Manalive. Гилберт Кит Честертон

yet, while the empty heaven was full of silent catastrophe, the height of human buildings above which they sat held here and there a tiny trivial noise that was the exact antithesis; and they heard some six streets below a newsboy calling, and a bell bidding to chapel. They could also hear talk out of the garden below; and realized that the irrepressible Smith must have followed Gould downstairs, for his eager and pleading accents could be heard, followed by the half-humourous protests of Miss Duke and the full and very youthful laughter of Rosamund Hunt. The air had that cold kindness that comes after a storm. Michael Moon drank it in with as serious a relish as he had drunk the little bottle of cheap claret, which he had emptied almost at a draught. Inglewood went on eating ginger very slowly and with a solemnity unfathomable as the sky above him. There was still enough stir in the freshness of the atmosphere to make them almost fancy they could smell the garden soil and the last roses of autumn. Suddenly there came from the darkening room a silvery ping and pong which told them that Rosamund had brought out the long-neglected mandoline. After the first few notes there was more of the distant bell-like laughter.

      "Inglewood," said Michael Moon, "have you ever heard that I am a blackguard?"

      "I haven't heard it, and I don't believe it," answered Inglewood, after an odd pause. "But I have heard you were -- what they call rather wild."

      "If you have heard that I am wild, you can contradict the rumour," said Moon, with an extraordinary calm; "I am tame. I am quite tame; I am about the tamest beast that crawls. I drink too much of the same kind of whisky at the same time every night. I even drink about the same amount too much. I go to the same number of public-houses. I meet the same damned women with mauve faces. I hear the same number of dirty stories -- generally the same dirty stories. You may assure my friends, Inglewood, that you see before you a person whom civilization has thoroughly tamed."

      Arthur Inglewood was staring with feelings that made him nearly fall off the roof, for indeed the Irishman's face, always sinister, was now almost demoniacal.

      "Christ confound it!" cried out Moon, suddenly clutching the empty claret bottle, "this is about the thinnest and filthiest wine I ever uncorked, and it's the only drink I have really enjoyed for nine years. I was never wild until just ten minutes ago." And he sent the bottle whizzing, a wheel of glass, far away beyond the garden into the road, where, in the profound evening silence, they could even hear it break and part upon the stones.

      "Moon," said Arthur Inglewood, rather huskily, "you mustn't be so bitter about it. Everyone has to take the world as he finds it; of course one often finds it a bit dull --"

      "That fellow doesn't," said Michael decisively; "I mean that fellow Smith. I have a fancy there's some method in his madness. It looks as if he could turn into a sort of wonderland any minute by taking one step out of the plain road. Who would have thought of that trapdoor? Who would have thought that this cursed colonial claret could taste quite nice among the chimney-pots? Perhaps that is the real key of fairyland. Perhaps Nosey Gould's beastly little Empire Cigarettes ought only to be smoked on stilts, or something of that sort. Perhaps Mrs. Duke's cold leg of mutton would seem quite appetizing at the top of a tree. Perhaps even my damned, dirty, monotonous drizzle of Old Bill Whisky --"

      "Don't be so rough on yourself," said Inglewood, in serious distress. "The dullness isn't your fault or the whisky's. Fellows who don't -- fellows like me I mean -- have just the same feeling that it's all rather flat and a failure. But the world's made like that; it's all survival. Some people are made to get on, like Warner; and some people are made to stick quiet, like me. You can't help your temperament. I know you're much cleverer than I am; but you can't help having all the loose ways of a poor literary chap, and I can't help having all the doubts and helplessness of a small scientific chap, any more than a fish can help floating or a fern can help curling up. Humanity, as Warner said so well in that lecture, really consists of quite different tribes of animals all disguised as men."

      In the dim garden below the buzz of talk was suddenly broken by Miss Hunt's musical instrument banging with the abruptness of artillery into a vulgar but spirited tune.

      Rosamund's voice came up rich and strong in the words of some fatuous, fashionable coon song --

      "Darkies sing a song on the old plantation, Sing it as we sang it in days long since gone by."

      Inglewood's brown eyes softened and saddened still more as he continued his monologue of resignation to such a rollicking and romantic tune. But the blue eyes of Michael Moon brightened and hardened with a light that Inglewood did not understand. Many centuries, and many villages and valleys, would have been happier if Inglewood or Inglewood's countrymen had ever understood that light, or guessed at the first blink that it was the battle star of Ireland.

      "Nothing can ever alter it; it's in the wheels of the universe," went on Inglewood, in a low voice: "some men are weak and some strong, and the only thing we can do is to know that we are weak. I have been in love lots of times, but I could not do anything, for I remembered my own fickleness. I have formed opinions, but I haven't the cheek to push them, because I've so often changed them. That's the upshot, old fellow. We can't trust ourselves -- and we can't help it."

      Michael had risen to his feet, and stood poised in a perilous position at the end of the roof, like some dark statue hung above its gable. Behind him, huge clouds of an almost impossible purple turned slowly topsy-turvy in the silent anarchy of heaven. Their gyration made the dark figure seem yet dizzier.

      "Let us … " he said, and was suddenly silent.

      "Let us what?" asked Arthur Inglewood, rising equally quick though somewhat more cautiously, for his friend seemed to find some difficulty in speech.

      "Let us go and do some of these things we can't do," said Michael.

      At the same moment there burst out of the trapdoor below them the cockatoo hair and flushed face of Innocent Smith, calling to them that they must come down as the "concert" was in full swing, and Mr. Moses Gould was about to recite "Young Lochinvar."

      As they dropped into Innocent's attic they nearly tumbled over its entertaining impedimenta again. Inglewood, staring at the littered floor, thought instinctively of the littered floor of a nursery. He was therefore the more moved, and even shocked, when his eye fell on a large well-polished American revolver.

      "Hullo!" he cried, stepping back from the steely glitter as men step back from a serpent; "are you afraid of burglars? or when and why do you deal death out of that machine gun?"

      "Oh, that!" said Smith, throwing it a single glance; "I deal life out of that," and he went bounding down the stairs.

      Chapter III: The Banner of Beacon

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       Chapter III: The Banner of Beacon

      All next day at Beacon House there was a crazy sense that it was everybody's birthday. It is the fashion to talk of institutions as cold and cramping things. The truth is that when people are in exceptionally high spirits, really wild with freedom and invention, they always must, and they always do, create institutions. When men are weary they fall into anarchy; but while they are gay and vigorous they invariably make rules. This, which is true of all the churches and republics of history, is also true of the most trivial parlour game or the most unsophisticated meadow romp. We are never free until some institution frees us; and liberty cannot exist till it is declared by authority. Even the wild authority of the harlequin Smith was still authority, because it produced everywhere a crop of crazy regulations and conditions. He filled every one with his own half-lunatic life; but it was not expressed in destruction, but rather in a dizzy and toppling construction. Each person with a hobby found it turning into an institution. Rosamund's songs seemed to coalesce into a kind of opera; Michael's jests and paragraphs into a magazine. His pipe and her mandoline seemed between them to make a sort of smoking concert. The bashful and bewildered Arthur Inglewood almost struggled against his own growing importance. He felt as if, in spite of him, his photographs were turning into a picture gallery, and his bicycle into a gymkhana. But no one had