The Complete Novels of Ernest Haycox. Ernest Haycox. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ernest Haycox
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066309107
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was the cook—"and a coupla girls."

      "Get the girls out of there a minute."

      The flunkey disappeared. There was a short interval. He heard the flunkey say: "All right. Clear," and he slid into the kitchen quickly. The flunkey had his back to the swinging door leading into the dining room. He was grinning and seemed excited. So did the cook who winked at Chaffee. Chaffee dropped a word and turned aside to the small stairway leading up from the kitchen to that part of the second story housing the help. He went down a hall, opened another door, and arrived at the main hall. A light broke through a transom at occasional rooms, and there was a murmur of talk. He walked casually toward the hall's far end. In front of room 101 he paused. A light came over this transom, too, but he heard no conversation. Testing the knob carefully, he dropped his free hand to his gun and pushed the door before him.

      Woolfridge stood by a window, looking down to the street. He turned at the sound of Chaffee's entrance, and when he saw who confronted him his face seemed in the lamp's glow to become harsh and triangular. But he said nothing, nor did he show surprise; he had trained himself too long to give way now. Instead, his arms moved together, hand gripping wrist, and he stood with the preciseness of carriage that always marked him; stood like this and somberly studied the man he had watched and harried so persistently in the last two weeks.

      "Sit down," said Chaffee as if this was an everyday occurrence. "Hustle it."

      Woolfridge moved to a chair and settled.

      "Pull off a boot—either one."

      He saw the blood spilling up into Woolfridge's neck; he saw the compression of lips and the queer, uncanny shifting of character. At once there was a different look on Woolfridge's face—the emergence of emotions long hidden, carefully suppressed. Emotions that had driven him through the course of the past few months and caused him to become in the end relentless, unscrupulous, and astonishingly reckless.

      "Hurry the boot," suggested Chaffee. "Throw it over here."

      Still wordless, Woolfridge obeyed. Chaffee reached for the boot and backed to the door. "That," said he with an admirable sang-froid, "will be all for a little while. If I want you later I'll drop around. If you ain't here"—and the leisurely quality of his words was broken by the snap and ring of rising anger—"I'll come and find you."

      Woolfridge shrugged his shoulders and spoke for the first time. "That," said he, "will be interesting."

      Chaffee let himself out of the door. A moment later he was squirming down the stairway; he crossed the kitchen, careless of the waitress watching, ran rapidly back to the alley beside Tilton's, and with one scant moment's hesitation to inspect the street ducked up to Fancher's office. Fancher had lighted the lamp and drawn the front window blind. Chaffee was somehow bothered by the drawn lines on the man's face and the sadness in the eyes. He threw the boot on Fancher's table.

      "Where are those models?"

      Fancher moved back to a corner of the room. "Them blamed models have been awful strong bait. Somebody's suspected I got 'em. They've rummaged my premises two-three times lately while I was gone. I figured something like that would happen, so I moved 'em out of the cabinet." Two pair of high boots stood against the wall, each boot stuffed with a heavy stock. Fancher pulled out the socks and turned the boots over and picked out that model with the broad arch and flat heel; he laid it on the table and placed Woolfridge's boot against it, Fancher looked at the mating just once and raised his head.

      "It's a fit. I always figured that flat heel must've come from a cavalry style boot. There she is. But the job ain't done yet. We still got this splay-toed model we ain't identified."

      "Mark Eagle's—he told me he was there that night. Nobody but an Indian has got a fan-shaped foot. It's complete."

      "So," murmured Fancher. "What of it?"

      "Mark told me something else," drawled Chaffee. Excitement piled up in him, his eyes were flickering, the lean cheeks compressing. "He was back there. He saw three men come around the stable. One was the gambler, who never fired a shot. Second was Theodorik Perrine, and he didn't fire a shot. The third man killed Satterlee. The name of that man is Woolfridge."

      Fancher's head bobbed up and down. "I've had the idea in my head a long time. But supposin' you're talkin' to a jury. How strong is Mark Eagle's testimony? Why couldn't he have fired that shot? I'm not accusin' him—I'm lookin' at it from the jury's point of view."

      "What reason would he have?" countered Chaffee. "He was Satterlee's known friend. That's well established. Point two—Satterlee was killed with a .44 slug. I know Mark Eagle's guns. Seen 'em lots of times and so have you. He never carries anything but a .45 and a Krag rifle. Point three—his boot prints never came near the mouth of the stable's back door, nor anywheres within a direct line of fire. Neither did the gambler's, nor Perrine's. But the marks of Woolfridge's boots crept along the edge of the stable wall and were sunk deep into the ground right at the edge of the door—as if he'd crouched and set the weight of his body on his heels. Point four—Woolfridge had a good reason for killing Satterlee. He'd been dogging the old man for a long time to sell Stirrup S. Had to have the ranch for his plans. Old man wouldn't sell. So Woolfridge took the only way out. It's clear to me. It will be clear enough to a jury."

      "If it gets to a jury," muttered Fancher. "I don't understand why Woolfridge would do it himself when he had so many hired gunmen."

      "One time," said Chaffee, "I overheard him say that if a thing was to be well done it had to be done personally. Another mistake. Well, Fancher, I've been hustled around the country a long time. It's my turn—"

      "What in God's name is going on below?" interrupted Fancher. He ran to the window and lifted the blind. The street was filling with voices and down it came a body of horsemen yelling into the dark sky. A gun exploded, rattling loose sashes. Fancher turned. "Stirrup S crew."

      "I told them to meet me behind the rodeo grounds," muttered Chaffee. "They're awful public about it."

      "They know—they feel the change," said Fancher, looking old and weary. "It's in the air. Jim, a mob is a terrible thing—a terrible thing."

      "My turn has come," replied Chaffee. All at once the last of the tolerance and easy-going air left him. The yellow lamplight beat against his bronze cheeks, bringing into prominence the sharp angles of mouth and chin and eyelids. To-night the impulses of the killer were leaping in his veins, and Doc Fancher, seeing this, sighed and let his shoulders sag a little.

      "Jim, don't get reckless. They're under the gun, but they want you pretty bad. And it only takes one shot."

      "They've tried too many times," said Chaffee. "It's not in the cards now. What have they done? They've ruined a pleasant country—left scars all over it! Chased fine people away just to make way for an unscrupulous project. Shot folks down—robbed them! It's my turn now. I'm going out there and get the boys together. Woolfridge goes to jail, and if Locklear makes a move against me he goes behind the bars, too. Those imported gun artists are ridin' a long way out before daylight. And I'm goin' to see Mister Theodorik Perrine and settle an argument with him. It's a clean sweep, Fancher. Roaring Horse needs it awful bad."

      "It only takes one shot," Fancher reminded him again.

      Chaffee was at the door. For just a moment a tight grin flashed across his eyes. "Doc, if you'd been with me the last three weeks I think you'd figger I'm blamed near proof against disaster. Well, here's the start of somethin'."

      He went down the stairs and stepped into the street, shadowed and unobserved. Over at the livery stable was a mass of men crowding together and moving with a strange restlessness. Somebody was up on a box in the very center of the crowd, talking rapidly and angrily. The Stirrup S boys were at the other end of the street; evidently they had made one trip to the rodeo grounds and, finding nothing, were bent back to sweep Roaring Horse end to end by way of diversion. Down the thoroughfare they galloped, thigh and thigh. Locklear and Perrine, with his men, were assembled on the porch of the Gusher. The imported gunmen were there as well. And, counting heads, Chaffee observed that most of Woolfridge's ranch crew stood idly at hand. The