THE COLLECTED WORKS OF GEORGE BERNARD SHAW. GEORGE BERNARD SHAW. Читать онлайн. Newlib. NEWLIB.NET

Автор: GEORGE BERNARD SHAW
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 9788027202225
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and expressed their contempt for amateur searching by entering on a fresh investigation, prying with the greatest care into the least probable places. Two of them went off to the chalet to look for Smilash. Then Fairholme, sunburnt, perspiring, and dusty, but still energetic, brought back the exhausted remnant of his party, with a sullen boy, who scowled defiantly at the police, evidently believing that he was about to be delivered into their custody.

      Fairholme had been everywhere, and, having seen nothing of the missing pair, had come to the conclusion that they were nowhere. He had asked everybody for information, and had let them know that he meant to have it too, if it was to be had. But it was not to be had. The sole resort of his labor was the evidence of the boy whom he didn’t believe.

      “‘Im!” said the inspector, not quite pleased by Fairholme’s zeal, and yet overborne by it. “You’re Wickens’s boy, ain’t you?”

      “Yes, I am Wickens’s boy,” said the witness, partly fierce, partly lachrymose, “and I say I seen him, and if anyone sez I didn’t see him, he’s a lie.”

      “Come,” said the inspector sharply, “give us none of your cheek, but tell us what you saw, or you’ll have to deal with me afterwards.”

      “I don’t care who I deal with,” said the boy, at bay. “I can’t be took for seein’ him, because there’s no lor agin it. I was in the gravel pit in the canal meadow—”

      “What business had you there?” said the inspector, interrupting.

      “I got leave to be there,” said the boy insolently, but reddening.

      “Who gave you leave?” said the inspector, collaring him. “Ah,” he added, as the captive burst into tears, “I told you you’d have to deal with me. Now hold your noise, and remember where you are and who you’re speakin’ to; and perhaps I mayn’t lock you up this time. Tell me what you saw when you were trespassin’ in the meadow.”

      “I sor a young ‘omen and a man. And I see her kissin’ him; and the gentleman won’t believe me.”

      “You mean you saw him kissing her, more likely.”

      “No, I don’t. I know wot it is to have a girl kiss you when you don’t want. And I gev a screech to friken ‘em. And he called me and gev me tuppence, and sez, ‘You go to the devil,’ he sez, ‘and don’t tell no one you seen me here, or else,’ he sez, ‘I might be tempted to drownd you,’ he sez, ‘and wot a shock that would be to your parents!’ ‘Oh, yes, very likely,’ I sez, jes’ like that. Then I went away, because he knows Mr. Wickens, and I was afeerd of his telling on me.”

      The boy being now subdued, questions were put to him from all sides. But his powers of observation and description went no further. As he was anxious to propitiate his captors, he answered as often as possible in the affirmative. Mr. Jansenius asked him whether the young woman he had seen was a lady, and he said yes. Was the man a laborer? Yes — after a moment’s hesitation. How was she dressed? He hadn’t taken notice. Had she red flowers in her hat? Yes. Had she a green dress? Yes. Were the flowers in her hat yellow? (Agatha’s question.) Yes. Was her dress pink? Yes. Sure it wasn’t black? No answer.

      “I told you he was a liar,” said Fairholme contemptuously.

      “Well, I expect he’s seen something,” said the inspector, “but what it was, or who it was, is more than I can get out of him.”

      There was a pause, and they looked askance upon Wickens’s boy. His account of the kissing made it almost an insult to the Janseniuses to identify with Henrietta the person he had seen. Jane suggested dragging the canal, but was silenced by an indignant “sh-sh-sh,” accompanied by apprehensive and sympathetic glances at the bereaved parents. She was displaced from the focus of attention by the appearance of the two policemen who had been sent to the chalet. Smilash was between them, apparently a prisoner. At a distance, he seemed to have suffered some frightful injury to his head, but when he was brought into the midst of the company it appeared that he had twisted a red handkerchief about his face as if to soothe a toothache. He had a particularly hangdog expression as he stood before the inspector with his head bowed and his countenance averted from Mr. Jansenius, who, attempting to scrutinize his features, could see nothing but a patch of red handkerchief.

      One of the policemen described how they had found Smilash in the act of entering his dwelling; how he had refused to give any information or to go to the college, and had defied them to take him there against his will; and how, on their at last proposing to send for the inspector and Mr. Jansenius, he had called them asses, and consented to accompany them. The policeman concluded by declaring that the man was either drunk or designing, as he could not or would not speak sensibly.

      “Look here, governor,” began Smilash to the inspector, “I am a common man — no commoner goin’, as you may see for—”

      “That’s ‘im,” cried Wickens’s boy, suddenly struck with a sense of his own importance as a witness. “That’s ‘im that the lady kissed, and that gev me tuppence and threatened to drownd me.”

      “And with a ‘umble and contrite ‘art do I regret that I did not drownd you, you young rascal,” said Smilash. “It ain’t manners to interrupt a man who, though common, might be your father for years and wisdom.”

      “Hold your tongue,” said the inspector to the boy. “Now, Smilash, do you wish to make any statement? Be careful, for whatever you say may be used against you hereafter.”

      “If you was to lead me straight away to the scaffold, colonel, I could tell you no more than the truth. If any man can say that he has heard Jeff Smilash tell a lie, let him stand forth.”

      “We don’t want to hear about that,” said the inspector. “As you are a stranger in these parts, nobody here knows any bad of you. No more do they know any good of you neither.”

      “Colonel,” said Smilash, deeply impressed, “you have a penetrating mind, and you know a bad character at sight. Not to deceive you, I am that given to lying, and laziness, and self-indulgence of all sorts, that the only excuse I can find for myself is that it is the nature of the race so to be; for most men is just as bad as me, and some of ’em worsen I do not speak pers’nal to you, governor, nor to the honorable gentlemen here assembled. But then you, colonel, are a hinspector of police, which I take to be more than merely human; and as to the gentlemen here, a gentleman ain’t a man — leastways not a common man — the common man bein’ but the slave wot feeds and clothes the gentleman beyond the common.”

      “Come,” said the inspector, unable to follow these observations, “you are a clever dodger, but you can’t dodge me. Have you any statement to make with reference to the lady that was last seen in your company?”

      “Take a statement about a lady!” said Smilash indignantly. “Far be the thought from my mind!”

      “What have you done with her?” said Agatha, impetuously. “Don’t be silly.”

      “You’re not bound to answer that, you know,” said the inspector, a little put out by Agatha’s taking advantage of her irresponsible unofficial position to come so directly to the point. “You may if you like, though. If you’ve done any harm, you’d better hold your tongue. If not, you’d better say so.”

      “I will set the young lady’s mind at rest respecting her honorable sister,” said Smilash. “When the young lady caught sight of me she fainted. Bein’ but a young man, and not used to ladies, I will not deny but that I were a bit scared, and that my mind were not open to the sensiblest considerations. When she unveils her orbs, so to speak, she ketches me round the neck, not knowin’ me from Adam the father of us all, and sez, ‘Bring me some water, and don’t let the girls see me.’ Through not ‘avin’ the intelligence to think for myself, I done just what she told me. I ups with her in my arms — she bein’ a light weight and a slender figure — and makes for the canal as fast as I could. When I got there, I lays her on the bank and goes for the water. But what with factories, and pollutions, and high civilizations of one sort and another, English canal water