The Wisdom of Father Brown. G. K. Chesterton

like to have your opinion on them. First of all I must tell you I was lunching in that restaurant at the seaside. As four of you left the room, you and Miss Harrogate went ahead, talking and laughing; the banker and the courier came behind, speaking sparely and rather low. But I could not help hearing Ezza say these words—‘Well, let her have a little fun; you know the blow may smash her any minute.’ Mr. Harrogate answered nothing; so the words must have had some meaning. On the impulse of the moment I warned her brother that she might be in peril; I said nothing of its nature, for I did not know. But if it meant this capture in the hills, the thing is nonsense. Why should the brigand-courier warn his patron, even by a hint, when it was his whole purpose to lure him into the mountain-mousetrap? It could not have meant that. But if not, what is this disaster, known both to courier and banker, which hangs over Miss Harrogate’s head?”

      “Disaster to Miss Harrogate!” ejaculated the poet, sitting up with some ferocity. “Explain yourself; go on.”

      “All my riddles, however, revolve round our bandit chief,” resumed the priest reflectively. “And here is the second of them. Why did he put so prominently in his demand for ransom the fact that he had taken two thousand pounds from his victim on the spot? It had no faintest tendency to evoke the ransom. Quite the other way, in fact. Harrogate’s friends would be far likelier to fear for his fate if they thought the thieves were poor and desperate. Yet the spoliation on the spot was emphasized and even put first in the demand. Why should Ezza Montano want so specially to tell all Europe that he had picked the pocket before he levied the blackmail?”

      “I cannot imagine,” said Muscari, rubbing up his black hair for once with an unaffected gesture. “You may think you enlighten me, but you are leading me deeper in the dark. What may be the third objection to the King of the Thieves?” “The third objection,” said Father Brown, still in meditation, “is this bank we are sitting on. Why does our brigand-courier call this his chief fortress and the Paradise of Thieves? It is certainly a soft spot to fall on and a sweet spot to look at. It is also quite true, as he says, that it is invisible from valley and peak, and is therefore a hiding-place. But it is not a fortress. It never could be a fortress. I think it would be the worst fortress in the world. For it is actually commanded from above by the common high-road across the mountains—the very place where the police would most probably pass. Why, five shabby short guns held us helpless here about half an hour ago. The quarter of a company of any kind of soldiers could have blown us over the precipice. Whatever is the meaning of this odd little nook of grass and flowers, it is not an entrenched position. It is something else; it has some other strange sort of importance; some value that I do not understand. It is more like an accidental theatre or a natural green-room; it is like the scene for some romantic comedy; it is like. …”

      As the little priest’s words lengthened and lost themselves in a dull and dreamy sincerity, Muscari, whose animal senses were alert and impatient, heard a new noise in the mountains. Even for him the sound was as yet very small and faint; but he could have sworn the evening breeze bore with it something like the pulsation of horses’ hoofs and a distant hallooing.

      At the same moment, and long before the vibration had touched the less-experienced English ears, Montano the brigand ran up the bank above them and stood in the broken hedge, steadying himself against a tree and peering down the road. He was a strange figure as he stood there, for he had assumed a flapped fantastic hat and swinging baldric and cutlass in his capacity of bandit king, but the bright prosaic tweed of the courier showed through in patches all over him.

      The next moment he turned his olive, sneering face and made a movement with his hand. The brigands scattered at the signal, not in confusion, but in what was evidently a kind of guerrilla discipline. Instead of occupying the road along the ridge, they sprinkled themselves along the side of it behind the trees and the hedge, as if watching unseen for an enemy. The noise beyond grew stronger, beginning to shake the mountain road, and a voice could be clearly heard calling out orders. The brigands swayed and huddled, cursing and whispering, and the evening air was full of little metallic noises as they cocked their pistols, or loosened their knives, or trailed their scabbards over the stones. Then the noises from both quarters seemed to meet on the road above; branches broke, horses neighed, men cried out.

      “A rescue!” cried Muscari, springing to his feet and waving his hat; “the gendarmes are on them! Now for freedom and a blow for it! Now to be rebels against robbers! Come, don’t let us leave everything to the police; that is so dreadfully modern. Fall on the rear of these ruffians. The gendarmes are rescuing us; come, friends, let us rescue the gendarmes!”

      And throwing his hat over the trees, he drew his cutlass once more and began to escalade the slope up to the road. Frank Harrogate jumped up and ran across to help him, revolver in hand, but was astounded to hear himself imperatively recalled by the raucous voice of his father, who seemed to be in great agitation.

      “I won’t have it,” said the banker in a choking voice; “I command you not to interfere.”

      “But, father,” said Frank very warmly, “an Italian gentleman has led the way. You wouldn’t have it said that the English hung back.”

      “It is useless,” said the older man, who was trembling violently, “it is useless. We must submit to our lot.”

      Father Brown looked at the banker; then he put his hand instinctively as if on his heart, but really on the little bottle of poison; and a great light came into his face like the light of the revelation of death.

      Muscari meanwhile, without waiting for support, had crested the bank up to the road, and struck the brigand king heavily on the shoulder, causing him to stagger and swing round. Montano also had his cutlass unsheathed, and Muscari, without further speech, sent a slash at his head which he was compelled to catch and parry. But even as the two short blades crossed and clashed the King of Thieves deliberately dropped his point and laughed.

      “What’s the good, old man?” he said in spirited Italian slang; “this damned farce will soon be over.”

      “What do you mean, you shuffler?” panted the fire-eating poet. “Is your courage a sham as well as your honesty?”

      “Everything about me is a sham,” responded the ex-courier in complete good humour. “I am an actor; and if I ever had a private character, I have forgotten it. I am no more a genuine brigand than I am a genuine courier. I am only a bundle of masks, and you can’t fight a duel with that.” And he laughed with boyish pleasure and fell into his old straddling attitude, with his back to the skirmish up the road.

      Darkness was deepening under the mountain walls, and it was not easy to discern much of the progress of the struggle, save that tall men were pushing their horses’ muzzles through a clinging crowd of brigands, who seemed more inclined to harass and hustle the invaders than to kill them. It was more like a town crowd preventing the passage of the police than anything the poet had ever pictured as the last stand of doomed and outlawed men of blood. Just as he was rolling his eyes in bewilderment he felt a touch on his elbow, and found the odd little priest standing there like a small Noah with a large hat, and requesting the favour of a word or two.

      “Signor Muscari,” said the cleric, “in this queer crisis personalities may be pardoned. I may tell you without offence of a way in which you will do more good than by helping the gendarmes, who are bound to break through in any case. You will permit me the impertinent intimacy, but do you care about that girl? Care enough to marry her and make her a good husband, I mean?”