singing like a ballad-monger in the open street?'
The man's face was red, whether with drink, or that the sight of the girl had brought the colour into his face, Kainie could not say. His breath smelt of spirits, and she turned her head away.
'It's all nonsense,' she said. 'My mother is dead—is dead—and I am alone. I don't know, I don't see why I should not sing; I want a fairing, and have no money. I'll go along singing, "My father's a hedger and ditcher," and then some charitable folk will throw me coppers, and I shall get a little money and buy myself a fairing.'
'For heaven's sake, do nothing of the kind. Here—rather than that—here is a crown. Take that. What would the Commissioners say if they were told that you went a ballad-singing in the streets of Ely at Tawdry Fair? They would turn you out of your mill. I am sure they would. Here, Kainie, conduct yourself respectably, and take a crown.'
He pressed the large silver coin into her hand, and hurried away.
'That's brave!' exclaimed the girl, snapping her fingers. 'Now I can buy my fairing. Now, all I want is a lover.
"Nobody coming to marry me,
Nobody coming to woo!"
Jimminy! I must not do that! I've taken a crown to be mum. Now I'm a young person of respectability—I've money in my pocket. Now I must look about me and see what to buy. I'll go to the Cheap Jack. How do you do, uncle?'
She addressed the dark-haired man Drownlands, who had just turned the corner, with his flail over his shoulder. He scowled at the girl, and would have passed her without a word, but to this she would not consent.
'See! see!' said she, holding up the crown she had received. 'I was just going along sighing and weeping because I had no money, not a farthing in my pocket, not a lover at my side to buy me anything. Then came some one and gave me this—look, Uncle Drownlands! Five shillings!'
'So—going in bad ways?'
'What is the harm? I was ballad-singing. Then he came and gave me a crown.'
'You ballad-singing!'
'Yes; how else can I get money? I'm a poor girl, owned by nobody, for whom nobody cares.'
'You will bring disgrace—deeper disgrace on the family—on the name.'
'Not I; I'm honest. If I am given five shillings, may I not receive it? Master Runham gave me the money to make me shut my mouth. I was singing
"My father's a hedger and ditcher,
My mother"'—
'For heaven's sake, silence!' said Drownlands angrily. 'If you will hold your tongue, I will give you a couple of shillings.'
'A couple of shillings! And I'm your own niece, and have your name.'
'More shame to you—to your mother!' exclaimed the farmer bitterly.
The girl suddenly dropped her head, and her brow became crimson.
'Not a word about my dear mother—not a stone thrown at her,' she said in a low tone.
'Well, no ballad-singing. Take heed to yourself. You are wild and careless.'
'Much you think of me! much you care for me!'
'Begone! You are a disgrace to me—your existence is a disgrace. Take a crown and spend it properly. You shall have nothing more from me. As Runham gave you five shillings, it shall not be said that I gave you less.'
He handed her the coin, and with a scowl passed on.
Kainie remained for a moment musing, with lowered eyes. Then she raised her head, shook it, as though to shake off the sadness, the humiliation that had come on her with the words of Drownlands, and hummed—
'Nobody coming to marry me,
Nobody coming to woo.'
'What! Kainie!'
The words were those of a young man, heavy-browed, pale, somewhat gaunt, with long arms.
'Oh, Pip!—Pip!—Pip!'
'What is the matter, Kainie?'
'Pip, I'm the only girl here without her young man. It is terrible—terrible; and see, Pip, I've got two crowns to spend, and I don't know what to spend them on. There is too much money here for sweetie stuff; and as for smart ribbons and bonnets and such like, it is only just about once in the year I can get away from the mill and come into town and show myself. It does seem a waste to spend a couple of crowns on dress, when no one can see me rigged out in it. What shall I do, Pip?—you wise, you sensible, you dear Pip.'
The young man, Ephraim Beamish, considered; then he said—
'Kainie, I don't like your being alone in Red Wings. Times are queer. Times will be worse. There is trouble before us in the Fens. Things cannot go on as they are—the labouring men ground down under the heels of the farmers, who are thriving and waxing fat. I don't like you to be alone in the windmill; you should have some protector. Now, look here. I've been to that Cheap Jack van, and there's a big dog there the Cheap Jackies want to sell, but there has been no bid. Take my advice, offer the two crowns for that great dog, and take him home with you. Then I shall be easy; and now I am not that. You are too lonely—and a good-looking girl like you'—
'Pip, I'll have the dog.' She tossed the coins into the air. 'Here, crownies, you go for a bow-wow.'
CHAPTER IV
ON THE DROVE
THERE is not in all England—there is hardly in the world—any tract of country more depressing to the spirits, more void of elements of loveliness, than the Cambridgeshire Fens as they now are.
In former days, when they were under water—a haunt of wildfowl, a wilderness of lagoons, a paradise of wild-flowers—when they teemed with fish and swarmed with insect life of every kind—when the eys or islets, Stuntney, Shipey, Southconey, Welney, were the sole objects that broke the horizon, rising out of the marshes, rich with forest-trees—then the Fens were full of charm, because given over to Nature. But the industry of man has changed the character and aspect of the Fens. The meres have been pumped dry, the bogland has been drained. Where the fowler used to boat after wild duck, now turnips are hoed; where the net was drawn by the fisherman, there wave cornfields.
In former times, for five-and-twenty miles north of Ely, one rippling lake extended, and men went by boat over it to the sand-dune that divided it from