“Whither have you been rambling so early?” said Madame Cheron, as her niece entered the breakfast-room. “I don’t approve of these solitary walks.” And Emily was surprised, when, having informed her aunt, that she had been no further than the gardens, she understood these to be included in the reproof. “I desire you will not walk there again at so early an hour unattended,” said Madame Cheron; “my gardens are very extensive; and a young woman, who can make assignations by moonlight at La Vallée, is not to be trusted to her own inclinations elsewhere.”
Emily, extremely surprised and shocked, had scarcely power to beg an explanation of these words, and, when she did, her aunt absolutely refused to give it, though, by her severe looks, and half sentences, she appeared anxious to impress Emily with a belief, that she was well informed of some degrading circumstances of her conduct. Conscious innocence could not prevent a blush from stealing over Emily’s cheek; she trembled, and looked confusedly under the bold eye of Madame Cheron, who blushed also; but hers was the blush of triumph, such as sometimes stains the countenance of a person, congratulating himself on the penetration which had taught him to suspect another, and who loses both pity for the supposed criminal, and indignation of his guilt, in the gratification of his own vanity.
Emily, not doubting that her aunt’s mistake arose from the having observed her ramble in the garden on the night preceding her departure from La Vallée, now mentioned the motive of it, at which Madame Cheron smiled contemptuously, refusing either to accept this explanation, or to give her reasons for refusing it; and, soon after, she concluded the subject by saying, “I never trust people’s assertions, I always judge of them by their actions; but I am willing to try what will be your behaviour in future.”
Emily, less surprised by her aunt’s moderation and mysterious silence, than by the accusation she had received, deeply considered the latter, and scarcely doubted, that it was Valancourt whom she had seen at night in the gardens of La Vallée, and that he had been observed there by Madame Cheron; who now passing from one painful topic only to revive another almost equally so, spoke of the situation of her niece’s property, in the hands of M. Motteville. While she thus talked with ostentatious pity of Emily’s misfortunes, she failed not to inculcate the duties of humility and gratitude, or to render Emily fully sensible of every cruel mortification, who soon perceived, that she was to be considered as a dependant, not only by her aunt, but by her aunt’s servants.
She was now informed, that a large party were expected to dinner, on which account Madame Cheron repeated the lesson of the preceding night, concerning her conduct in company, and Emily wished that she might have courage enough to practise it. Her aunt then proceeded to examine the simplicity of her dress, adding, that she expected to see her attired with gaiety and taste; after which she condescended to show Emily the splendour of her château, and to point out the particular beauty, or elegance, which she thought distinguished each of her numerous suites of apartments. She then withdrew to her toilet, the throne of her homage, and Emily to her chamber, to unpack her books, and to try to charm her mind by reading, till the hour of dressing.
When the company arrived, Emily entered the saloon with an air of timidity, which all her efforts could not overcome, and which was increased by the consciousness of Madame Cheron’s severe observation. Her mourning dress, the mild dejection of her beautiful countenance, and the retiring diffidence of her manner, rendered her a very interesting object to many of the company; among whom she distinguished Signor Montoni, and his friend Cavigni, the late visitors at M. Quesnel’s, who now seemed to converse with Madame Cheron with the familiarity of old acquaintance, and she to attend to them with particular pleasure.
This Signor Montoni had an air of conscious superiority, animated by spirit, and strengthened by talents, to which every person seemed involuntarily to yield. The quickness of his perceptions was strikingly expressed on his countenance, yet that countenance could submit implicitly to occasion; and, more than once in this day, the triumph of art over nature might have been discerned in it. His visage was long, and rather narrow, yet he was called handsome; and it was, perhaps, the spirit and vigour of his soul, sparkling through his features, that triumphed for him. Emily felt admiration, but not the admiration that leads to esteem; for it was mixed with a degree of fear she knew not exactly wherefore.
Cavigni was gay and insinuating as formerly; and, though he paid almost incessant attention to Madame Cheron, he found some opportunities of conversing with Emily, to whom he directed, at first, the sallies of his wit, but now and then assumed an air of tenderness, which she observed, and shrunk from. Though she replied but little, the gentleness and sweetness of her manners encouraged him to talk, and she felt relieved when a young lady of the party, who spoke incessantly, obtruded herself on his notice. This lady, who possessed all the sprightliness of a Frenchwoman, with all her coquetry, affected to understand every subject, or rather there was no affectation in the case; for, never looking beyond the limits of her own ignorance, she believed she had nothing to learn. She attracted notice from all; amused some, disgusted others for a moment, and was then forgotten.
This day passed without any material occurrence; and Emily, though amused by the characters she had seen, was glad when she could retire to the recollections, which had acquired with her the character of duties.
A fortnight passed in a round of dissipation and company, and Emily, who attended Madame Cheron in all her visits, was sometimes entertained, but oftener wearied. She was struck by the apparent talents and knowledge displayed in the various conversations she listened to, and it was long before she discovered, that the talents were for the most part those of imposture, and the knowledge nothing more than was necessary to assist them. But what deceived her most, was the air of constant gaiety and good spirits, displayed by every visitor, and which she supposed to arise from content as constant, and from benevolence as ready. At length, from the over-acting of some, less accomplished than the others, she could perceive, that, though contentment and benevolence are the only sure sources of cheerfulness, the immoderate and feverish animation, usually exhibited in large parties, results partly from an insensibility to the cares, which benevolence must sometimes derive from the sufferings of others, and partly from a desire to display the appearance of that prosperity, which they know will command submission and attention to themselves.
Emily’s pleasantest hours were passed in the pavilion of the terrace, to which she retired, when she could steal from observation, with a book to overcome, or a lute to indulge, her melancholy. There, as she sat with her eyes fixed on the far-distant Pyrenees, and her thoughts on Valancourt and the beloved scenes of Gascony, she would play the sweet and melancholy songs of her native province—the popular songs she had listened to from her childhood.
One evening, having excused herself from accompanying her aunt abroad, she thus withdrew to the pavilion, with books and her lute. It was the mild and beautiful evening of a sultry day, and the windows, which fronted the west, opened upon all the glory of a setting sun. Its rays illuminated, with strong splendour, the cliffs of the Pyrenees, and touched their snowy tops with a roseate hue, that remained, long after the sun had sunk below the horizon, and the shades of twilight had stolen over the landscape. Emily touched her lute with that fine melancholy expression, which came from her heart. The pensive hour and the scene, the evening light on the Garonne, that flowed at no great distance, and whose waves, as they passed towards La Vallée, she often viewed with a sigh—these united circumstances disposed