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      "The Spiritual Significance of the Stars", by Leo Fritter, is the leading feature of the issue. The inspiring influence of astronomical study on the cultivated intellect is here shown to best advantage. Mr. Fritter traces the slow unfolding of celestial knowledge to the world, and points out the divinity of that mental power which enables man to discern the vastness of the universe, and to comprehend the complex principles by which it is governed. In the laws of the heavens he finds the prototype of all human laws, and the one perfect model for human institutions. Mr. Fritter's essay is eminently worthy of a place among the classics of amateur journalism.

      "A Morn in June", by Harriet E. Daily, is a short and dainty poem of excellent quality, though marred by a reprehensible attempt to rhyme "grass" with "task". As we mentioned in connection with another amateur poem, a final consonant on one of two otherwise rhyming syllables utterly destroys the rhyme. "We Are Builders All", by Elizabeth M. Ballou, is a graceful allegory based on the temple of Solomon. Edna Mitchell Haughton's character sketch, "The Family Doctor", is just and well drawn.

      "A Dog for Comfort", by Edna von der Heide, is a meritorious poem of gloomy impressiveness. We cannot quite account for the defective second line of the fourth stanza, since Miss von der Heide is so able a poetess. Perhaps it is intentional, but we wish the line were of normal decasyllabic length. "My Grandmother's Garden", by Ida Cochran Haughton, is a truly delightful bit of reminiscent description which deserves more than one reading. "A Little Girl's Three Wishes", by Mrs. R. M. Moody, is entertaining in quality and correct in metre. It is a relief to behold amidst the formless cacophony of modern poetry such a regular, old-fashioned specimen of the octosyllabic couplet. "Two Little Waterwheels", by Dora M. Hepner, is an exquisite idyllic sketch. In the second paragraph we read of a channel "damned" up by a projecting root of a tree; which somewhat surprises us, since we did not know that tree-roots are accustomed to use profane language. Perhaps the author intended to write "dammed".

      The editorials are brief. In one of them it is stated that the paper is submitted without fear to the critics AND Eddie Cole. In view of Mr. Cole's scholarly and conscientious critical work, we hope that no reflection upon him is there intended.

      H. P. LOVECRAFT,

       Chairman, Department of Public Criticism.

       Table of Contents

      Let other bards with nobler talents sing

       The beauties of the mild, maturer spring.

       My rustic Muse on bleaker times must dwell,

       When Earth, but new-escap'd from winter's spell,

       Uncloth'd, unshelter'd, unadorn'd, is seen;

       Stript of white robes, nor yet array'd in green.

       Hard blows the breeze, but with a warmer force.

       The melting ground, the brimming watercourse,

       The wak'ning air, the birds' returning flight,

       The longer sunshine, and the shorter night,

       Arcturus' beams, and Corvus' glitt'ring rays,

       Diffuse a promise of the genial days.

       Yon muddy remnant of the winter snow

       Shrinks humbly in the equinoctial glow,

       Whilst in the fields precocious grass-blades peep

       Above the earth so lately wrapt in sleep.

       What sweet, elusive odor fills the soil,

       To rouse the farmer to his yearly toil!

       Though thick the clouds, and bare the maple bough,

       With what gay song he guides the cumbrous plough!

       In him there stirs, like sap within the tree,

       The joyous call to new activity:

       The outward scene, however dull and drear,

       Takes on a splendor from the inward cheer.

       Prophetic month! Would that I might rehearse

       Thy hidden beauties in sublimer verse:

       Thy glorious youth, thy vigor all unspent,

       Thy stirring winds, of spring and winter blent.

       Summer brings blessings of enervate kind;

       Thy joys, O March, are ecstasies of mind.

       In June we revel in the bees' soft hum,

       But March exalts us with the bliss to come.

      —H. P. LOVECRAFT.

THE UNITED AMATEUR

       Table of Contents

      OFFICIAL ORGAN OF THE UNITED AMATEUR PRESS ASSOCIATION OF AMERICA

      Volume XIV

      Number 5

      GEORGETOWN, ILL., MAY, 1915.

       Table of Contents

      THE BLARNEY STONE for January-February is replete with good literature, amidst which may particularly be mentioned Arthur Goodenough's harmonious poem, "God Made Us All of Clay". The theme is not new, but appears advantageously under Mr. Goodenough's delicate treatment.

      M. W. Hart's short story, "The Redemption", is intended to portray a righteous transformation from conventional false morality to true Christian life, but in reality presents a very repulsive picture of bestial atavism. The meaner character was not "reformed by mercy", but merely withheld from wholesale vice by isolation. Mr. Hart is so plainly in earnest when he relates this dismal tale as a sermon, that we must not be too harsh in questioning his taste or condemning his free standards of civilized morality; yet we doubt seriously if stories or essays of this type should appear in the press, and especially in the amateur press. Two or three technical points demand attention. The word "diversified" on page 2 might better be "diverse", while "environment" on page 4, could well be replaced by "condition" or "state". On page 5 occurs the sentence "All intelligence … were … instinct". Obviously the verb should be in the singular number to correspond with its subject. Mr. Hart is developing a prose style of commendable dignity, unusually free from the jarring touch of modern frivolity.

      H. B. Scott is proving himself a finished scholar and a thoughtful editor in his conduct of The Blarney Stone; his able essay on "Personality" is eminently worthy of more than one perusal.

      THE BOYS' HERALD for May presents us with a highly interesting account of Robert Louis Stevenson's career as an amateur journalist, together with a facsimile reproduction of the cover of "The Sunbeam Magazine", Stevenson's hand-written periodical. The column of reminiscences, containing letters from various old-time amateurs, is extremely inspiring to the younger members, showing how persistently the amateur spirit adheres to all who have truly acquired it. "Nita at the Passing Show" is a witty and entertaining parody by Mr. Smith, illustrating the theatrical hobby of Miss Gerner; one of the latest United recruits. The Boys' Herald discharges a peculiar and important function in the life of the associations, connecting the present with the past, and furnishing us with just standards for comparison.

      DOWDELL'S BEARCAT for December opens with a Christmas poem of great beauty and harmonious construction from the pen of Dora M. Hepner. The thoughts and images are without exception lofty and well selected, and the only possible defect is the attempt to rhyme "come" with "run" in the last stanza. Edward H. Cole's review of a recent booklet in memory of Miss Susan