CHAPTER I
Wiltstoken Castle was a square building with circular bastions at the corners, each bastion terminating skyward in a Turkish minaret. The southwest face was the front, and was pierced by a Moorish arch fitted with glass doors, which could be secured on occasion by gates of fantastically hammered iron. The arch was enshrined by a Palladian portico, which rose to the roof, and was surmounted by an open pediment, in the cleft of which stood a black-marble figure of an Egyptian, erect, and gazing steadfastly at the midday sun. On the ground beneath was an Italian terrace with two great stone elephants at the ends of the balustrade. The windows on the upper story were, like the entrance, Moorish; but the principal ones below were square bays, mullioned. The castle was considered grand by the illiterate; but architects and readers of books on architecture condemned it as a nondescript mixture of styles in the worst possible taste. It stood on an eminence surrounded by hilly woodland, thirty acres of which were enclosed as Wiltstoken Park. Half a mile south was the little town of Wiltstoken, accessible by rail from London in about two hours.
Most of the inhabitants of Wiltstoken were Conservatives. They stood in awe of the castle; and some of them would at any time have cut half a dozen of their oldest friends to obtain an invitation to dinner, or oven a bow in public, from Miss Lydia Carew, its orphan mistress. This Miss Carew was a remarkable person. She had inherited the castle and park from her aunt, who had considered her niece’s large fortune in railways and mines incomplete without land. So many other legacies had Lydia received from kinsfolk who hated poor relations, that she was now, in her twenty-fifth year, the independent possessor of an annual income equal to the year’s earnings of five hundred workmen, and under no external compulsion to do anything in return for it. In addition to the advantage of being a single woman in unusually easy circumstances, she enjoyed a reputation for vast learning and exquisite culture. It was said in Wiltstoken that she knew forty-eight living languages and all dead ones; could play on every known musical instrument; was an accomplished painter, and had written poetry. All this might as well have been true as far as the Wiltstokeners were concerned, since she knew more than they. She had spent her life travelling with her father, a man of active mind and bad digestion, with a taste for sociology, science in general, and the fine arts. On these subjects he had written books, by which he had earned a considerable reputation as a critic and philosopher. They were the outcome of much reading, observation of men and cities, sightseeing, and theatregoing, of which his daughter had done her share, and indeed, as she grew more competent and he weaker and older, more than her share. He had had to combine health-hunting with pleasure-seeking; and, being very irritable and fastidious, had schooled her in selfcontrol and endurance by harder lessons than those which had made her acquainted with the works of Greek and German philosophers long before she understood the English into which she translated them.
When Lydia was in her twenty-first year her father’s health failed seriously. He became more dependent on her; and she anticipated that he would also become more exacting in his demands on her time. The contrary occurred. One day, at Naples, she had arranged to go riding with an English party that was staying there. Shortly before the appointed hour he asked her to make a translation of a long extract from Lessing. Lydia, in whom self-questionings as to the justice of her father’s yoke had been for some time stirring, paused thoughtfully for perhaps two seconds before she consented. Carew said nothing, but he presently intercepted a servant who was bearing an apology to the English party, read the note, and went back to his daughter, who was already busy at Lessing.
“Lydia,” he said, with a certain hesitation, which she would have ascribed to shyness had that been at all credible of her father when addressing her, “I wish you never to postpone your business to literary trifling.”
She looked at him with the vague fear that accompanies a new and doubtful experience; and he, dissatisfied with his way of putting the case, added, “It is of greater importance that you should enjoy yourself for an hour than that my book should be advanced. Far greater!”
Lydia, after some consideration, put down her pen and said, “I shall not enjoy riding if there is anything else left undone.”
“I shall not enjoy your writing if your excursion is given up for it,” he said. “I prefer your going.”
Lydia obeyed silently. An odd thought struck her that she might end the matter gracefully by kissing him. But as they were unaccustomed to make demonstrations of this kind, nothing came of the impulse. She spent the day on horseback, reconsidered her late rebellious thoughts, and made the translation in the evening.
Thenceforth Lydia had a growing sense of the power she had unwittingly been acquiring during her long subordination. Timidly at first, and more boldly as she became used to dispense with the parental leading-strings, she began to follow her own bent in selecting subjects for study, and even to defend certain recent developments of art against her father’s conservatism. He approved of this independent mental activity on her part, and repeatedly warned her not to pin her faith more on him than on any other critic. She once told him that one of her incentives to disagree with him was the pleasure it gave her to find out ultimately that he was right. He replied gravely:
“That pleases me, Lydia, because I believe you. But such things are better left unsaid. They seem to belong to the art of pleasing, which you will perhaps soon be tempted to practise, because it seems to all young people easy, well paid, amiable, and a mark of good breeding. In truth it is vulgar, cowardly, egotistical, and insincere: a virtue in a shopman; a vice in a free woman. It is better to leave genuine praise unspoken than to expose yourself to the suspicion of flattery.”
Shortly after this, at his desire, she spent a season in London, and went into English polite society, which she found to be in the main a temple for the worship of wealth and a market for the sale of virgins. Having become familiar with both the cult and the trade elsewhere, she found nothing to interest her except the English manner of conducting them; and the novelty of this soon wore off. She was also incommoded by her involuntary power of inspiring affection in her own sex. Impulsive girls she could keep in awe; but old women, notably two aunts who had never paid her any attention during her childhood, now persecuted her with slavish fondness, and tempted her by mingled entreaties and bribes to desert her father and live with them for the remainder of their lives. Her reserve fanned their longing to have her for a pet; and, to escape them, she returned to the Continent with her father, and ceased to hold any correspondence with London. Her aunts declared themselves deeply hurt, and Lydia was held to have treated them very injudiciously; but when they died, and their wills became public, it was found that they had vied with one another in enriching her.
When she was twenty-five years old the first startling event of her life took place. This was the death of her father at Avignon. No endearments passed between them even on that occasion. She was sitting opposite to him at the fireside one evening, reading aloud, when he suddenly said, “My heart has stopped, Lydia. Goodbye!” and immediately died. She had some difficulty in quelling the tumult that arose when the bell was answered. The whole household felt bound to be overwhelmed, and took it rather ill that she seemed neither grateful to them nor disposed to imitate their behavior.
Carew’s relatives agreed that he had made a most unbecoming will. It was a brief document, dated five years before his death, and was to the effect that he bequeathed to his dear daughter Lydia all he possessed. He had, however, left her certain private instructions. One of these, which excited great indignation in his family, was that his body should be conveyed to Milan, and there cremated. Having disposed of her father’s remains as he had directed, she came to set her affairs in order in England, where she inspired much hopeless passion in the toilers in Lincoln’s Inn Fields and Chancery Lane, and agreeably surprised her solicitors by evincing a capacity for business, and a patience with the law’s delay, that seemed incompatible with her age and sex. When all was arranged, and she was once more able to enjoy perfect tranquillity, she returned to Avignon, and there discharged her last duty to her father. This was to open a letter she had found in his desk, inscribed by his hand: “For Lydia. To be