“I think so,” answered Madame Grandet.
“Are your vintages all finished?” said Monsieur de Bonfons to Grandet.
“Yes, all of them,” said the old man, rising to walk up and down the room, his chest swelling with pride as he said the words, “all of them.” Through the door of the passage which led to the kitchen he saw la Grande Nanon sitting beside her fire with a candle and preparing to spin there, so as not to intrude among the guests.
“Nanon,” he said, going into the passage, “put out that fire and that candle, and come and sit with us. Pardieu! the hall is big enough for all.”
“But monsieur, you are to have the great people.”
“Are not you as good as they? They are descended from Adam, and so are you.”
Grandet came back to the president and said,—
“Have you sold your vintage?”
“No, not I; I shall keep it. If the wine is good this year, it will be better two years hence. The proprietors, you know, have made an agreement to keep up the price; and this year the Belgians won’t get the better of us. Suppose they are sent off empty-handed for once, faith! they’ll come back.”
“Yes, but let us mind what we are about,” said Grandet in a tone which made the president tremble.
“Is he driving some bargain?” thought Cruchot.
At this moment the knocker announced the des Grassins family, and their arrival interrupted a conversation which had begun between Madame Grandet and the abbe.
Madame des Grassins was one of those lively, plump little women, with pink-and-white skins, who, thanks to the claustral calm of the provinces and the habits of a virtuous life, keep their youth until they are past forty. She was like the last rose of autumn,—pleasant to the eye, though the petals have a certain frostiness, and their perfume is slight. She dressed well, got her fashions from Paris, set the tone to Saumur, and gave parties. Her husband, formerly a quartermaster in the Imperial guard, who had been desperately wounded at Austerlitz, and had since retired, still retained, in spite of his respect for Grandet, the seeming frankness of an old soldier.
“Good evening, Grandet,” he said, holding out his hand and affecting a sort of superiority, with which he always crushed the Cruchots. “Mademoiselle,” he added, turning to Eugenie, after bowing to Madame Grandet, “you are always beautiful and good, and truly I do not know what to wish you.” So saying, he offered her a little box which his servant had brought and which contained a Cape heather,—a flower lately imported into Europe and very rare.
Madame des Grassins kissed Eugenie very affectionately, pressed her hand, and said: “Adolphe wishes to make you my little offering.”
A tall, blond young man, pale and slight, with tolerable manners and seemingly rather shy, although he had just spent eight or ten thousand francs over his allowance in Paris, where he had been sent to study law, now came forward and kissed Eugenie on both cheeks, offering her a workbox with utensils in silver-gilt,—mere show-case trumpery, in spite of the monogram E.G. in gothic letters rather well engraved, which belonged properly to something in better taste. As she opened it, Eugenie experienced one of those unexpected and perfect delights which make a young girl blush and quiver and tremble with pleasure. She turned her eyes to her father as if to ask permission to accept it, and Monsieur Grandet replied: “Take it, my daughter,” in a tone which would have made an actor illustrious.
The three Cruchots felt crushed as they saw the joyous, animated look cast upon Adolphe des Grassins by the heiress, to whom such riches were unheard-of. Monsieur des Grassins offered Grandet a pinch of snuff, took one himself, shook off the grains as they fell on the ribbon of the Legion of honor which was attached to the button-hole of his blue surtout; then he looked at the Cruchots with an air that seemed to say, “Parry that thrust if you can!” Madame des Grassins cast her eyes on the blue vases which held the Cruchot bouquets, looking at the enemy’s gifts with the pretended interest of a satirical woman. At this delicate juncture the Abbe Cruchot left the company seated in a circle round the fire and joined Grandet at the lower end of the hall. As the two men reached the embrasure of the farthest window the priest said in the miser’s ear: “Those people throw money out of the windows.”
“What does that matter if it gets into my cellar?” retorted the old wine-grower.
“If you want to give gilt scissors to your daughter, you have the means,” said the abbe.
“I give her something better than scissors,” answered Grandet.
“My nephew is a blockhead,” thought the abbe as he looked at the president, whose rumpled hair added to the ill grace of his brown countenance. “Couldn’t he have found some little trifle which cost money?”
“We will join you at cards, Madame Grandet,” said Madame des Grassins.
“We might have two tables, as we are all here.”
“As it is Eugenie’s birthday you had better play loto all together,” said Pere Grandet: “the two young ones can join”; and the old cooper, who never played any game, motioned to his daughter and Adolphe. “Come, Nanon, set the tables.”
“We will help you, Mademoiselle Nanon,” said Madame des Grassins gaily, quite joyous at the joy she had given Eugenie.
“I have never in my life been so pleased,” the heiress said to her; “I have never seen anything so pretty.”
“Adolphe brought it from Paris, and he chose it,” Madame des Grassins whispered in her ear.
“Go on! go on! damned intriguing thing!” thought the president. “If you ever have a suit in court, you or your husband, it shall go hard with you.”
The notary, sitting in his corner, looked calmly at the abbe, saying to himself: “The des Grassins may do what they like; my property and my brother’s and that of my nephew amount in all to eleven hundred thousand francs. The des Grassins, at the most, have not half that; besides, they have a daughter. They may give what presents they like; heiress and presents too will be ours one of these days.”
At half-past eight in the evening the two card-tables were set out. Madame des Grassins succeeded in putting her son beside Eugenie. The actors in this scene, so full of interest, commonplace as it seems, were provided with bits of pasteboard striped in many colors and numbered, and with counters of blue glass, and they appeared to be listening to the jokes of the notary, who never drew a number without making a remark, while in fact they were all thinking of Monsieur Grandet’s millions. The old cooper, with inward self-conceit, was contemplating the pink feathers and the fresh toilet of Madame des Grassins, the martial head of the banker, the faces of Adolphe, the president, the abbe, and the notary, saying to himself:—
“They are all after my money. Hey! neither the one nor the other shall have my daughter; but they are useful—useful as harpoons to fish with.”
This family gaiety in the old gray room dimly lighted by two tallow candles; this laughter, accompanied by the whirr of Nanon’s spinning-wheel, sincere only upon the lips of Eugenie or her mother; this triviality mingled with important interests; this young girl, who, like certain birds made victims of the price put upon them, was now lured and trapped by proofs of friendship of which she was the dupe,—all these things contributed to make the scene a melancholy comedy. Is it not, moreover, a drama of all times and all places, though here brought down to its simplest expression? The figure of Grandet, playing his own game with the false friendship of the two families and getting enormous profits from it, dominates the scene and throws light upon it. The modern god,—the only god in whom faith is preserved,—money, is here, in all its power, manifested in a single countenance. The tender sentiments of life hold here but a secondary place; only the three pure, simple hearts of Nanon, of Eugenie, and of her mother were inspired by them. And how much of ignorance there was in the simplicity of these poor women! Eugenie and her mother knew nothing