This dialogue, exceptionally long for a crowded afternoon reception in London, was interrupted by Magdalen coming to invite Jack to play, which he peremptorily refused to do, remarking that if the company were in a humor to listen to music, they had better go to church. The rebuff caused much disappointment; for Jack’s appearances in society, common as they had been during the season which preceded the first performance of Promethius, had since been very rare. Stories of his eccentricity and inaccessible solitude had passed from mouth to mouth until they became too stale to amuse or too exaggerated to be believed. His refusal to play was considered so characteristic that some of the guests withdrew at once in order that they might be the first to narrate the circumstances in artistic circles, which are more “at home” on Sundays than those of the more purely fashionable ones which have nothing particular to do on week days. Jack was about to go himself when the blue velvet sleeve touched his arm, and Magdalen whispered:
“They will all go in a very few minutes now. Will you stay and let me have a moment with you alone? It is so long since I have had a word of advice from you.”
Jack again looked suspiciously at her; but as she looked very pretty, he relented, saying good humoredly, “Get rid of them quickly, then. I have no time to waste waiting for them.”
She set herself to get rid of them as well as she could, by pretending to mistake the purpose of men who came up to converse with her, and surprising them with effusive farewells. To certain guests with whom she did not stand on ceremony she confided her desire to clear the room; and they immediately conveyed her wishes to their intimate friends, besides setting an example to others by taking leave ostentatiously, or declaring in loud whispers that it was shamefully late; that dear Madge must be tired to death; and that they were full of remorse at having been induced by her delightful hospitality to stay so long. In fifteen minutes the company was reduced to five or six persons, who seemed to think, now that the crowd was over, that the time had come for enjoying themselves. A few of them, who knew each other, relaxed their ceremonious bearing; raised their voices; and entered into a discussion on theatrical topics in which they evidently expected Magdalen to join. The rest wandered about the rooms, and made the most of their opportunity of having a good look at the great actress and the great composer, who was standing at a window with his hands clasped behind him, frowning unapproachably. Mr Brailsford also remained; and he was the first to notice the air of exhaustion with which his daughter was mutely appealing to her superfluous guests.
“My child,” he said: “are you fatigued?”
“I am worn out,” she replied, in a whisper which reached the furthest corner of the room. “How I long to be alone!”
“Why did you not tell me so before,” said Brailsford, offended. “I shall not trouble you any longer, Magdalen. Good evening.”
“Hush,” she said, laying her arm caressingly on his, and speaking this time in a real whisper. “I meant that for the others. I want you to do something for me. Mr Jack is waiting to go with you; and I particularly want to speak to him alone — about a pupil. Could you slip away without his seeing you? Do, dear old daddy; for I may never have another chance of catching him in a good humor. Magdalen knew that her father would be jealous of having to leave before Jack unless she could contrive to make him do so of his own accord. The stratagem succeeded and Mr Brailsford left the room with precaution, glancing apprehensively at the musician, who still presented a stolid back view to the company. The group of talkers, warned by Madge’s penetrating whisper, submissively followed him, leaving only one young man who was anxious to go and did not know how to do it. She relieved him by giving him her hand, and expressing a hope that she should see him next Sunday, He promised earnestly, and departed.
“Now,” said Jack, wheeling round the instant the door closed. “What can I do for you? Your few minutes have spun themselves out to twenty.”
“Did they seem so very long?” she said, seating herself upon an ottoman and throwing her dress into graceful folds.
“Yes,” said Jack, bluntly.
“So they did to me. Won’t you sit down?”
Jack pushed an oaken stool opposite to her with his foot, and sat upon it, much as, in a Scandinavian story, a dwarf might have sat at the feet of a princess. “Well, mistress,” he said. “Things have changed since I taught you. Eh?”
“Some things have.”
“You have become great; and so — in my small way — have I.”
“I have become what you call great,” she said. But you have not changed. People have found out your greatness, that is all.”
“Well said,” said Jack, approvingly. “They starved me long enough first, damn them. Used I to swear at you when I was teaching you?”
“I think you used to. Just a little, when I was very dull.”
“It is a bad habit — a stupid one, as all low habits are. I rarely fall into it. And so you stuck to your work, and fought your way. That was right. Are you as fond of the stage as ever?”
“It is my profession,” said Madge, with a disparaging shrug. “One’s profession is only half of one’s life. Acting in London, where the same play runs for a whole season, leaves one time to think of other things. ‘‘
“Sundays at home, and fine furniture, for instance.”
“Things that they vainly pretend to supply. I have told you that my profession is only half my life — the public half. Now that I have established that firmly, I begin to find that the private and personal half, the half which is concerned with home and — and domestic ties, must be well established too, or else the life remains incomplete, and the heart unsatisfied.”
“In plain English, you have too much leisure which you can employ no better than in grumbling.”
“Perhaps so; but am I much at fault? When I entered upon my profession, its difficulties so filled my mind with hopes and fears, and its actual work so fully occupied my time, that I forgot every other consideration and cut myself off from my family and friends with as little hesitation as a child might feel in exchanging an estate for a plaything. Now that the difficulties are overcome, the hopes fulfilled (or abandoned) and the fears dispelled — now that I find that my profession does not suffice to fill my life, and that I have not only time, but desire, for other interests, I find how thoughtless I was when I ran away from all the affection I had unwittingly gathered to myself as I grew.”
“Why? What have you lost? You have your family still.”
“I am as completely estranged from them by my profession as if it had transported me to another world.”
“I doubt if they are any great loss to you. The public are fond of you, ain’t they?”
“They pay me to please them. If I disappeared, they would forget me in a week.”
“Why shouldn’t they? How long do you think they should wear mourning for you? Have you made no friends in your own way of life?”
“Friends? Yes, I suppose so.”
“You suppose so! What is the matter, then? What more do you want?”
Magdalen raised her eyelids for an instant, and looked at him. Then she said, “Nothing,” and let the lids fall with the cadence of her voice.
“Listen to me,” said Jack, after a pause, drawing his seat nearer to her, and watching her keenly. “You want to be romantic. You won’t succeed. Look at the way we cling to the stage, to music, and poetry, and so forth. Why do you think we do that? Just because we long to be romantic, and when we try it in real life, facts and duties baffle us at every turn. Men who write plays for you to act, cook up the facts and duties so as to heighten the romance; and so we all say ‘How wonderfully true to nature!’ and feel that the theatre is the happiest sphere for us all. Heroes and heroines are