He stood still for a while reflecting and mumbling to himself, as if counting something on his fingers.
"Three hundred—three hundred—eleven—twelve—thirteen—sixteen—in five years! Let's say four per cent—five times twelve—sixty, and on these sixty——. Let us assume that in five years it will amount to—well, four hundred. Hm—hm! But the shrewd old fox isn't likely to be satisfied with four per cent. He gets eight or even ten, perhaps. Let's suppose five hundred, five hundred thousand, at least, that's sure. Anything above that for pocket money—hm—"
He blew his nose and was about to leave the room when he spied the girl and stood still. I, behind the plants, escaped his notice. He seemed to me to be quivering with excitement. It must have been his calculations that upset him so. He rubbed his hands and danced from place to place, and kept getting more and more excited. Finally, however, he conquered his emotions and came to a standstill. He cast a determined look at the future bride and wanted to move toward her, but glanced about first. Then, as if with a guilty conscience, he stepped over to the child on tip-toe, smiling, and bent down and kissed her head.
His coming was so unexpected that she uttered a shriek of alarm.
"What are you doing here, dear child?" he whispered, looking around and pinching her cheek.
"We're playing."
"What, with him?" said Julian Mastakovich with a look askance at the governess's child. "You should go into the drawing-room, my lad," he said to him.
The boy remained silent and looked up at the man with wide-open eyes. Julian Mastakovich glanced round again cautiously and bent down over the girl.
"What have you got, a doll, my dear?"
"Yes, sir." The child quailed a little, and her brow wrinkled.
"A doll? And do you know, my dear, what dolls are made of?"
"No, sir," she said weakly, and lowered her head.
"Out of rags, my dear. You, boy, you go back to the drawing-room, to the children," said Julian Mastakovich looking at the boy sternly.
The two children frowned. They caught hold of each other and would not part.
"And do you know why they gave you the doll?" asked Julian Mastakovich, dropping his voice lower and lower.
"No."
"Because you were a good, very good little girl the whole week."
Saying which, Julian Mastakovich was seized with a paroxysm of agitation. He looked round and said in a tone faint, almost inaudible with excitement and impatience:
"If I come to visit your parents will you love me, my dear?"
He tried to kiss the sweet little creature, but the red-haired boy saw that she was on the verge of tears, and he caught her hand and sobbed out loud in sympathy. That enraged the man.
"Go away! Go away! Go back to the other room, to your playmates."
"I don't want him to. I don't want him to! You go away!" cried the girl. "Let him alone! Let him alone!" She was almost weeping.
There was a sound of footsteps in the doorway. Julian Mastakovich started and straightened up his respectable body. The red-haired boy was even more alarmed. He let go the girl's hand, sidled along the wall, and escaped through the drawing-room into the dining-room.
Not to attract attention, Julian Mastakovich also made for the dining-room. He was red as a lobster. The sight of himself in a mirror seemed to embarrass him. Presumably he was annoyed at his own ardour and impatience. Without due respect to his importance and dignity, his calculations had lured and pricked him to the greedy eagerness of a boy, who makes straight for his object—though this was not as yet an object; it only would be so in five years' time. I followed the worthy man into the dining-room, where I witnessed a remarkable play.
Julian Mastakovich, all flushed with vexation, venom in his look, began to threaten the red-haired boy. The red-haired boy retreated farther and farther until there was no place left for him to retreat to, and he did not know where to turn in his fright.
"Get out of here! What are you doing here? Get out, I say, you good-for-nothing! Stealing fruit, are you? Oh, so, stealing fruit! Get out, you freckle face, go to your likes!"
The frightened child, as a last desperate resort, crawled quickly under the table. His persecutor, completely infuriated, pulled out his large linen handkerchief and used it as a lash to drive the boy out of his position.
Here I must remark that Julian Mastakovich was a somewhat corpulent man, heavy, well-fed, puffy-cheeked, with a paunch and ankles as round as nuts. He perspired and puffed and panted. So strong was his dislike (or was it jealousy?) of the child that he actually began to carry on like a madman.
I laughed heartily. Julian Mastakovich turned. He was utterly confused and for a moment, apparently, quite oblivious of his immense importance. At that moment our host appeared in the doorway opposite. The boy crawled out from under the table and wiped his knees and elbows. Julian Mastakovich hastened to carry his handkerchief, which he had been dangling by the corner, to his nose. Our host looked at the three of us rather suspiciously. But, like a man who knows the world and can readily adjust himself, he seized upon the opportunity to lay hold of his very valuable guest and get what he wanted out of him.
"Here's the boy I was talking to you about," he said, indicating the red-haired child. "I took the liberty of presuming on your goodness in his behalf."
"Oh," replied Julian Mastakovich, still not quite master of himself.
"He's my governess's son," our host continued in a beseeching tone. "She's a poor creature, the widow of an honest official. That's why, if it were possible for you—"
"Impossible, impossible!" Julian Mastakovich cried hastily. "You must excuse me, Philip Alexeyevich, I really cannot. I've made inquiries. There are no vacancies, and there is a waiting list of ten who have a greater right—I'm sorry."
"Too bad," said our host. "He's a quiet, unobtrusive child."
"A very naughty little rascal, I should say," said Julian Mastakovich, wryly. "Go away, boy. Why are you here still? Be off with you to the other children."
Unable to control himself, he gave me a sidelong glance. Nor could I control myself. I laughed straight in his face. He turned away and asked our host, in tones quite audible to me, who that odd young fellow was. They whispered to each other and left the room, disregarding me.
I shook with laughter. Then I, too, went to the drawing-room. There the great man, already surrounded by the fathers and mothers and the host and the hostess, had begun to talk eagerly with a lady to whom he had just been introduced. The lady held the rich little girl's hand. Julian Mastakovich went into fulsome praise of her. He waxed ecstatic over the dear child's beauty, her talents, her grace, her excellent breeding, plainly laying himself out to flatter the mother, who listened scarcely able to restrain tears of joy, while the father showed his delight by a gratified smile.
The joy was contagious. Everybody shared in it. Even the children were obliged to stop playing so as not to disturb the conversation. The atmosphere was surcharged with awe. I heard the mother of the important little girl, touched to her profoundest depths, ask Julian Mastakovich in the choicest language of courtesy, whether he would honour them by coming to see them. I heard Julian Mastakovich accept the invitation with unfeigned enthusiasm. Then the guests scattered decorously to different parts of the room, and I heard them, with veneration in their tones, extol the business man, the business man's wife, the business man's daughter, and, especially, Julian Mastakovich.
"Is he married?" I asked out loud of an acquaintance of mine standing beside Julian Mastakovich.
Julian Mastakovich gave me a venomous look.