And he had been docile, pliable, quick of apprehension, ready to acquire: a very bright lovely boy, a youth of even splendid grace, who seemed quite without vices, as if that beautiful form represented a vitality so exquisitely poised and balanced that it could know no uneasy desires, no unrest—a radiant presence for a lonely man to have won for himself. If he were silent when his father expected some response, still he did not look moody; if he declined some labour—why, he flung himself down with such a charming, half-smiling, half-pleading air, that the pleasure of looking at him made amends to one who had watched his growth with a sense of claim and possession: the curves of Tito’s mouth had ineffable good-humour in them. And then, the quick talent to which everything came readily, from philosophical systems to the rhymes of a street ballad caught up at a hearing! Would any one have said that Tito had not made a rich return to his benefactor, or that his gratitude and affection would fail on any great demand?
He did not admit that his gratitude had failed; but it was not certain that Baldassarre was in slavery, not certain that he was living.
“Do I not owe something to myself?” said Tito, inwardly, with a slight movement of his shoulders, the first he had made since he had turned to look down at the florins. “Before I quit everything, and incur again all the risks of which I am even now weary, I must at least have a reasonable hope. Am I to spend my life in a wandering search? I believe he is dead. Cennini was right about my florins: I will place them in his hands to-morrow.”
When, the next morning, Tito put this determination into act he had chosen his colour in the game, and had given an inevitable bent to his wishes. He had made it impossible that he should not from henceforth desire it to be the truth that his father was dead; impossible that he should not be tempted to baseness rather than that the precise facts of his conduct should not remain for ever concealed.
Under every guilty secret there is hidden a brood of guilty wishes, whose unwholesome infecting life is cherished by the darkness. The contaminating effect of deeds often lies less in the commission than in the consequent adjustment of our desires—the enlistment of our self-interest on the side of falsity; as, on the other hand, the purifying influence of public confession springs from the fact, that by it the hope in lies is for ever swept away, and the soul recovers the noble attitude of simplicity.
Besides, in this first distinct colloquy with himself the ideas which had previously been scattered and interrupted had now concentrated themselves; the little rills of selfishness had united and made a channel, so that they could never again meet with the same resistance. Hitherto Tito had left in vague indecision the question whether, with the means in his power, he would not return, and ascertain his father’s fate; he had now made a definite excuse to himself for not taking that course; he had avowed to himself a choice which he would have been ashamed to avow to others, and which would have made him ashamed in the resurgent presence of his father. But the inward shame, the reflex of that outward law which the great heart of mankind makes for every individual man, a reflex which will exist even in the absence of the sympathetic impulses that need no law, but rush to the deed of fidelity and pity as inevitably as the brute mother shields her young from the attack of the hereditary enemy—that inward shame was showing its blushes in Tito’s determined assertion to himself that his father was dead, or that at least search was hopeless.
Note 1. A sum given by the bridegroom to the bride the day after the marriage. Morgengabe.
Chapter Ten.
Under the Plane-Tree.
On the day of San Giovanni it was already three weeks ago that Tito had handed his florins to Cennini, and we have seen that as he set out towards the Via de’ Bardi he showed all the outward signs of a mind at ease. How should it be otherwise? He never jarred with what was immediately around him, and his nature was too joyous, too unapprehensive, for the hidden and the distant to grasp him in the shape of a dread. As he turned out of the hot sunshine into the shelter of a narrow street, took off the black cloth berretta, or simple cap with upturned lappet, which just crowned his brown curls, pushing his hair and tossing his head backward to court the cooler air, there was no brand of duplicity on his brow; neither was there any stamp of candour: it was simply a finely-formed, square, smooth young brow. And the slow absent glance he cast around at the upper windows of the houses had neither more dissimulation in it, nor more ingenuousness, than belongs to a youthful well-opened eyelid with its unwearied breadth of gaze; to perfectly pellucid lenses; to the undimmed dark of a rich brown iris; and to a pure cerulean-tinted angle of whiteness streaked with the delicate shadows of long eyelashes. Was it that Tito’s face attracted or repelled according to the mental attitude of the observer? Was it a cypher with more than one key? The strong, unmistakable expression in his whole air and person was a negative one, and it was perfectly veracious; it declared the absence of any uneasy claim, any restless vanity, and it made the admiration that followed him as he passed among the troop of holiday-makers a thoroughly willing tribute.
For by this time the stir of the Festa was felt even in the narrowest side-streets; the throng which had at one time been concentrated in the lines through which the procession had to pass, was now streaming out in all directions in pursuit of a new object. Such intervals of a Festa are precisely the moments when the vaguely active animal spirits of a crowd are likely to be the most petulant and most ready to sacrifice a stray individual to the greater happiness of the greater number. As Tito entered the neighbourhood of San Martino, he found the throng rather denser; and near the hostelry of the Bertucce, or Baboons, there was evidently some object which was arresting the passengers and forming them into a knot. It needed nothing of great interest to draw aside passengers unfreighted with a purpose, and Tito was preparing to turn aside into an adjoining street, when, amidst the loud laughter, his ear discerned a distressed childish voice crying, “Loose me! Holy Virgin, help me!” which at once determined him to push his way into the knot of gazers. He had just had time to perceive that the distressed voice came from a young contadina, whose white hood had fallen off in the struggle to get her hands free from the grasp of a man in the parti-coloured dress of a cerretano, or conjuror, who was making laughing attempts to soothe and cajole her, evidently carrying with him the amused sympathy of the spectators. These, by a persuasive variety of words signifying simpleton, for which the Florentine dialect is rich in equivalents, seemed to be arguing with the contadina against her obstinacy. At the first moment the girl’s face was turned away, and he saw only her light-brown hair plaited and fastened with a long silver pin; but in the next, the struggle brought her face opposite Tito’s, and he saw the baby features of Tessa, her blue eyes filled with tears, and her under-lip quivering. Tessa, too, saw him, and through the mist of her swelling tears there beamed a sudden hope, like that in the face of a little child, when, held by a stranger against its will, it sees a familiar hand stretched out.
In an instant Tito had pushed his way through the barrier of bystanders, whose curiosity made them ready to turn aside at the sudden interference of this handsome young signor, had grasped Tessa’s waist, and had said, “Loose this child! What right have you to hold her against her will?”
The conjuror—a man with one of those faces in which the angles of the eyes and eyebrows, of the nostrils, mouth, and sharply-defined jaw, all tend upward—showed his small regular teeth in an impish but not ill-natured grin, as he let go Tessa’s hands, and stretched out his own backward, shrugging his shoulders, and bending them forward a little in a half-apologetic, half-protesting manner.
“I mean the ragazza no evil in the world, Messere: ask this respectable company. I was only going to show them a few samples of my skill, in which this little damsel might have helped me the