The Miller Of Old Church. Ellen Anderson Gholson Glasgow. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ellen Anderson Gholson Glasgow
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4064066163310
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old gate into the turnpike. His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion. Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type. The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath. The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full. Yet in spite of this coarseness of finish, his face was well coloured, attractive, and full of generous, if whimsical, humour. A judge of men would have seen in it proof that Mr. Gay's character consisted less in a body of organized tendencies than in a procession of impulses.

      White with dust the turnpike crawled straight ahead between blood-red clumps of sumach and bramble on which the faint sunlight still shone. At intervals, where the dripping from over-hanging boughs had worn the road into dangerous hollows, boles of young saplings had been placed cross-wise in a corduroy pattern, and above them clouds of small belated butterflies drifted in the wind like blown yellow rose leaves. On the right the thin corn shocks looked as if they were sculptured in bronze, and amid them there appeared presently the bent figure of a harvester, outlined in dull blue against a sky of burnt orange. From the low grounds beside the river a mist floated up, clinging in fleecy shreds to the short grass that grew in and out of the bare stubble. The aspect of melancholy, which was depressing even in the broad glare of noon, became almost intolerable under the waning light of the afterglow. Miles of loneliness stretched on either side of the turnpike, which trailed, without fork or bend, into the flat distance beyond the great pine at the bars.

      For the twentieth time since he had left the tavern, Mr. Gay, whose habit it was to appear whimsical when he felt despondent, declared to himself that he'd be damned if the game was worth half what the candle was likely to cost him. Having arrived, without notable misadventure, at the age of thirty, he had already reduced experience to a series of episodes and had embraced the casual less as a pastime than as a philosophy.

      "If the worst comes to the worst—hang it!—I suppose I may hunt a Molly Cotton-tail," he grumbled, bringing his horse's gait down to an amble. "There ought to be good hounds about, judging from the hang-dog look of the natives. Why in thunder did the old boy want to bury himself and his heirs forever in this god-forsaken land's end, and what in the deuce have mother and Aunt Kesiah done with themselves down here for the last twenty years? Two thousand acres? Damn it! I'd rather have six feet on the good English soil! Came to get rid of one woman, did he?—and tumbled into a pretty puddle with another as soon as he got here. By George, it's in the bone and it is obliged to come out in the blood. A Gay will go on ogling the sex, I suppose, as long as he is able to totter back from the edge of the grave."

      As he approached the blazed pine, a spot of darkness, which he had at first mistaken for a small tree, detached itself from the surrounding shadows, and assumed gradually a human shape. His immediate impression was that the shape was a woman and that she was young. With his next breath he became aware that she was also beautiful. In the fading light her silhouette stood out as distinctly against the mellow background of the sky, as did the great pine which marked the almost obliterated path over the fields. Her dress was the ordinary calico one, of some dull purplish shade, worn by the wives and daughters of the neighbouring farmers; and on her bare white arm, with its upturned sleeve, she carried a small split basket half filled with persimmons. She was of an almost pure Saxon type—tall, broad-shouldered, deep-bosomed, with a skin the colour of new milk, and soft ashen hair parted smoothly over her ears and coiled in a large, loose knot at the back of her head. As he reached her she smiled faintly and a little brown mole at the corner of her mouth played charmingly up and down. After the first minute, Gay found himself fascinated by this single imperfection in her otherwise flawless features. More than her beauty he felt that it stirred his blood and aroused in him the physical tenderness which he associated always with some vague chivalrous impulse.

      She moved slightly when he dismounted beside her, and a number of small splotches of black circling around her resolved themselves into a bodyguard of little negroes, clad in checked pinafores, with the scant locks wrapped tightly with crimson cotton.

      "May I let down the bars for you?" he asked, turning to look into her face with a smile, "and do you take your collection of piccaninnies along for protection or for amusement?"

      "Grandma doesn't like me to go out alone, sir—so many dreadful things happen," she answered gently, with an utter absence of humour. "I can't take anybody who is at work, so I let the little darkies come. Mary Jo is the oldest and she's only six."

      "Is your home near here?"

      "I live at the mill. It's a mile farther on, but there is a short cut."

      "Then you are related to the miller, Mr. Revercomb—that fine looking chap I met at the ordinary?"

      "He is my uncle. I am Blossom Revercomb," she answered.

      "Blossom? It's a pretty name."

      Her gaze dwelt on him calmly for and instant, with the faintest quiver of her full white lids, which appeared to weigh heavily on her rather prominent eyes of a pale periwinkle blue.

      "My real name is Keren-happuch," she said at last, after a struggle with herself, "grandma bein' a great Scripture reader, chose it when I was born—but they call me Blossom, for short."

      "And am I permitted, Miss Keren-happuch, to call you Blossom?"

      Again she hesitated, pondering gravely.

      "Mary Jo, if you unwrap your hair your mother will whip you," she said suddenly, and went on without a perceptible change of tone, "Keren-happuch is an ugly name, and I don't like it—though grandma says we oughtn't to think any of the Bible names ugly, not even Gog. She is quite an authority on Scripture, is grandma, and she can repeat the first chapter in Chronicles backward, which the minister couldn't do when he tried."

      "I'd like to hear the name that would sound ugly on your lips, Miss

       Keren-happuch."

      If the sons of farmers had sought to enchant her ears with similar strains, there was no hint of it in the smiling eyes she lifted to his. The serenity of her look added, he thought, to her resemblance to some pagan goddess—not to Artemis nor to Aphrodite, but to some creature compounded equally of earth and sky. Io perhaps, or Europa? By Jove he had it at last—the Europa of Veronese!

      "There'll have to be a big frost before the persimmons get sweet," she observed in a voice that was remarkably deep and full for a woman. With the faint light on her classic head and her milky skin, he found a delicious piquancy in the remark. Had she gossiped, had she even laughed, the effect would have been disastrous. Europa, he was vaguely aware, would hardly have condescended to coquetry. Her speech, like her glance, would be brief, simple, direct.

      "Tell me about the people here," he asked after a pause, in which he plucked idly at the red-topped orchard grass through which they were passing. Behind them the six little negroes walked primly in single file, Mary Jo in the lead and a chocolate-coloured atom of two toddling at the tail of the procession. From time to time shrill squeaks went up from the rear when a startled partridge whirred over the pasture or a bare brown foot came down on a toad or a grasshopper.

      As she made no reply, he added in a more intimate tone, "I am Jonathan

       Gay, of Jordan's Journey, as I suppose you know."

      "The old gentleman's nephew?" she said, while she drew slightly away from him. "Mary Jo, did you tell Tobias's mammy that he was coming along?"

      "Nawm, I ain done tole nobody caze dar ain nobody done ax me."

      "But I said that you were not to bring him without letting Mahaly know.

       You remember what a whipping she gave him the last time he came!"

      At this a dismal howl burst from Tobias. "I ain't-a-gwine-ter-git-a-whuppin'!"

      "Lawd, Miss