There were, indeed, some whom Coleridge tired, and some whom he sent asleep. It would occasionally so happen, when the abstruser mood was strong upon him, and the visiter was narrow and ungenial. I have seen him at times when you could not incarnate him—when he shook aside your petty questions or doubts, and burst with some impatience through the obstacles of common conversation. Then, escaped from the flesh, he would soar upwards into an atmosphere almost too rare to breathe, but which seemed proper to him, and there he would float at ease. Like enough, what Coleridge then said, his subtlest listener would not understand as a man understands a newspaper; but upon such a listener there would steal an influence, and an impression, and a sympathy; there would be a gradual attempering of his body and spirit, till his total being vibrated with one pulse alone, and thought became merged in contemplation;—
And so, his senses gradually wrapt
In a half sleep, he'd dream of better worlds,
And dreaming hear thee still, O singing lark,
That sangest like an angel in the clouds!
But it would be a great mistake to suppose that the general character of Mr. Coleridge's conversation was abstruse or rhapsodical. The contents of the following pages may, I think, be taken as pretty strong presumptive evidence that his ordinary manner was plain and direct enough; and even when, as sometimes happened, he seemed to ramble from the road, and to lose himself in a wilderness of digressions, the truth was, that at that very time he was working out his fore-known conclusion through an almost miraculous logic, the difficulty of which consisted precisely in the very fact of its minuteness and universality. He took so large a scope, that, if he was interrupted before he got to the end, he appeared to have been talking without an object; although, perhaps, a few steps more would have brought you to a point, a retrospect from which would show you the pertinence of all he had been saying. I have heard persons complain that they could get no answer to a question from Coleridge. The truth is, he answered, or meant to answer, so fully that the querist should have no second question to ask. In nine cases out of ten he saw the question was short or misdirected; and knew that a mere yes or no answer could not embrace the truth—that is, the whole truth—and might, very probably, by implication, convey error. Hence that exhaustive, cyclical mode of discoursing in which he frequently indulged; unfit, indeed, for a dinner- table, and too long-breathed for the patience of a chance visiter—but which, to those who knew for what they came, was the object of their profoundest admiration, as it was the source of their most valuable instruction. Mr. Coleridge's affectionate disciples learned their lessons of philosophy and criticism from his own mouth. He was to them as an old master of the Academy or Lyceum. The more time he took, the better pleased were such visiters; for they came expressly to listen, and had ample proof how truly he had declared, that whatever difficulties he might feel, with pen in hand, in the expression of his meaning, he never found the smallest hitch or impediment in the utterance of his most subtle reasonings by word of mouth. How many a time and oft have I felt his abtrusest thoughts steal rhythmically on my soul, when chanted forth by him! Nay, how often have I fancied I heard rise up in answer to his gentle touch, an interpreting music of my own, as from the passive strings of some wind-smitten lyre!
Mr. Coleridge's conversation at all times required attention, because what he said was so individual and unexpected. But when he was dealing deeply with a question, the demand upon the intellect of the hearer was very great; not so much for any hardness of language, for his diction was always simple and easy; nor for the abstruseness of the thoughts, for they generally explained, or appeared to explain, themselves; but preeminently on account of the seeming remoteness of his associations, and the exceeding subtlety of his transitional links. Upon this point it is very happily, though, according to my observation, too generally, remarked, by one whose powers and opportunities of judging were so eminent that the obliquity of his testimony in other respects is the more unpardonable;—"Coleridge, to many people—and often I have heard the complaint—seemed to wander; and he seemed then to wander the most, when, in fact, his resistance to the wandering instinct was greatest—viz. when the compass and huge circuit, by which his illustrations moved, travelled farthest into remote regions, before they began to revolve. Long before this coming round commenced, most people had lost him, and naturally enough supposed that he had lost himself. They continued to admire the separate beauty of the thoughts, but did not see their relations to the dominant theme. * * * * However, I can assert, upon my long and intimate knowledge of Coleridge's mind, that logic the most severe was as inalienable from his modes of thinking, as grammar from his language." [Footnote: Tait's Mag. Sept. 1834, p. 514.] True: his mind was a logic-vice; let him fasten it on the tiniest flourish of an error, he never slacked his hold, till he had crushed body and tail to dust. He was always ratiocinating in his own mind, and therefore sometimes seemed incoherent to the partial observer. It happened to him as to Pindar, who in modern days has been called a rambling rhapsodist, because the connections of his parts, though never arbitrary, are so fine that the vulgar reader sees them not at all. But they are there nevertheless, and may all be so distinctly shown, that no one can doubt their existence; and a little study will also prove that the points of contact are those which the true genius of lyric verse naturally evolved, and that the entire Pindaric ode, instead of being the loose and lawless out-burst which so many have fancied, is, without any exception, the most artificial and highly wrought composition which Time has spared to us from the wreck of the Greek Muse. So I can well remember occasions, in which, after listening to Mr. Coleridge for several delightful hours, I have gone away with divers splendid masses of reasoning in my head, the separate beauty and coherency of which I deeply felt, but how they had produced, or how they bore upon, each other, I could not then perceive. In such cases I have mused sometimes even for days afterwards upon the words, till at length, spontaneously as it seemed, "the fire would kindle," and the association, which had escaped my utmost efforts of comprehension before, flash itself all at once upon my mind with the clearness of noon-day light.
It may well be imagined that a style of conversation so continuous and diffused as that which I have just attempted to describe, presented remarkable difficulties to a mere reporter by memory. It is easy to preserve the pithy remark, the brilliant retort, or the pointed anecdote; these stick of themselves, and their retention requires no effort of mind. But where the salient angles are comparatively few, and the object of attention is a long-drawn subtle discoursing, you can never recollect, except by yourself thinking the argument over again. In so doing, the order and the characteristic expressions will for the most part spontaneously arise; and it is scarcely credible with what degree of accuracy language may thus be preserved, where practice has given some dexterity, and long familiarity with the speaker has enabled, or almost forced, you to catch the outlines of his manner. Yet with all this, so peculiar were the flow and breadth of Mr. Coleridge's conversation, that I am very sensible how much those who can best judge will have to complain of my representation of it. The following specimens will, I fear, seem too fragmentary, and therefore deficient in one of the most distinguishing properties of that which they are designed to represent; and this is true. Yet the reader will in most instances have little difficulty in understanding the course which the conversation took, although my recollections of it are thrown into separate paragraphs for the sake of superior precision. As I never attempted to give dialogue—indeed, there was seldom much dialogue to give—the great point with me was to condense what I could remember on each particular topic into intelligible wholes with as little injury to the living manner and diction as was possible. With this explanation, I must leave it to those who still have the tones of "that old man eloquent" ringing in their ears, to say how far I have succeeded in this delicate enterprise of stamping his winged words with perpetuity.
In reviewing the contents of the following pages, I can clearly see that I have