Jane was silent. Though she could not tell the Director the truth, and indeed did not know it herself, yet when she tried to explore her inarticulate grievance against Mark, a novel sense of her own injustice and even of pity for her husband, arose in her mind. And her heart sank, for now it seemed to her that this conversation, to which she had vaguely looked for some sort of deliverance from all problems, was in fact involving her in new ones.
“It was not his fault,” she said at last. “I suppose our marriage was just a mistake.”
The Director said nothing.
“What would you—what would the people you are talking of—say about a case like that?”
“I will tell you if you really want to know,” said the Director.
“Please,” said Jane reluctantly.
“They would say,” he answered, “that you do not fail in obedience through lack of love, but have lost love because you never attempted obedience.”
Something in Jane that would normally have reacted to such a remark with anger or laughter was banished to a remote distance (where she could still, but only just, hear its voice) by the fact that the word obedience—but certainly not obedience to Mark—came over her, in that room and in that presence, like a strange oriental perfume, perilous, seductive, and ambiguous. . . .
“Stop it!” said the Director sharply.
Jane stared at him, open-mouthed. There were a few moments of silence during which the exotic fragrance faded away.
“You were saying, my dear?” resumed the Director.
“I thought love meant equality,” she said, “and free companionship.”
“Ah, equality!” said the Director. “We must talk of that some other time. Yes; we must all be guarded by equal rights from one another’s greed, because we are fallen. Just as we must all wear clothes for the same reason. But the naked body should be there underneath the clothes, ripening for the day when we shall need them no longer. Equality is not the deepest thing, you know.”
“I always thought that was just what it was. I thought it was in their souls that people were equal.”
“You were mistaken,” said he gravely; “that is the last place where they are equal. Equality before the law, equality of incomes—that is very well. Equality guards life; it doesn’t make it. It is medicine, not food. You might as well try to warm yourself with a blue-book.”
“But surely in marriage . . . ?”
“Worse and worse,” said the Director. “Courtship knows nothing of it; nor does fruition. What has free companionship to do with that? Those who are enjoying something, or suffering something together, are companions. Those who enjoy or suffer one another, are not. Do you not know how bashful friendship is? Friends . . . comrades . . . do not look at each other. Friendship would be ashamed. . . .”
“I thought,” said Jane and then stopped.
“I see,” said the Director. “It is not your fault. They never warned you. No one has ever told you that obedience—humility—is an erotic necessity. You are putting equality just where it ought not to be. As to your coming here, that may admit of some doubt. For the present, I must send you back. You can come out and see us. In the meantime, talk to your husband and I will talk to my authorities.”
“When will you be seeing them?”
“They come to me when they please. But we’ve been talking too solemnly about obedience all this time. I’d like to show you some of its drolleries. You are not afraid of mice are you?”
“Afraid of what?” said Jane in astonishment.
“Mice,” said the Director.
“No,” said Jane in a puzzled voice.
The Director struck a little bell beside his sofa which was almost immediately answered by Mrs. Maggs.
“I think,” said the Director, “I should like my lunch now, if you please. They will give you lunch downstairs, Mrs. Studdock—something more substantial than mine. But if you will sit with me while I eat and drink, I will show you some of the amenities of our house.”
Mrs. Maggs presently returned with a tray, bearing a glass, a small flagon of red wine, and a roll of bread. She set it down on a table at the Director’s side and left the room.
“You see,” said the Director, “I live like the King in Curdie. It is a surprisingly pleasant diet.” With these words he broke the bread and poured himself out a glass of wine.
“I never read the book you are speaking of,” said Jane.
They talked of the book a little while the Director ate and drank; but presently he took up the plate and tipped the crumbs off on to the floor. “Now, Mrs. Studdock,” he said, “you shall see a diversion. But you must be perfectly still.” With these words he took from his pocket a little silver whistle and blew a note on it. And Jane sat still till the room became filled with silence like a solid thing and there was first a scratching and then a rustling and presently she saw three plump mice working their passage across what was to them the thick undergrowth of the carpet, nosing this way and that so that if their course had been drawn it would have resembled that of a winding river, until they were so close that she could see the twinkling of their eyes and even the palpitation of their noses. In spite of what she had said she did not really care for mice in the neighbourhood of her feet and it was with an effort that she sat still. Thanks to this effort she saw mice for the first time as they really are—not as creeping things but as dainty quadrupeds, almost, when they sat up, like tiny kangaroos, with sensitive kid-gloved forepaws and transparent ears. With quick, inaudible movements they ranged to and fro till not a crumb was left on the floor. Then he blew a second time on his whistle and with a sudden whisk of tails all three of them were racing for home and in a few seconds had disappeared behind the coal box. The Director looked at her with laughter in his eyes. “It is impossible,” thought Jane, “to regard him as old.”
“There,” he said, “a very simple adjustment. Humans want crumbs removed; mice are anxious to remove them. It ought never to have been a cause of war. But you see that obedience and rule are more like a dance than a drill—specially between man and woman where the roles are always changing.”
“How huge we must seem to them,” said Jane.
This inconsequent remark had a very curious cause. Hugeness was what she was thinking of and for one moment it had seemed she was thinking of her own hugeness in comparison with the mice. But almost at once this identification collapsed. She was really thinking simply of hugeness. Or rather, she was not thinking of it. She was, in some strange fashion, experiencing it. Something intolerably big, something from Brobdingnag, was pressing on her, was approaching, was almost in the room. She felt herself shrinking, suffocated, emptied of all power and virtue. She darted a glance at the Director which was really a cry for help, and that glance, in some inexplicable way, revealed him as being, like herself, a very small object. The whole room was a tiny place, a mouse’s hole, and it seemed to her to be tilted aslant—as though the insupportable mass and splendour of this formless hugeness, in approaching, had knocked it askew. She heard the Director’s voice.
“Quick,” he said gently, “you must leave me now. This is no place for us small ones, but I am inured. Go!”
III
When Jane left the hilltop village of St. Anne’s and came down to the station she found that, even down there, the fog had begun to lift. Great windows had opened in it, and as the train carried her on it passed repeatedly through pools of afternoon sunlight.
During this journey she was so divided against herself that one might say there were three, if not four, Janes in the compartment.
The