The Miller Of Old Church. Ellen Anderson Gholson Glasgow. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ellen Anderson Gholson Glasgow
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066163310
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a pity that she happened to be born a woman. When she was young she had a perfect mania for drawing, and it used to distress mother so much. A famous portrait painter—I can't recall his name though I am sure it began with S—saw one of her sketches by accident and insisted that we ought to send her to Paris to study. Kesiah was wild to go at the time, but of course it was out of the question that a Virginia lady should go off by herself and paint perfectly nude people in a foreign city. There was a dreadful scene, I remember, and Kesiah even wrote to Uncle William Burwell and asked him to come down and win mother over. He came immediately, for he was the kindest soul, but, of course after he understood, he decided against it. Why on earth should a girl want to go streaking across the water to study art, he asked, when she had a home she could stay in and men folk who could look after her? They both told her she made herself ridiculous when she talked of ambition, and as they wouldn't promise her a penny to live on, she was obliged in the end to give up the idea. She nursed mother very faithfully, I must say, as long as she lived, never leaving her a minute night or day for the last year of her illness. Don't misjudge poor Kesiah, Jonathan, she has a good heart at bottom, though she has always been a little soured on account of her disappointment."

      "Oh, she was cut out for an old maid, one can see that," rejoined Gay, only half interested in the history of his aunt, for he seldom exerted his imagination except under pressure of his desires, "and, by the way, mother, what kind of man was my Uncle Jonathan?"

      "The dearest creature, my son, heaven alone knows what his loss meant to me! Such consideration! Such generosity! Such delicacy! He and Kesiah never got on well, and this was the greatest distress to me."

      "Did you ever hear any queer stories about him? Was he—well—ah, wild, would you say?"

      "Wild? Jonathan, I am surprised at you! Why, during the twenty years that I knew him he never let fall so much as a single indelicate word in my presence."

      "I don't mean that exactly—but what about his relations with the women around here?"

      She flinched as if his words had struck her a blow.

      "Dear Jonathan, your poor uncle would never have asked such a question."

      Above the mantel there was an oil portrait of the elder Jonathan at the age of three, painted astride the back of an animal that disported the shape of a lion under the outward covering of a lamb.

      "Ah, that's just it," commented Gay, while his inquiring look hung on the picture. After a minute of uncertainty, his curiosity triumphed over his discretion and he put, in an apologetic tone, an equally indelicate question. "What about old Reuben Merryweather's granddaughter? Has she been provided for?"

      For an instant Mrs. Gay looked at him with shining, reproachful eyes under a loosened curl of fair hair which was threaded with sliver. Those eyes, very blue, very innocent, seemed saying to him, "Oh, be careful, I am so sensitive. Remember that I am a poor frail creature, and do not hurt me. Let me remain still in my charmed circle where I have always lived, and where no unpleasant reality has ever entered." The quaint peacock screen, brought from China by old Jonathan, cast a shadow on her cheek, which was flushed to the colour of a faded rose leaf.

      "Yes, the girl is an orphan, it is very sad," she replied, and her tone added, "but what can I do about it? I am a woman and should know nothing of such matters!"

      "Was she mentioned in my uncles's will, do you remember?"

      His handsome, well-coloured face had taken a sudden firmness of outline, and even the sagging flesh of his chin appeared to harden with the resolve of the moment. Across his forehead, under the fine dark hair which had worn thin on the temples, three frowning wrinkles leaped out as if in response to some inward pressure.

      "There was something—I can't remember just what it was—Mr. Chamberlayne will tell you about it when he comes down to-morrow to talk over business with Kesiah. They keep all such things away from me out of consideration for my heart. But I've never doubted for an instant that your uncle did everything that was just and generous in the matter. He sent the girl to a good school in Applegate, I remember, and there was a bequest of some sort, I believe—something that she comes into on her twenty-first birthday."

      "She isn't twenty-one then, is she?"

      "I don't know, Jonathan, I really can't remember."

      "Perhaps Aunt Kesiah can tell me something about her?"

      "Oh, she can and she will—but Kesiah is so violent in all her opinions! I had to ask her never to mention Brother Jonathan's name to me because she made me quite ill once by some dreadful hints she let fall about him."

      She leaned back wearily as if the conversation had exhausted her, while the peacock firescreen slipped from her hand and dropped on the white fur rug at her feet.

      "If you'll call Kesiah, Jonathan, I'll go upstairs for a rest," she said gently, yet with a veiled reproach. "The journey tired me, but I forgot it in the pleasure of seeing you."

      All contrition at once, he hastily summoned Kesiah from the storeroom, and between them, with several solicitous maids in attendance, they carried the fragile little lady up to her chamber, where a fire of resinous pine was burning in the big colonial fireplace.

      An hour afterwards, when Kesiah had seen her sister peacefully dozing, she went, for the first time since her return, into her own bedroom, and stood looking down on the hearth, where the servants had forgotten to light the sticks that were laid cross-wise on the andirons. It was the habit of those about her to forget her existence, except when she was needed to render service, and after more than fifty years of such omissions, she had ceased, even in her thought, to pass judgment upon them. In her youth she had rebelled fiercely—rebelled against nature, against the universe, against the fundamental injustice that divided her sister's lot from her own. Generations existed only to win love or to bestow it. Inheritance, training, temperament, all combined to develop the racial instinct within her, yet something stronger than these—some external shaping of clay—had unfitted her for the purpose for which she was designed. And since, in the eyes of her generation, any self-expression from a woman, which was not associated with sex, was an affront to convention, that single gift of hers was doomed to wither away in the hot-house air that surrounded her. A man would have struck for freedom, and have made a career for himself in the open world, but her nature was rooted deep in the rich and heavy soil from which she had tried to detach it. Years after her first fight, on the day of her mother's death, she had suffered a brief revival of youth; and then she had pulled in vain at the obstinate tendrils that held her to the spot in which she had grown. She was no longer penniless, she was no longer needed, but she was crushed. The power of revolt was the gift of youth. Middle-age could put forth only a feeble and ineffectual resistance—words without passion, acts without abandonment. At times she still felt the old burning sense of injustice, the old resentment against life, but this passed quickly now, and she grew quiet as soon as her eyes fell on the flat, spare figure, a little bent in the chest, which her mirror revealed to her. The period was full of woman's advancement—a peaceful revolution had triumphed around her—yet she had taken no part in it, and the knowledge left her unmoved. She had read countless novels that acclaimed hysterically the wrongs of her sex, but beneath the hysterics she had perceived the fact that the newer woman who grasped successfully the right to live, was as her elder sister who had petitioned merely for the privilege to love. The modern heroine could still charm even after she had ceased to desire to. Neither in the new fiction nor in the old was there a place for the unhappy woman who desired to charm but could not; she remained what she had always been—a tragic perversion of nature which romance and realism conspired to ignore. Women in novels had revolted against life as passionately as she—but one and all they had revolted in graceful attitudes and with abundant braids of hair. A false front not only extinguished sentiment—it put an end to rebellion.

      "Miss Kesiah, dar's Marse Reuben in de hall en he sez he'd be moughty glad ef'n you'd step down en speak a wud wid 'im."

      "In a moment, Abednego. I must take off my things."

      Withdrawing the short jet-headed pins from her bonnet with a hurried movement, she stabbed them into the hard round pincushion