“Cecil,” said Mrs. Dimble, “do you feel quite comfortable about the Director’s using a man like this? I mean, doesn’t it look a little bit like fighting Belbury with its own weapons?”
“No. I had thought of that. Merlin is the reverse of Belbury. He’s at the opposite extreme. He is the last vestige of an old order in which matter and spirit were, from our modern point of view, confused. For him every operation on Nature is a kind of personal contact, like coaxing a child or stroking one’s horse. After him came the modern man to whom Nature is something dead—a machine to be worked, and taken to bits if it won’t work the way he pleases. Finally come the Belbury people, who take over that view from the modern man unaltered and simply want to increase their power by tacking on to it the aid of spirits—extra-natural, anti-natural spirits. Of course they hoped to have it both ways. They thought the old magia of Merlin, which worked in with the spiritual qualities of Nature, loving and reverencing them and knowing them from within, could be combined with the new goeteia—the brutal surgery from without. No. In a sense, Merlin represents what we’ve got to get back to in some different way. Do you know that he is forbidden by the rules of his order ever to use any edged tool on any growing thing?”
“Good gracious!” said Mrs. Dimble, “there’s six o’clock. I’d promised Ivy to be in the kitchen at quarter to. There’s no need for you to move, Cecil.”
“Do you know,” said Dimble, “I think you are a wonderful woman.”
“Why?”
“How many women who had had their own house for thirty years would be able to fit into this menagerie as you do?”
“That’s nothing,” said Mrs. Dimble. “Ivy had her own house too, you know. And it’s much worse for her. After all, I haven’t got my husband in jail.”
“You jolly soon will have,” said Dimble, “if half the plans of Merlinus Ambrosius are put into action.”
V
Merlin and the Director were meanwhile talking in the Blue Room. The Director had put aside his robe and circlet and lay on his sofa. The Druid sat in a chair facing him, his legs uncrossed, his pale large hands motionless on his knees, looking to modern eyes like an old conventional carving of a king. He was still robed and beneath the robe, as Ransom knew, had surprisingly little clothing, for the warmth of the house was to him excessive and he found trousers uncomfortable. His loud demands for oil after his bath had involved some hurried shopping in the village which had finally produced, by Denniston’s exertions, a tin of Brilliantine. Merlinus had used it freely so that his hair and beard glistened and the sweet sticky smell filled the room. That was why Mr. Bultitude had pawed so insistently at the door that he was finally admitted and now sat as near the magician as he could possibly get, his nostrils twitching. He had never smelled such an interesting man before.
“Sir,” said Merlin, in answer to the question which the Director had just asked him, “I give you great thanks. I cannot, indeed, understand the way you live, and your house is strange to me. You give me a bath such as the Emperor himself might envy, but no one attends me to it: a bed softer than sleep itself, but when I rise from it I find I must put on my own clothes with my own hands as if I were a peasant. I lie in a room with windows of pure crystal so that you can see the sky as clearly when they are shut as when they are open, and there is not wind enough within the room to blow out an unguarded taper; but I lie in it alone, with no more honour than a prisoner in a dungeon. Your people eat dry and tasteless flesh, but it is off plates as smooth as ivory and as round as the sun. In all the house there is warmth and softness and silence that might put a man in mind of paradise terrestrial; but no hangings, no beautified pavements, no musicians, no perfumes, no high seats, not a gleam of gold, not a hawk, not a hound. You seem to me to live neither like a rich man nor a poor one: neither like a lord nor a hermit. Sir, I tell you these things because you have asked me. They are of no importance. Now that none hears us save the last of the seven bears of Logres, it is time that we should open counsels to each other.”
He glanced at the Director’s face as he spoke and then, as if startled by what he saw there, leaned sharply forward.
“Does your wound pain you?” he asked.
Ransom shook his head. “No,” he said, “it is not the wound. We have terrible things to talk of.”
“Sir,” said Merlinus in a deeper and softer voice, “I could take all the anguish from your heel as though I were wiping it out with a sponge. Give me but seven days to go in and out and up and down and to and fro, to renew old acquaintance. These fields and I, this wood and I, have much to say to one another.”
As he said this he was leaning forward so that his face and the bear’s were almost side by side, and it almost looked as if those two might have been engaged in some kind of furry and grunted conversation. The druid’s face had a strangely animal appearance: not sensual nor fierce, but full of the patient, unarguing sagacity of a beast. Ransom’s, meanwhile, was full of torment.
“You might find the country much changed,” he said, forcing a smile.
“No,” said Merlin. “I do not reckon to find it much changed.” The distance between the two men was increasing every moment. Merlin was like something that ought not to be indoors. Bathed and anointed though he was, a sense of mould, gravel, wet leaves, weedy water, hung about him.
“Not changed,” he repeated in an almost inaudible voice. And in that deepening inner silence of which his face bore witness, one might have believed that he listened continually to a murmur of evasive sounds; rustling of mice and stoats, thumping progression of frogs, the small shock of falling hazel nuts, creaking of branches, runnels trickling, the very growing of grass. The bear had closed its eyes. The whole room was growing heavy with a sort of floating anaesthesia.
“Through me,” said Merlin, “you can suck up from the Earth oblivion of all pains.”
“Silence,” said the Director sharply. He had been sinking down into the cushions of his sofa with his head drooping a little towards his chest. Now he suddenly sat bolt upright. The magician started and straightened himself likewise. The air of the room was cleared. Even the bear opened its eyes again.
“No,” said the Director. “God’s glory, do you think you were dug out of the earth to give me a plaster for my heel? We have drugs that could cheat the pain as well as your earth-magic or better, if it were not my business to bear it to the end. I will hear no more of that. Do you understand?”
“I hear and obey,” said the magician. “But I meant no harm. If not to heal your own wound, yet for the healing of Logres, you will need my commerce with field and water. It must be that I should go in and out, and to and fro, renewing old acquaintance. It will not be changed, you know—not what you would call changed.”
Again that sweet heaviness, like the smell of hawthorn, seemed to be flowing back over the Blue Room.
“No,” said the Director in a still louder voice, “that cannot be done any longer. The soul has gone out of the wood and water. Oh, I dare say you could awake them—a little. But it would not be enough. A storm, or even a river-flood, would be of little avail against our present enemy. Your weapon would break in your hands. For the Hideous Strength confronts us, and it is as in the days when Nimrod built a tower to reach heaven.”
“Hidden it may be,” said Merlinus, “but not changed. Leave me to work, Lord. I will wake it. I will set a sword in every blade of grass to wound them and the very clods of earth shall be venom to their feet. I will——”
“No,” said the Director, “I forbid you to speak of it. If it were possible, it would be unlawful. Whatever of spirit may still linger in the earth has withdrawn fifteen hundred years further away