If one is troubled with a gift for symbolism, it is hard to treat any man one meets as though he were really a whole man: to treat a lawyer as though he were anything but a deed of assignment, or a surgeon as if he were anything more than an operation. As the metropolitan trains load and unload in a morning, what does one see? Gross upon gross of steel pens, a few quills, whole carriages full of bricklayers' trowels, and how strange it seems to watch all the bank-books sorting themselves out from the motley, and arranging themselves in the first classes, just as we see them on the shelf in the bank! It is a curious sight. The little shop-girl there, what is she but a roll of pink ribbon?—nay, she is but half-a-yard. And the poor infinitesimal porters and guards, how pathetically small seems their share in the great monosyllable Man, animalcules in that great social system which, again, is but an animalcule in the blood of Time. Still more infinitesimal seems the man who is a subdivision, not of a form of work even, but merely of a form of taste; the man who collects foreign stamps, say, or book-plates, or arrow-heads, the connoisseur of a tiny section of one of the lesser schools of Italian painting, the coral-insect who has devoted his life to a participle, first-edition men, and all those various bookworms who, without impropriety be it spoken, are the maggots that breed in the dung of the great. A certain friend of mine always appears to me in the similitude of a first edition of one of Mr. Hardy's novels. I have the greatest difficulty at times to prevent myself forcibly setting him upon my shelf to complete my set; for, oddly enough, he is the one bit of Hardyana I lack. In which confession I let the reader into the secret of my own petty limitations. To have one's horizon bounded by a book-plate, to have no hope, no wish in life, beyond a first edition! The workers, however sectional, have some place in the text of the great book of life, but such mere testers and tasters of existence have hardly a place even in the gloss, though it be printed in the most microscopic diamond.
And every moment, as we said, we are being turned out smaller and smaller from the mill of Time. You ask your little boy what he would like to be when he grows up. To your consternation he answers, 'A man!' You hide your face: you cannot tell him how impossible it is now to be that. Poor little chap! He is born centuries too late. You cannot promise even that he shall be a tailor, for by the time he is old enough to be apprenticed, how do you know how that ancient profession may be divided up? May you not have sadly to tell him: 'My poor boy, it is impossible to make you that—for there are no longer any whole-tailors. You may, if you like, be a thread-waxer or a needle-threader; you may be one of the thirty men it takes to make a buttonhole, but a complete tailor—alas! it is impossible.'
Who will save us from this remorseless law of eternal subdivision? To make one complete man out of all this vast collection of snips and snippets of humanity. To piece all the trades, professions, and fads together, like a puzzle, till one saw the honest face of a genuine man round and whole once more. To take these dry bones of the Valley of Commerce, and powerfully breathe into them the unifying breath of life, that once more they stand up, not as fractional bones of the wrist or the ankle of manhood, but mighty, full-blooded men as of old. Ah! we must wait for a new creation for that.
The mystics have a suggestive fancy that all our vast complex life once existed as a peaceful unit in the mind of God. But as God, brooding in the abyss, meditated upon Himself, various thoughts separated themselves and revolved within the atmosphere of His mind, at first unconscious of themselves or each other. Presently, desire of separate existence awoke in these shadowy things, a lust of corporeality grew upon them, and hence at last the fall into physical life, the realisation in concrete form of their diaphanous individualities. And that original cause of man's separation from deity, this desire of subdivision, how it has gone on operating, more and more! We call it differentiation, but the mystic would describe it as dividing ourselves more and more from God, the primeval unity in which alone is blessedness. Blake in one of his prophetic books sings man's 'fall into Division and his resurrection into Unity.' And when we look about us and consider but the common use of words, how do we find the mystic's apparently wild fancy illustrated in every section of our commonplace lives. What do we mean when we speak of 'division' of interests, 'division' of families, when we say that 'union' is strength, or how good it is to dwell together in 'unity,' or speak of lives 'made one'? Are we not unwittingly expressing the unconscious yearning of the fractions to merge once more in the sweet kinship of the unit, of the ninths and the nine-hundred-and-ninety-ninths of humanity to merge their differences in the mighty generalisation Man, of man to merge his finite existence in the mysterious infinite, the undivided, indivisible One, to 'be made one,' as theology phrases it, 'with God'? How the complex life of our time longs to return to its first happy state of simplicity, we feel on every hand. What is Socialism but a vast throb of man's desire after unity? We are overbred. The simple old type of manhood is lost long since in endless orchidaceous variation. Oh to be simple shepherds, simple sailors, simple delvers of the soil, to be something complete on our own account, to be relative to nothing save God and His stars!
THE WOMAN'S HALF-PROFITS
O ma pauvre Muse! est-ce toi?
Fame in Athens and Florence took the form of laurel; in London it is represented by 'Romeikes.' Hyacinth Rondel, the very latest new poet, sat one evening not long ago in his elegant new chambers, with a cloud of those pleasant witnesses about him, as charmed by 'the rustle' of their 'loved Apollian leaves' as though they had been veritable laurel or veritable bank-notes. His rooms were provided with all those distinguished comforts and elegancies proper to a success that may any moment be interviewed. Needless to say, the walls had been decorated by Mr. Whistler, and there was not a piece of furniture in the room that had not belonged to this or that poet deceased. Priceless autograph portraits of all the leading actors and actresses littered the mantelshelf with a reckless prodigality; the two or three choice etchings were, of course, no less conspicuously inscribed to their illustrious confrère by the artists—naturally, the very latest hatched in Paris. There was hardly a volume in the elegant Chippendale bookcases not similarly inscribed. Mr. Rondel would as soon have thought of buying a book as of paying for a stall. To the eye of imagination, therefore, there was not an article in the room which did not carry a little trumpet to the distinguished poet's honour and glory. Hidden from view in his buhl cabinet, but none the less vivid to his sensitive egoism, were those tenderer trophies of his power, spoils of the chase, which the adoring feminine had offered up at his shrine: all his love-letters sorted in periods, neatly ribboned and snugly ensconced in various sandalwood niches—much as urns are ranged at the Crematorium, Woking—with locks of hair of many hues. He loved most to think of those letters in which the women had gladly sought a spiritual suttee, and begged him to cement the stones of his temple of fame with the blood of their devoted hearts. To have had a share in building so distinguished a life—that was enough for them! They asked no such inconvenient reward as marriage: indeed, one or two of them had already obtained that boon from others. To serve their purpose, and then, if it must be, to be forgotten, or—wild hope—to be embalmed in a sonnet sequence: that was reward enough.
In the midst of this silent and yet so eloquent orchestra, which from morn to night was continually crying 'Glory, glory, glory' in the ear of the self-enamoured poet, Hyacinth Rondel was sitting one evening. The last post had brought him the above-mentioned leaves of the Romeike laurel, and he sat in his easiest chair by the bright fire, adjusting them, metaphorically, upon his high brow, a decanter at his right-hand and cigarette smoke curling up from his left. At last he had drained all the honey from the last paragraph, and, with rustling shining head, he turned a sweeping triumphant gaze around his room. But, to his surprise, he found himself no longer alone. Was it the Muse in dainty modern costume and delicately tinted cheek? Yes! it was one of those discarded Muses who sometimes