His voice trailed off into silence, and Cleek smiled kindly.
"By the identical shape of your hands, my boy. I never saw two pairs of hands so much alike in all my life. And then your agitation made me risk the guess.... What's that, Inspector? How was the murder committed, and what did this little rattler have to do with it? Well, quite simple. The snake was put in the safe with the notes, and a trail of aniseed—of which snakes are very fond, you know—laid from there to the foot of old Simmons. The safe door was left ajar—though in the half dusk the old man certainly never noticed it. I found all this out from those few words of Wilson's about 'the rope,' and from his having heard a reed-like sound. I had to do some hard thinking, I can tell you. When I went downstairs again, Mr. Narkom, after my magnifying glass, I turned down poor Simmons's sock and found the mark I expected—the snake had crawled up his leg and struck home.
"Why did I suspect Mr. Brent? Well, it was obvious almost from the very first, for he was so anxious to throw suspicion upon Mr. Barrington here, and Wilson—with Patterson thrown in for good measure. Then again it was certain that no one else would have been allowed into the vault by Simmons, much less to go to the safe itself, and open it with the keys. That he did go to the safe was apparent by the finger prints upon it, and as they too smelt of aniseed, the whole thing began to look decidedly funny. The trail of aniseed led straight up to where Simmons lay, so I can only suppose that after Brent released the snake—the trail of course having been laid beforehand, when he was alone—Brent must have stood and waited until he saw it actually strike, and—How do I know that, Mr. Wilson? Well, he smoked a cigarette there, anyhow. The stub I found bore the same name as those in his box, and it was smoked identically the same way as a couple which lay in his ashtray.
"I could only conclude that he was waiting for something to happen, and as the snake struck, he grabbed up the bundle of notes, quite forgetting to close the safe-door, and rushed out of the vault. Ramagee was in the corridor outside, and probably whistled the snake back through the ventilating holes near the floor, instead of venturing near the body himself. You remember, you heard the sound of that pipe, Mr. Wilson? Ramagee probably made his escape while the Inspector was upstairs. Unfortunately for him, he ran right into Mr. George Barrington here, and when, as he tells me, he later told Brent about seeing Ramagee, well, the whole thing became as plain as a pikestaff."
"Yes," put in George Barrington, excitedly, taking up the tale in his weak, rather silly voice, "my step-father refused to believe me, and gave me £20 in notes to go away. I suppose he didn't notice they were some of the stolen ones. I changed one of them at the bank this morning, but I had no idea how important they were until I knocked into Mr.—Mr. Cleek here. And he made me come along with him."
Mr. Narkom looked at Cleek, and Cleek looked at Mr. Narkom, and the blank wonder in the Superintendent's eyes caused him to smile.
"Another feather in the cap of foolish old Scotland Yard, isn't it?" he said. "Time we made tracks I think. Coming our way, Mr. Wilson? We'll see you back home if you like. You're too upset to go on alone. Good afternoon, Inspector and—good-bye. I'll leave the case with you. It's safe enough in your hands, but if you take my tip you'll put that human beast in as tight a lock-up as the station affords."
Then he linked one arm in Mr. Narkom's and the other arm in that of the admiring, and wholly speechless Wilson, and went out into the sunshine.
Suspense Stories
The Birth Mark
(Nathaniel Hawthorne)
In the latter part of the last century, there lived a man of science—an eminent proficient in every branch of natural philosophy—who, not long before our story opens, had made experience of a spiritual affinity, more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace-smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days, when the comparatively recent discovery of electricity, and other kindred mysteries of nature, seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman, in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart, might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force, and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over nature. He had devoted himself, however, too unreservedly to scientific studies, ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to its own.
Such an union accordingly took place, and was attended with truly remarkable consequences, and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife, with a trouble in his countenance that grew stronger, until he spoke.
"Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?"
"No, indeed," said she, smiling; but perceiving the seriousness of his manner, she blushed deeply. "To tell you the truth, it has been so often called a charm, that I was simple enough to imagine it might be so."
"Ah, upon another face, perhaps it might," replied her husband. "But never on yours! No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect—which we hesitate whether to term a defect or a beauty—shocks me, as being the visible mark of earthly imperfection."
"Shocks you, my husband!" cried Georgiana, deeply hurt; at first reddening with momentary anger, but then bursting into tears. "Then why did you take me from my mother's side? You cannot love what shocks you!"
To explain this conversation, it must be mentioned, that, in the centre of Georgiana's left cheek, there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face. In the usual state of her complexion,—a healthy, though delicate bloom,—the mark wore a tint of deeper crimson, which imperfectly defined its shape amid the surrounding rosiness. When she blushed, it gradually became more indistinct, and finally vanished amid the triumphant rush of blood, that bathed the whole cheek with its brilliant glow. But, if any shifting emotion caused her to turn pale, there was the mark again, a crimson stain upon the snow, in what Aylmer sometimes deemed an almost fearful distinctness. Its shape bore not a little similarity to the human hand, though of the smallest pigmy size. Georgiana's lovers were wont to say, that some fairy, at her birth-hour, had laid her tiny hand upon the infant's cheek, and left this impress there, in token of the magic endowments that were to give her such sway over all hearts. Many a desperate swain would have risked life for the privilege of pressing his lips to the mysterious hand. It must not be concealed, however, that the impression wrought by this fairy sign-manual varied exceedingly, according to the difference of temperament in the beholders. Some fastidious persons—but they were exclusively of her own sex—affirmed that