A visit to the scenes of the brief passion of the pair is a pleasing incident of our Burns pilgrimage. Coilsfield House is somewhat changed since Mary dwelt beneath its roof—a great rambling edifice of gray weather-worn stone with a row of white pillars aligned along its façade, its massive walls embowered in foliage and environed by the grand woods which Burns and Mary knew so well. It was then a seat of Colonel Hugh Montgomerie, a patron of Burns. The name Coilsfield is derived from Coila, the traditional appellation of the district. The grounds comprise a billowy expanse of wood and sward; great reaches of turf, dotted with trees already venerable when the lovers here had their tryst a hundred years ago, slope away from the mansion to the Faile and border its murmuring course to the Ayr. Here we trace with romantic interest the wanderings of the pair during the swift hours of that last day of parting love, their lingering way 'neath the "wild wood's thickening green," by the pebbled shore of Ayr to the brooklet where their vows were made, and thence along the Faile to the woodland shades of Coilsfield, where, at the close of that winged day, "pledging oft to meet again, they tore themselves asunder." Howitt found at Coilsfield a thorn-tree, called by all the country "Highland Mary's thorn," and believed to be the place of final parting; years ago the tree was notched and broken by souvenir seekers; if it be still in existence the present occupant of Coilsfield is unaware. … .
Mary remained at Campbelltown during the summer of 1786. Coming to Greenock in the autumn, she found her brother sick of a malignant fever at the house of her aunt; bravely disregarding danger of contagion, she devoted herself to nursing him, and brought him to a safe convalescense only to be herself stricken by his malady and to rapidly sink and die, a sacrifice to her sisterly affection. By this time the success of his poems had determined Burns to remain in Scotland, and he returned to Moss Giel, where tidings of Mary's death reached him. His brother relates that when the letter was handed to him he went to the window and read it, then his face was observed to change suddenly, and he quickly went out without speaking. In June of the next year he made a solitary journey to the Highlands, apparently drawn by memory of Mary. If, indeed, he dropt a tear upon her neglected grave and visited her humble Highland home, we may almost forgive him the excesses of that tour, if not the renewed liaison with Jean which immediately preceded, and the amorous correspondence with "Clarinda" (Mrs. M'Lehose) which followed it. … .
Poor Mary is laid in the burial-plot of her uncle in the west kirk-yard of Greenock, near Crawford Street; our pilgrimage in Burns-land may fitly end at her grave. A pathway, beaten by the feet of many reverent visitors, leads us to the spot. It is so pathetically different from the scenes she loved in life—the heather-clad slopes of her Highland home, the seclusion of the wooded braes where she loitered with her poet-lover. Scant foliage is about her; few birds sing above her here. She lies by the wall; narrow streets hem in the enclosure; the air is sullied by smoke from factories and from steamers passing within a stone's throw on the busy Clyde; the clanging of many hammers and the discordant din of machinery and traffic invade the place and sound in our ears as we muse above the ashes of the gentle lassie.
For half a century her grave was unmarked and neglected; then, by subscription, a monument of marble, twelve feet in height, and of graceful proportions, was raised. It bears a sculptured medallion representing Burns and Mary, with clasped hands, plighting their troth. Beneath is the simple inscription, read oft by eyes dim with tears:
Erected over the grave of
Highland Mary
1842
"My Mary, dear departed shade,
Where is thy place of blissful rest?"
1 From "A Literary Pilgrimage." By arrangement with, and by permission of, the publishers, J. B. Lippincott Co. Copyright, 1895.
THROUGH THE CALEDONIA CANAL TO INVERNESS1
By Hippolyte Adolphe Taine
In the luminous morning mist, amid a line of masts and rigging, the steamboat sailed down the Clyde to the sea. We proceeded along the indented and rugged coast from one bay to another. These bays, being almost entirely closed in, resemble lakes, and the large sheets of water mirror an amphitheater of green hills. All the corners and windings of the shore are strewn with white villas; the water is crowded with ships; a height was pointed out to me whence three hundred sail may often be counted at a time; a three-decker floats in the distance like a swan among sea-mews. This vast space spread forth and full of life, dilates the mind, one's chest expands more freely, one joyfully inhales the fresh and keen breeze. But the effect upon the nerves and the heart does not resemble that of the Mediterranean; this air and country, instead of pre-disposing to pleasure, dispose to action.
We enter a small vessel drawn by three horses, which transports us along the Crinan canal, between two banks of green turf. On the one side are rocks covered with brushwood; on the other, steep declivities of a gray or reddish tinge; this, indeed, is color at least, a pleasure for the eye, well mingled, matched, and blended tints. On the bank and amid the bushes are wild roses, and fragile plants with white tufts smile with a delicate and charming grace.
At the outlet from the canal we go on board a large steamer, and the sea opens out wider than ever. The sky is exceedingly clear and brilliant, and the waves break in the sunlight, quivering with reflections of molten tin. The vessel continues her course, leaving in her track a bubbling and boiling path; sea gulls follow unweariedly behind her. On both sides, islands, rocks, boldly-cut promontories stand in sharp relief in the pale azure; the scene changes every quarter of an hour. But on rounding every point the infinite ocean reappears, mingling its almost flat line with the curve of the white sky.
The sun sets, we pass by Glencoe, and Ben Nevis appears sprinkled with snow; the bay becomes narrower, and the mass of water, confined amid barren mountains, assumes a tragic appearance. Human beings have come hither to little purpose. Nature remains indomitable and wild; one feels oneself upon a planet.
We disembark near Fort William; the dying twilight, the fading red rays on the horizon enable us to get a glimpse of a desolate country; acres of peat-bog, eminences rising from the valley between two ranges of huge mountains. A bird of prey screams amid the stillness. Here and there we see some wretched hovels; I am told that those on the heights are dens without windows, and from which the smoke escapes through a hole in the roof. Many of the old men are blind. What an unpropitious abode for man!
On the morrow we voyaged during four hours on the Caledonian canal amidst solitudes, a monotonous row of treeless mountains, enormous green eminences, dotted here and there with fallen stones. A few sheep of a dwarf breed crop the scanty herbage on the slopes; sometimes the winter is so severe that they die; in the distance we perceive a shaggy ox, with savage eyes, the size of a small ass. Both plants and animals perish, or are stunted. In order to make such a land yield anything it must first be replanted with trees, as has been done in Sutherlandshire; a tree renews the soil; it also shelters crops, flocks and herds, and human beings.
The canal terminates in a series of lakes. Nothing is more noble than their aspect, nothing more touching. The water, embrowned by the peat, forms a vast shining plain, surrounded by a circle of mountains. In proportion as we advance each mountain slowly grows upon us, becomes more conspicuous, stands forth with its form and physiognomy; the farther blue peaks melt the one behind the other, diminishing toward the horizon, which they enclose. Thus they stand in position like an assemblage of huge, mournful beings around the black water wherein they are mirrored, while above them