The Collected Works of Sigmund Freud. Sigmund Freud. Читать онлайн. Newlib. NEWLIB.NET

Автор: Sigmund Freud
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He dreamed once that he undertook a pilgrimage (pélerinage) to Jerusalem or Mecca. After many adventures he was with the chemist Pelletier; the latter after some talk gave him a zinc shovel (pelle) which became his long battle sword in the dream fragment which followed (p. 137). On another occasion he walked in a dream on the highway and read the kilometres on the milestones; presently he was with a spice merchant who had large scales with which to weigh Maury; the spice merchant then said to him: "You are not in Paris; but on the island Gilolo." This was followed by many pictures, in which he saw the flower Lobelia, then the General Lopez, of whose demise he had read shortly before. He finally awoke while playing a game of lotto.

      We are, however, quite prepared to hear that this depreciation of the psychic activities of the dream has not remained without contradiction from the other side. To be sure, contradiction seems difficult here. Nor is it of much significance that one of the depreciators of dream life, Spitta64 (p. 118), assures us that the same psychological laws which govern the waking state rule the dream also, or that another (Dugas19) states: "Le rêve n'est pas déraison ni même irraison pure," as long as neither of them has made any effort to bring this estimation into harmony with the psychic anarchy and dissolution of all functions in the dream described by them. Upon others, however, the possibility seems to have dawned that the madness of the dream is perhaps not without its method—that it is perhaps only a sham, like that of the Danish prince, to whose madness the intelligent judgment here cited refers. These authors must have refrained from judging by appearances, or the appearance which the dream showed to them was quite different.

      Without wishing to linger at its apparent absurdity, Havelock Ellis23 considers the dream as "an archaic world of vast emotions and imperfect thoughts," the study of which may make us acquainted with primitive stages of development of the psychic life. A thinker like Delbœuf16 asserts—to be sure without adducing proof against the contradictory material, and hence indeed unjustly: "Dans le sommeil, hormis la perception, toutes les facultés de l'esprit, intelligence, imagination, mémoire, volonté, moralité, restant intactes dans leur essence; seulement, elles s'appliquent à des objets imaginaires et mobiles. Le songeur est un acteur qui joue à volonté les fous et les sages, les bourreaus et les victimes, les nains et les géants, les démons et les anges" (p. 222). The Marquis of Hervey, who is sharply controverted by Maury,48 and whose work I could not obtain despite all effort, seems to combat most energetically the under-estimation of the psychic capacity in the dream. Maury speaks of him as follows (p. 19): "M. le Marquis d'Hervey prête à l'intelligence, durant le sommeil toute sa liberté d'action et d'attention et il ne semble faire consister le sommeil que dans l'occlusion des sens, dans leur fermeture au monde extérieur; en sorte que l'homme qui dort ne se distingué guère, selon sa manière de voir, de l'homme qui laisse vaguer sa pensée en se bouchant les sens; toute la différence qui séparé alors la pensée ordinaire du celle du dormeur c'est que, chez celui-ci, l'idée prend une forme visible, objective et ressemble, à s'y meprendre, à la sensation déterminée par les objets extérieurs; le souvenir revêt l'apparence du fait présent."

      Maury adds, however; "Qu'il y a une différence de plus et capitale à savoir que les facultés intellectuelles de l'homme endormi n'offrent pas l'équilibre qu'elles gardent chez l'homme l'éveillé."

      The scale of the estimation of the dream as a psychic product has a great range in the literature; it reaches from the lowest under-estimation, the expression of which we have come to know, through the idea of a value not yet revealed to the over-estimation which places the dream far above the capacities of the waking life. Hildebrandt,35 who, as we know, sketches the psychological characteristics into three antinomies, sums up in the third of these contradistinctions the extreme points of this series as follows (p. 19): "It is between a climax, often an involution which raises itself to virtuosity, and on the other hand a decided diminution and weakening of the psychic life often leading below the human niveau."

      "As for the first, who could not confirm from his own experience that, in the creations and weavings of the genius of the dream, there sometimes comes to fight a profundity and sincerity of emotion, a tenderness of feeling, a clearness of view, a fineness of observation, and a readiness of wit, all which we should modestly have to deny that we possess as a constant property during the waking life? The dream has a wonderful poetry, an excellent allegory, an incomparable humour, and a charming irony. It views the world under the guise of a peculiar idealisation, and often raises the effect of its manifestations into the most ingenious understanding of the essence lying at its basis. It represents for us earthly beauty in true heavenly radiance, the sublime in the highest majesty, the actually frightful in the most gruesome figure, and the ridiculous in the indescribably drastic comical; and at times we are so full of one of these impressions after awakening that we imagine that such a thing has never been offered to us by the real world."

      One may ask, is it really the same object that the depreciating remarks and these inspired praises are meant for? Have the latter overlooked the stupid dreams and the former the thoughtful and ingenious dreams? And if both kinds do occur—that is, dreams that merit to be judged in this or that manner—does it not seem idle to seek the psychological character of the dream? would it not suffice to state that everything is possible in the dream, from the lowest depreciation of the psychic life to a raising of the same which is unusual in the waking state? As convenient as this solution would be it has this against it, that behind the efforts of all dream investigators, it seems to be presupposed that there is such a definable character of the dream, which is universally valid in its essential features and which must eliminate these contradictions.

      Among the superior activities which, even on sober comparison, one is tempted to ascribe to the dream life, memory is the most striking; we have fully discussed the frequent experiences which prove this fact. Another superiority of the dream life, frequently extolled by the old authors, viz. that it can regard itself supreme in reference to distance of time and space, can be readily recognised as an illusion. This superiority, as observed by Hildebrandt,35 is only illusional; the dream takes as much heed of time and space as the waking thought, and this because it is only a form of thinking. The dream is supposed to enjoy still another advantage in reference to time; that is, it is independent in still another sense of the passage of time. Dreams like the guillotine dream of Maury,48 reported above, seem to show that the dream can crowd together more perception content in a very short space of time than can be controlled by our psychic activity in the waking mind. These conclusions have been controverted, however, by many arguments; the essays of Le Lorrain45 and Egger20 "Concerning the apparent duration of dreams" gave rise to a long and interesting discussion which has probably not said the last word upon this delicate and far-reaching question.

      That the dream has the ability to take up the intellectual work of the day and bring to a conclusion what has not been settled during the day, that it can solve doubt and problems, and that it may become the source of new inspiration in poets and composers, seems to be indisputable, as is shown by many reports and by the collection compiled by Chabaneix.11