GIUSEPPE PARINI
I
In 1748 began for Italy a peace of nearly fifty years, when the Wars of the Succession, with which the contesting strangers had ravaged her soil, absolutely ceased. In Lombardy the Austrian rulers who had succeeded the Spaniards did and suffered to be done many things for the material improvement of a province which they were content to hold, while leaving the administration mainly to the Lombards; the Spanish Bourbon at Naples also did as little harm and as much good to his realm as a Bourbon could; Pier Leopoldo of Tuscany, Don Filippo I. of Parma, Francis III. of Modena, and the Popes Benedict XIV., Clement XIV., and Pius VI. were all disposed to be paternally beneficent to their peoples, who at least had repose under them, and in this period gave such names to science as those of Galvani and Volta, to humanity that of Beccaria, to letters those of Alfieri, Filicaja, Goldoni, Parini, and many others.
But in spite of the literary and scientific activity of the period, Italian society was never quite so fantastically immoral as in this long peace, which was broken only by the invasions of the French republic. A wide-spread sentimentality, curiously mixed of love and letters, enveloped the peninsula. Commerce, politics, all the business of life, went on as usual under the roseate veil which gives its hue to the social history of the time; but the idea which remains in the mind is one of a tranquillity in which every person of breeding devoted himself to the cult of some muse or other, and established himself as the conventional admirer of his neighbor's wife. The great Academy of Arcadia, founded to restore good taste in poetry, prescribed conditions by which everybody, of whatever age or sex, could become a poetaster, and good society expected every gentleman and lady to be in love. The Arcadia still exists, but that gallant society hardly survived the eighteenth century. Perhaps the greatest wonder about it is that it could have lasted so long as it did. Its end was certainly not delayed for want of satirists who perceived its folly and pursued it with scorn. But this again only brings one doubt, often felt, whether satire ever accomplished anything beyond a lively portraiture of conditions it proposed to reform.
It is the opinion of some Italian critics that Italian demoralization began with the reaction against Luther, when the Jesuits rose to supreme power in the Church and gathered the whole education of the young into the hands of the priests. Cesare Cantù, whose book on Parini ed il suo Secolo may be read with pleasure and instruction by such as like to know more fully the time of which I speak, was of this mind; he became before his death a leader of the clerical party in Italy, and may be supposed to be without unfriendly prejudice. He alleges that the priestly education made the Italians literati rather than citizens; Latinists, poets, instead of good magistrates, workers, fathers of families; it cultivated the memory at the expense of the judgment, the fancy at the cost of the reason, and made them selfish, polished, false; it left a boy “apathetic, irresolute, thoughtless, pusillanimous; he flattered his superiors and hated his fellows, in each of whom he dreaded a spy.” He knew the beautiful and loved the grandiose; his pride of family and ancestry was inordinately pampered. What other training he had was in the graces and accomplishments; he was thoroughly instructed in so much of warlike exercise as enabled him to handle a rapier perfectly and to conduct or fight a duel with punctilio.
But he was no warrior; his career was peace. The old medieval Italians who had combated like lions against the French and Germans and against each other, when resting from the labors and the high conceptions which have left us the chief sculptures and architecture of the Peninsula, were dead; and their posterity had almost ceased to know war. Italy had indeed still remained a battle-ground, but not for Italian quarrels nor for Italian swords; the powers which, like Venice, could afford to have quarrels of their own, mostly hired other people to fight them out. All the independent states of the Peninsula had armies, but armies that did nothing; in Lombardy, neither Frenchman, Spaniard, nor Austrian had been able to recruit or draft soldiers; the flight of young men from the conscription depopulated the province, until at last Francis II. declared it exempt from military service; Piedmont, the Macedon, the Boeotia of that Greece, alone remained warlike, and Piedmont was alone able, when the hour came, to show Italy how to do for herself.
Yet, except in the maritime republics, the army, idle and unwarlike as it was in most cases, continued to be one of the three careers open to the younger sons of good family; the civil service and the Church were the other two. In Genoa, nobles had engaged in commerce with equal honor and profit; nearly every argosy that sailed to or from the port of Venice belonged to some lordly speculator; but in Milan a noble who descended to trade lost his nobility, by a law not abrogated till the time of Charles IV. The nobles had therefore nothing to do. They could not go into business; if they entered the army it was not to fight; the civil service was of course actually performed by subordinates; there were not cures for half the priests, and there grew up that odd, polite rabble of abbati, like our good Frugoni, priests without cures, sometimes attached to noble families as chaplains, sometimes devoting themselves to literature or science, sometimes leading lives of mere leisure and fashion; they were mostly of plebeian origin when they did anything at all besides pay court to the ladies.
In Milan the nobles were exempt from many taxes paid by the plebeians; they had separate courts of law, with judges of their own order, before whom a plebeian plaintiff appeared with what hope of justice can be imagined. Yet they were not oppressive; they were at worst only insolent to their inferiors, and they commonly used them with the gentleness which an Italian can hardly fail in. There were many ties of kindness between the classes, the memory of favors and services between master and servant, landlord and tenant, in relations which then lasted a life-time, and even for generations. In Venice, where it was one of the high privileges of the patrician to spit from his box at the theater upon the heads of the people in the pit, the familiar bond of patron and client so endeared the old republican nobles to the populace that the Venetian poor of this day, who know them only by tradition, still lament them. But, on the whole, men have found it at Venice, as elsewhere, better not to be spit upon, even by an affectionate nobility.
The patricians were luxurious everywhere. In Rome they built splendid palaces, in Milan they gave gorgeous dinners. Goldoni, in his charming memoirs, tells us that the Milanese of his time never met anywhere without talking of eating, and they did eat upon all possible occasions, public, domestic, and religious; throughout Italy they have yet the nickname of lupi lombardi (Lombard wolves) which their good appetites won them. The nobles of that gay old Milan were very hospitable, easy of access to persons of the proper number of descents, and full of invitations for the stranger. A French writer found their cooking delicate and estimable as that of his own nation; but he adds that many of these friendly, well-dining aristocrats had not good ton. One can think of them at our distance of time and place with a kindness which Italian critics, especially those of the bitter period of struggle about the middle of this century, do not affect. Emiliani-Giudici, for example, does not, when he calls them and their order throughout Italy an aristocratic leprosy. He assures us that at the time of that long peace “the moral degradation of what the French call the great world was the inveterate habit of centuries; the nobles wallowed in their filth untouched by remorse”; and he speaks of them as “gilded swine, vain of the glories of their blazons, which they dragged through the mire of their vices.”
II
This is when he is about to consider a poem in which the Lombard nobility are satirized—if it was satire to paint them to the life. He says that he would be at