Proceed in due course to flat in Sloane Street--entrance impressive, with platoons of hall-porters, one of whom takes me up in lift and leaves me in front of bright purple door with antique knocker representing mermaid, which I think unsuitable for London, although perhaps applicable to Pamela's career. Interior of flat entirely furnished with looking-glass tables, black pouffes, and acutely angular blocks of green wood. Am over-awed, and wonder what Our Vicar's Wife would feel about it all--but imagination jibs.
Pamela receives me in small room--more looking-glass, but fewer pouffes, and angular blocks are red with blue zigzags--and startles me by kissing me with utmost effusion. This very kind, and only wish I had been expecting it, as could then have responded better and with less appearance of astonishment amounting to alarm. She invites me to sit on a pouffe and smoke a Russian cigarette, and I do both, and ask after her children. Oh, says Pamela, the children! and begins to cry, but leaves off before I have had time to feel sorry for her, and bursts into long and complicated speech. Life, declares Pamela, is very, very difficult, and she is perfectly certain that I feel, as she does, that nothing in the world matters except Love. Stifle strong inclination to reply that banking account, sound teeth and adequate servants matter a great deal more, and say Yes Yes, and look as intelligently sympathetic as possible.
Pamela then rushes into impassioned speech, and says that It is not her fault that men have always gone mad about her, and no doubt I remember that it has always been the same, ever since she was a mere tot--(do not remember anything of the kind, and if I did, should certainly not say so)--and that after all, divorce is not looked upon as it used to be, and it's always the woman that has to pay the penalty, don't I agree? Feel it unnecessary to make any very definite reply to this, and am in any case not clear as to whether I do agree or not, so again have recourse to air of intelligent understanding, and inarticulate, but I hope expressive, sound. Pamela apparently completely satisfied with this, as she goes on to further revelations to which I listen with eyes nearly dropping out of my head with excitement. Stevenson, Templer-Tate, Pringle, are all referred to, as well as others whose names have not actually been borne by Pamela--but this, according to her own account, her fault rather than theirs. Feel I ought to say something, so enquire tentatively if her first marriage was a happy one--which sounds better than asking if any of her marriages were happy ones. Happy? says Pamela. Good Heavens, what am I talking about? Conclude from this, that it was not a happy one. Then what, I suggest, about Templer-Tate? That, Pamela replies sombrely, was Hell. (Should like to enquire for whom, but do not, naturally, do so.) Next branch of the subject is presumably Pringle, and here I again hesitate, but Pamela takes initiative and long and frightful story is poured out.
Waddell--such is Pringle's Christian name, which rouses in me interesting train of speculative thought as to mentality of his parents--Waddell does not understand his wife. Never has understood her, never possibly could understand her. She is sensitive, affectionate, intelligent in her own way though of course not clever, says Pamela--and really, although she says so herself, remarkably easy to get on with. A Strong Man could have done anything in the world with her. She is like that. The ivy type. Clinging. I nod, to show agreement. Further conversation reveals that she has clung in the wrong directions, and that this has been, and is being, resented by Pringle. Painful domestic imbroglio is unfolded. I say weakly that I am sorry to hear this--which is not true, as I am thoroughly enjoying myself--and ask what about the children? This brings us back to the beginning again, and we traverse much ground that has been gone over before. Bridge at six is apparently forgotten, and feel that it might sound unsympathetic to refer to it, especially when Pamela assures me that she very, very often thinks of Ending it All. Am not sure if she means life altogether, or only life with Pringle--or perhaps just present rather irregular course of conduct?
Telephone-calls five times interrupt us, when Pamela is effusive and excitable to five unknown conversationalists and undertakes to meet someone on Friday at three, to go and see someone else who is being too, too ill in a Nursing Home, and to help somebody else to meet a woman who knows someone who is connected with films.
Finally, take my leave, after being once more embraced by Pamela, and am shot down in lift--full of looking-glass, and am much struck with the inadequacy of my appearance in these surroundings, and feel certain that lift-attendant is also struck by it, although aware that his opinion ought to be matter of complete indifference to me.
Temperature of Sloane Street seems icy after interior of flat, and cold wind causes my nose to turn scarlet and my eyes to water. Fate selects this moment for the emergence of Lady B.--sable furs up to her eyebrows and paint and powder unimpaired--from Truslove and Hanson, to waiting car and chauffeur. She sees me and screams--at which passers-by look at us, astonished--and says Good gracious her, what next? She would as soon have expected to see the geraniums from the garden uprooting themselves from the soil and coming to London. (Can this be subtle allusion to effect of the wind upon my complexion?) I say stiffly that I am staying at My Flat for a week or two. Where? demands Lady B. sceptically--to which I reply, Doughty Street, and she shakes her head and says that conveys nothing. Should like to refer her sharply to Life of Charles Dickens, but before I have time to do so she asks what on earth I am doing in Sloane Street, of all places--I say, spending an hour or two with my old friend Pamela Pringle--(for which I shall later despise myself, as should never have dreamt of referring to her as anything of the kind to anybody else). Oh, that woman, says Lady B., and offers to give me a lift to Brondesbury or wherever-it-is, as her chauffeur is quite brilliant at knowing his way anywhere. Thank her curtly and refuse. We part, and I wait for a 19 bus and wish I'd told Lady B. that I must hurry, or should arrive late for dinner at Apsley House.
October 3rd.--Observe in myself tendency to go further and further in search of suitable cheap restaurants for meals--this not so much from economic considerations, as on extremely unworthy grounds that walking in the streets amuses me. (Cannot for one instant contemplate even remote possibility of Lady B.'s ever coming to hear of this, and do not even feel disposed to discuss it with Robert. Am, moreover, perfectly well aware that I have come to London to Write, and not to amuse myself.)
Determination to curb this spirit causes me to lunch at small establishment in Theobald's Road, completely filled by hatless young women with cigarettes, one old lady with revolting little dog that growls at everyone, and small, pale youth who eats custard, and reads mysterious periodical entitled Helping Hands.
Solitary waitress looks harassed, and tells me--unsolicited--that she has only a small portion of The Cold left. I say Very Well, and The Cold, after long interval, appears, and turns out to be pork. Should like to ask for a potato, but waitress avoids me, and I go without.
Hatless young women all drink coffee in immense quantities, and I feel this is literary, and should like to do the same, but for cast-iron conviction that coffee will be nasty. Am also quite unattracted by custard, and finally ask for A Bun, please, and waitress--more harassed than ever--enquires in return if I mind the one in the window? I recklessly say No, if it hasn't been there too long, and waitress says Oh, not very, and seems relieved.
Singular conversation between hatless young women engages my attention, and distracts me from rather severe struggle with the bun. My neighbours discuss Life, and the youngest of them remarks that Perversion has practically gone out altogether now. The others seem to view this as pessimistic, and assure her encouragingly that, so far, nothing else has been found to take its place. One of them adjures her to Look at Sprott and Nash--which sounds like suburban grocers, but is, I think, mutual friends. Everybody says Oh, of course, to Sprott and Nash, and seems relieved. Someone tells a story about a very old man, which I try without success to overhear, and someone else