'"My learned friend's manner would be intolerable in an emperor to a black-beetle,"' quoted Beverley. 'Well, what are we going to do about it?'
'If only you could sell a picture, too!'
'Ah! Well, I've done my part of the contract. I've delivered the goods. There the thing is at Epstein's. The public can't blame me if it doesn't sell. All they've got to do is to waltz in in their thousands and fight for it. And, by the way, talking of waltzes—'
'Oh, it's finished,' said Annette, dispiritedly. 'Published too, for that matter.'
'Published! What's the matter, then? Why this drooping sadness? Why aren't you running around the square, singing like a bird?'
'Because,' said Annette, 'unfortunately, I had to pay the expenses of publication. It was only five pounds, but the sales haven't caught up with that yet. If they ever do, perhaps there'll be a new edition.'
'And will you have to pay for that?'
'No. The publishers would.'
'Who are they?'
'Grusczinsky and Buchterkirch.'
'Heavens, then what are you worrying about? The thing's a cert. A man with a name like Grusczinsky could sell a dozen editions by himself. Helped and inspired by Buchterkirch, he will make the waltz the talk of the country. Infants will croon it in their cots.'
'He didn't seem to think so when I saw him last.'
'Of course not. He doesn't know his own power. Grusczinsky's shrinking diffidence is a by-word in musical circles. He is the genuine Human Violet. You must give him time.'
'I'll give him anything if he'll only sell an edition or two,' said Annette.
The outstanding thing was that he did. There seemed no particular reason why the sale of that waltz should not have been as small and as slow as that of any other waltz by an unknown composer. But almost without warning it expanded from a trickle into a flood. Grusczinsky, beaming paternally whenever Annette entered the shop—which was often—announced two new editions in a week. Beverley, his artistic growth still under a watchful eye of Sellers, said he had never had any doubts as to the success of the thing from the moment when a single phrase in it had so carried him away that he had been compelled to stamp his applause enthusiastically on the floor. Even Sellers forgot his own triumphs long enough to allow him to offer affable congratulations. And money came rolling in, smoothing the path of life.
Those were great days. There was a hat …
Life, in short, was very full and splendid. There was, indeed, but one thing which kept it from being perfect. The usual drawback to success is that it annoys one's friends so; but in Annette's case this drawback was absent. Sellers' demeanour towards her was that of an old-established inmate welcoming a novice into the Hall of Fame. Her pupils—worthy souls, though bone-headed—fawned upon her. Beverley seemed more pleased than anyone. Yet it was Beverley who prevented her paradise from being complete. Successful herself, she wanted all her friends to be successful; but Beverley, to her discomfort, remained a cheery failure, and worse, absolutely refused to snub Sellers. It was not as if Sellers' advice and comments were disinterested. Beverley was simply the instrument on which he played his songs of triumph. It distressed Annette to such an extent that now, if she went upstairs and heard Sellers' voice in the studio, she came down again without knocking.
One afternoon, sitting in her room, she heard the telephone-bell ring.
The telephone was on the stairs, just outside her door. She went out and took up the receiver.
'Halloa!' said a querulous voice. 'Is Mr. Beverley there?'
Annette remembered having heard him go out. She could always tell his footstep.
'He is out,' she said. 'Is there any message?'
'Yes,' said the voice, emphatically. 'Tell him that Rupert Morrison rang up to ask what he was to do with all this great stack of music that's arrived. Does he want it forwarded on to him, or what?' The voice was growing high and excited. Evidently Mr. Morrison was in a state of nervous tension when a man does not care particularly who hears his troubles so long as he unburdens himself of them to someone.
'Music?' said Annette.
'Music!' shrilled Mr. Morrison. 'Stacks and stacks and stacks of it. Is he playing a practical joke on me, or what?' he demanded, hysterically. Plainly he had now come to regard Annette as a legitimate confidante. She was listening. That was the main point. He wanted someone—he did not care whom—who would listen. 'He lends me his rooms,' wailed Mr. Morrison, 'so that I can be perfectly quiet and undisturbed while I write my novel, and, first thing I know, this music starts to arrive. How can I be quiet and undisturbed when the floor's littered two yards high with great parcels of music, and more coming every day?'
Annette clung weakly to the telephone box. Her mind was in a whirl, but she was beginning to see many things.
'Are you there?' called Mr. Morrison.
'Yes. What—what firm does the music come from?'
'What's that?'
'Who are the publishers who send the music?'
'I can't remember. Some long name. Yes, I've got it. Grusczinsky and someone.'
'I'll tell Mr. Beverley,' said Annette, quietly. A great weight seemed to have settled on her head.
'Halloa! Halloa! Are you there?' came Mr. Morrison's voice.
'Yes?'
'And tell him there are some pictures, too.'
'Pictures?'
'Four great beastly pictures. The size of elephants. I tell you, there isn't room to move. And—'
Annette hung up the receiver.
Mr. Beverley, returned from his walk, was racing up the stairs three at a time in his energetic way, when, as he arrived at Annette's door, it opened.
'Have you a minute to spare?' said Annette.
'Of course. What's the trouble? Have they sold another edition of the waltz?'
'I have not heard, Mr—Bates.'
For once she looked to see the cheerful composure of the man upstairs become ruffled; but he received the blow without agitation.
'You know my name?' he said.
'I know a good deal more than your name. You are a Glasgow millionaire.'
'It's true,' he admitted, 'but it's hereditary. My father was one before me.'
'And you use your money,' said Annette, bitterly, 'creating fools' paradises for your friends, which last, I suppose, until you grow tired of the amusement and destroy them. Doesn't it ever strike you, Mr. Bates, that it's a little cruel? Do you think Mr. Sellers will settle down again cheerfully to hack-work when you stop buying his pictures, and he finds out that—that—'
'I shan't stop,' said the young man. 'If a Glasgow millionaire mayn't buy Sellers' allegorical pictures, whose allegorical pictures may he buy? Sellers will never find out. He'll go on painting and I'll go on buying, and all will be joy and peace.'
'Indeed! And what future have you arranged for me?'
'You?' he said, reflectively. 'I want to marry you.'
Annette stiffened from head to foot. He met her blazing eyes with a look of quiet devotion.
'Marry me?'
'I know what you are thinking,' he said. 'Your mind is dwelling on the prospect of living in a house decorated throughout with Sellers' allegorical pictures. But it won't be. We'll store them in the attic.'
She began to speak, but he interrupted her.
'Listen!'