The Raven (Illustrated). Эдгар Аллан По

short of criminal. For one of her girls to receive offerings of candy and original poetry—love poetry—from one of these terrible creatures; such an offence was unspeakably shocking.

      Yet discovery of such offences happened often enough to give her repeated shocks, and to confirm her in her belief in the total depravity, the hopeless wickedness of all boys—especially of John Allan's adopted son.

      In spite of her vigilance, Edgar Poe found the means to outwit her, and to transmit his effusions, without difficulty, to her fair charges, who with tresses primly parted and braided and meek eyes bent in evident absorption upon their books, were the very pictures of docile obedience, and bore in their outward looks no hint of the guilty consciences that should, by rights, have been destroying their peace.

      Miss Jane was the sister of Mr. Mackenzie who had adopted little Rosalie Poe. Rosalie was, at Miss Jane's invitation, a pupil in the school, but (ungrateful girl that she was) she became, at the suggestion of her handsome and charming brother Edgar, whom she adored, the willing messenger of Dan Cupid, and furthered much secret and sentimental correspondence between the innocent-seeming girls and the young scamps who admired them.

      In these fascinating flights into the realms of flirtation, as in other things, Edgar's friends acknowledged his superiority—his romantic personal beauty and his gift for rhyming giving him a decided advantage over them all; but they acknowledged it without jealousy, for there was much of hero worship in their attitude toward him, and they were not only perfectly contented for him to be first in every way but it would have disappointed them for him not to be. The captivating charm of his presence, in his gay moods, made it unalloyed happiness for them to be with him. They were always ready to follow him as far as he led in daring adventure—ready to fetch and carry for him and glowing with pride at the least notice from him.

      Some boys would have taken advantage of this state of things, but not so Edgar Goodfellow. He, for his part, was always ready to contribute to their pleasure, and fairly sunned himself in the unstinting love and praise of these boys who admired, while but half divining his gifts. Their games had twice the zest when Eddie played with them—he threw himself into the sport with such heartfelt zeal that they were inspired to do their best. Many a ramble in the woods and fields around Richmond he took with them, telling them the most wonderful stories as he went along; but sometimes, quite suddenly, during these outings, Edgar Goodfellow would give place to Edgar the Dreamer and they would wonderingly realize that his thoughts were off to a world where none of them could follow—none of them unless it were Rob Sully, who was himself something of a dreamer, and could draw as well as Edgar.

      The transformation would be respected. His companions would look at him with something akin to awe in their eyes and tell each other in low tones not to disturb Eddie, he was "making poetry," and confine their chatter to themselves, holding rather aloof from the young poet, who wandered on with the abstracted gaze of one walking in sleep—with them, but not of them.

      There were other, less frequent, times when his mood was as much respected, when added to the awe there was somewhat of distress in their attitude toward him. At these times he was not only abstracted, but a deep gloom would seem to have settled upon his spirit. Without apparent reason, melancholy claimed him, and though he was still gentle and courteous, they had a nameless sort of fear of him—he was so unlike other boys and it seemed such a strange thing to be unhappy about nothing. It was positively uncanny.

      At these times they did not even try to be with him. They knew that he could wrestle with what he called his "blue devils" more successfully alone. A restlessness generally accompanied the mood, and he would wander off by himself to the churchyard, the river, or the woods; or spend whole long, golden afternoons shut up in his room, poring over some quaint old tale, or writing furiously upon a composition of his own. When he looked at the boys, he did not seem to see them, but would gaze beyond them—the pupils of his full, soft, grey eyes darkening and dilating as if they were held by some weird vision invisible to all eyes save his own; and indeed the belief was general among his friends that he was endowed with the power of seeing visions. This impression had been made even upon his old "Mammy," when he was a mite of a lad. Many a time, when he turned that abstracted gaze upon her, she had said to him,

      "What dat you lookin' at now, Honey? You is bawn to see evil sho'!"

      And now a glimpse of Edgar Goodfellow—the normal Edgar, whom his chums saw oftenest and loved best, because they knew him best and understood him best.

      It was a late Autumn Saturday—one of the Saturdays sent from Heaven for the delight of school-children—bracing, but not cold; and brilliant. Little Robert Sully looked pensively out of the window thinking what a fine day it would be for a country tramp, if only he were like other boys and could take them. But Rob was of frail build and constitution and could never stand much exertion. In his eyes was the expression of settled wistfulness that frequent disappointment will bring to the eyes of a delicate child; in the droop of his mouth there was a touch of bitterness, for he was thinking that not only did his weak body make it impossible for him to keep up with the boys, but that it was no doubt, a relief to the boys to leave him behind—that when he could be with them he was perhaps a drag on their pleasure. No doubt they would make a long day of it, this bright, bracing Saturday, for the persimmons and the fox-grapes were ripe and the chinquapin and chestnut burrs were opening. Tears of self-pity sprang to his eyes, but they were quickly dashed away as he heard his name called and saw his beloved Eddie, flushed and glowing with anticipated pleasure, at the gate.

      "Come along, Rob," he was calling. "We are going to the Hermitage woods for chinquapins, and you must come too. Uncle Billy is going for a load of pine-tags, and we can ride in his wagon, so it won't tire you."

      The other boys were waiting at the corner, all at the highest pitch of mirth, for they saw that their idol, Eddie, was in one of his happiest moods, which would mean a morning of unbounded fun to them. And the ride with old Uncle Billy who, with black and shiny face, beaming upon them in an excess of kindliness, hair like a full-blown cotton-boll, and quaint talk, was an unfailing source of delight to them!

      The Saturday freedom was in their blood. Off and away they went in the jolly, rumbling wagon, past houses and gardens, and fields and into the enchanting, autumn-colored woods, where "Bob Whites" were calling to each other and nuts were dropping in the rustling leaves or waiting to be shaken from their open burrs.

      As they jolted along, the steady stream of conversation between Edgar and Uncle Billy was as good as a play to the rest of the boys—Edgar, with grave, courteous manner, discoursing of "cunjurs" and "ha'nts" with as real an air of belief as that of the old man himself.