The rider was now able to distinguish the faces of the men in the group, and he gazed with interested eyes at the man who had first issued from the door of the saloon.
The man was tall—nearly as tall as the rider—and in his every movement seemed sure of himself. He was young, seemingly about thirty-five, with shifty, insolent eyes and a hard mouth whose lips were just now curved into a self-conscious smile.
The rider had now approached to within fifty feet of the man, halting his pony at the extreme end of the hitching rail that skirted the front of the saloon. He sat carelessly in the saddle, his gaze fixed on the man.
The men who had followed the first man out, to the number of a dozen, were apparently deeply interested, though plainly skeptical. A short, fat man, who was standing near the saloon door, looked on with a half-sneer. Several others were smiling blandly. A tall man on the extreme edge of the crowd, near the rider, was watching the man in the street gravely. Other men had allowed various expressions to creep into their faces. But all were silent.
Not so the man in the street. Plainly, here was conceit personified, and yet a conceit mingled with a maddening insolence. His expression told all that this thing which he was about to do was worthy of the closest attention. He was the axis upon which the interest of the universe revolved.
Certainly he knew of the attention he was attracting. Men were approaching from the other end of the street, joining the group in front of the saloon—which the rider now noticed was called the "Silver Dollar." The newcomers were inquisitive; they spoke in low tones to the men who had arrived before them, gravely inquiring the cause.
But the man in the street seemed not disturbed by his rapidly swelling audience. He stood in the place he had selected, his insolent eyes roving over the assembled company, his thin, expressive lips opening a very little to allow words to filter through them.
"Gents," he said, "you're goin' to see some shootin'! I told you in the Silver Dollar that I could keep a can in the air while I put five holes in it. There's some of you gassed about bein' showed, not believin'. An' now I'm goin' to show you!"
He reached down and took up a can that had lain at his feet, removing the red lithographed label, which had a picture of a large tomato in the center of it. The can was revealed, naked and shining in the white sunlight. The man placed the can in his left hand and drew his pistol with the right.
Then he tossed the can into the air. While it still rose his weapon exploded, the can shook spasmodically and turned clear over. Then in rapid succession followed four other explosions, the last occurring just before the can reached the ground. The man smiled, still holding the smoking weapon in his hand.
The tall man on the extreme edge of the group now stepped forward and examined the can, while several other men crowded about to look. There were exclamations of surprise. It was curious to see how quickly enthusiasm and awe succeeded skepticism.
"He's done it, boys!" cried the tall man, holding the can aloft. "Bored it in five places!" He stood erect, facing the crowd. "I reckon that's some shootin'!" He now threw a glance of challenge and defiance about him. "I've got a hundred dollars to say that there ain't another man in this here town can do it!"
Several men tried, but none equaled the first man's performance. Many of the men could not hit the can at all. The first man watched their efforts, sneers twitching his lips as man after man failed.
Presently all had tried. Watching closely, the rider caught an expression of slight disappointment on the tall man's face. The rider was the only man who had not yet tried his skill with the pistol, and the man in the street now looked up at him, his eyes glittering with an insolent challenge. As it happened, the rider glanced at the shooter at the instant the latter had turned to look up at him. Their eyes met fairly, the shooter's conveying a silent taunt. The rider smiled, slight mockery glinting his eyes.
Apparently the stranger did not care to try his skill. He still sat lazily in the saddle, his gaze wandering languidly over the crowd. The latter plainly expected him to take part in the shooting match and was impatient over his inaction.
"Two-gun," sneered a man who stood near the saloon door. "I wonder what he totes them two guns for?"
The shooter heard and turned toward the man who had spoken, his lips wreathed satirically.
"I reckon he wouldn't shoot nothin' with them," he said, addressing the man who had spoken.
Several men laughed. The tall man who had revealed interest before now raised a hand, checking further comment.
"That offer of a hundred to the man who can beat that shootin' still goes," he declared. "An' I'm taking off the condition. The man that tries don't have to belong to Dry Bottom. No stranger is barred!"
The stranger's glance again met the shooter's. The latter grinned felinely. Then the rider spoke. The crowd gave him its polite attention.
"I reckon you-all think you've seen some shootin'," he said in a steady, even voice, singularly free from boast. "But I reckon you ain't seen any real shootin'." He turned to the tall, grave-faced man. "I ain't got no hundred," he said, "but I'm goin' to show you."
He still sat in the saddle. But now with an easy motion he swung down and hitched his pony to the rail.
Chapter II. The Stranger Shoots
The stranger seemed taller on the ground than in the saddle and an admirable breadth of shoulder and slenderness of waist told eloquently of strength. He could not have been over twenty-five or six. Yet certain hard lines about his mouth, the glint of mockery in his eyes, the pronounced forward thrust of the chin, the indefinable force that seemed to radiate from him, told the casual observer that here was a man who must be approached with care.
But apparently the shooter saw no such signs. In the first glance that had been exchanged between the two men there had been a lack of ordinary cordiality. And now, as the rider slid down from his pony and advanced toward the center of the street, the shooter's lips curled. Writhing through them came slow-spoken words.
"You runnin' sheep, stranger?"
The rider's lips smiled, but his eyes were steady and cold. In them shone a flash of cold humor. He stood, quietly contemplating his insulter.
Smiles appeared on the faces of several of the onlookers. The tall man with the grave face watched with a critical eye. The insult had been deliberate, and many men crouched, plainly expecting a serious outcome. But the stranger made no move toward his guns, and when he answered he might have been talking about the weather, so casual was his tone.
"I reckon you think you're a plum man," he said quietly. "But if you are, you ain't showed it much—buttin' in with that there wise observation. An' there's some men who think that shootin' at a man is more excitin' than shootin' at a can."
There was a grim quality in his voice now. He leaned forward slightly, his eyes cold and alert. The shooter sneered experimentally. Again the audience smiled.
But the tall man now stepped forward. "You've made your play, stranger," he said quietly. "I reckon it's up to you to make good."
"Correct," agreed the stranger. "I'm goin' to show you some real shootin'. You got another can?"
Some one dived into the Silver Dollar and returned in a flash with another tomato can. This the stranger took, removing the label, as the shooter had done. Then, smiling, he took a position in the center of the street, the can in his right hand.
He did not draw his weapon as the shooter had done, but stood loosely in his place, his right hand still grasping the can, the left swinging idly by his side. Apparently he did not mean to shoot. Sneers reached the faces of several