J. S. Fletcher
The Charing Cross Mystery
Published by Good Press, 2019
EAN 4057664126535
Table of Contents
CHAPTER I
THE LAST TRAIN EAST
Hetherwick had dined that evening with friends who lived in Cadogan Gardens, and had stayed so late in conversation with his host that midnight had come before he left and set out for his bachelor chambers in the Temple; it was, indeed, by the fraction of a second that he caught the last east-bound train at Sloane Square. The train was almost destitute of passengers; the car which he himself entered, a first-class smoking compartment, was otherwise empty; no one came into it when the train reached Victoria. But at St. James's Park two men got in, and seated themselves opposite to Hetherwick.
Now Hetherwick was a young barrister, going in for criminal practice, in whom the observant faculty was deeply implanted; it was natural to him to watch and to speculate on anything he saw. Because of this, and perhaps because he had just then nothing else to think about, he sat observing the new-comers; he found interest, amusement, and not a little profit in this sort of thing, and in trying to decide whether a given man was this, that, or something else.
Of the two men thus under inspection, the elder was a big, burly, fresh-coloured man of apparently sixty to sixty-five years of age. His closely cropped silvery hair, his smartly trained grey moustache, his keen blue eyes and generally alert and vivacious appearance, made Hetherwick think that he was or had been in some way or other connected with the army; this impression was heightened by an erect carriage, square-set shoulders and something that suggested a long and close acquaintance with the methods of the drill-yard and the parade ground. Perhaps, thought Hetherwick, he was a retired non-commissioned officer, a regimental sergeant-major, or something of that sort; this idea, again, was strengthened by the fact that the man carried a handsome walking-cane, the head of which, either of gold or of silver-gilt, was fashioned like a crown. There was something military, too, about the cut of his clothes; he was a smartly dressed man, from his silk hat, new and glossy and worn a little rakishly on the right side of his head, to his highly polished boots. A well-preserved, cheery-looking, good-humoured sort of person, this, decided Hetherwick, and apparently well satisfied with himself and full of the enjoyment of life, and likely, from all outward sight, to make old bones.
The other man came into a different category. The difference began with his clothes, which, if not exactly shabby, were semi-shabby, much worn, ill-kept and badly put on: he was evidently a careless man, who scorned a clothes-brush and was also indifferent to the very obvious fact that his linen was frayed and dirty. He was a thin, meagre man, of not one-half the respectable, well-fed bulk of his companion; his sallow-complexioned face was worn, and his beard thin and irregular: altogether he suggested some degree of poor circumstances. Yet, in Hetherwick's opinion, he was a person of something beyond ordinary mental capacity; his eyes were large and intelligent, his nose was well-shaped, his chin square and determined. And his ungloved hands were finely moulded and delicate of proportion; the fingers were long, thin and tapering. Hetherwick noticed two facts about those fingers: the first, that they were restless; the second, that they were much stained, as if the man had recently been mixing dyes or using chemicals. And then he suddenly observed that the big man's hands and fingers were similarly stained—blue and red and yellow, in patches.
These men were talking when they entered the compartment; they continued to talk as they settled down. Hetherwick could not avoid hearing what they said.
"Queerest experience I've ever had in my time!" the big man was saying as he dropped into a corner seat. "Tell you, I knew her the instant I clapped eyes on that portrait! After—how many years will it be, now? Ten, I think—yes, ten. Oh, yes! Knew her well enough. When we get to my hotel, I'll show you the portrait—I cut it out and put it aside—and you'll identify it as quick as I did—lay you aught you like on it! No mistaking that!"