"I believe they never met before," said Mary.
Darrell laughed.
"Lady Kitty makes short work of the preliminaries," he said; "she told me the other night life wasn't long enough to begin with talk about the weather."
"The weather?" said Harman. "At the present moment she and Cliffe seem to be discussing the 'Dame aux Camélias.' Since when do they take young girls to see that kind of thing in Paris?"
Miss Lyster gave a little cough, and bending forward said to Harman: "Lady Tranmore has shown me your picture. It is a dear, delicious thing! I never saw anything more heavenly than the angel."
Harman smiled a flattered smile. Mary Lyster referred to a copy of a "Filippo Lippi Annunciation" which he had just executed in water-color for Lady Tranmore, to whom he was devoted. He was, however, devoted to a good many peeresses, with whom he took tea, and for whom he undertook many harmless and elegant services. He painted their portraits, in small size, after pre-Raphaelite models, and he occasionally presented them with copies—a little weak, but charming—of their favorite Italian pictures. He and Mary began now to talk of Florence with much enthusiasm and many caressing adjectives. For Harman most things were "sweet"; for Mary, "interesting" or "suggestive." She talked fast and fluently; a subtle observer might have guessed she wished it to be seen that for her Lady Kitty Bristol's flirtations, be they in or out of taste, were simply non-existent.
Darrell listened intermittently, watched Cliffe and Lady Kitty, and thought a good deal. That extraordinary girl was certainly "carrying on" with Cliffe, as she had "carried on" with Ashe on the night of her first acquaintance with him in St. James's Place. Ashe apparently took it with equanimity, for he was still sitting beside the pair, twisting a paper-knife and smiling, sometimes putting in a word, but more often silent, and apparently of no account at all to either Kitty or Cliffe.
Darrell knew that the new minister disliked and despised Geoffrey Cliffe; he was aware, too, that Cliffe returned these sentiments, and was not unlikely to be found attacking Ashe in public before long on certain points of foreign policy, where Cliffe conceived himself to be a master. The meeting of the two men under the Grosvilles' roof struck Darrell as curious. Why had Cliffe been invited by these very respectable and straitlaced people the Grosvilles? Darrell could only reflect that Lady Eleanor Cliffe, the traveller's mother, was probably connected with them by some of those innumerable and ever-ramifying links that hold together a certain large group of English families; and that, moreover, Lady Grosville, in spite of philanthropy and Evangelicalism, had always shown a rather pronounced taste in "lions"—of the masculine sort. Of the women to be met with at Grosville Park, one could be certain. Lady Grosville made no excuses for her own sex. But she was a sufficiently ambitious hostess to know that agreeable parties are not constructed out of the saints alone. The men, therefore, must provide the sinners; and of some of the persons then most in vogue she was careful not to know too much. For, socially, one must live; and that being so, the strictness of to-day may have at any moment to be purchased by the laxity of to-morrow. Such, at any rate, was Darrell's analysis of the situation.
He was still astonished, however, when all was said. For Cliffe during the preceding winter, on his return from some remarkable travels in Persia, had paused on the Riviera, and an affair at Cannes with a French vicomtesse had got into the English papers. No one knew the exact truth of it; and a small volume of verse by Cliffe, published immediately afterwards—verse very distinguished, passionate, and obscure—had offered many clews, but no solution whatever. Nobody supposed, however, that the story was anything but a bad one. Moreover, the last book of travels—which had had an enormous success—contained one of the most malicious attacks on foreign missions that Darrell remembered. And if the missionaries had a supporter in England, it was Lady Grosville. Had she designs—material designs—on behalf of Miss Amy or Miss Caroline? Darrell smiled at the notion. Cliffe must certainly marry money, and was not to be captured by any Miss Amys—or Lady Kittys either, for the matter of that.
But?—Darrell glanced at the lady beside him, and his busy thoughts took a new turn. He had seen the greeting between Miss Lyster and Cliffe. It was cold; but all the same the world knew that they had once been friends. Was it some five years before that Miss Lyster, then in the height of a brilliant season under the wing of Lady Tranmore, had been much seen in public with Geoffrey Cliffe? Then he had departed eastward, to explore the upper waters of the Mékong, and the gossip excited had died away. Of late her name had been rather coupled with that of William Ashe.
Well, so far as the world was concerned, she might mate with either—with the mad notoriety of Cliffe or the young distinction of Ashe. Darrell's bitter heart contracted as he reflected that only for him and the likes of him, men of the people, with average ability, and a scarcely average income, were maidens of Mary Lyster's dower and pedigree out of reach. Meanwhile he revenged himself by being her very good friend, and allowing himself at times much caustic plainness of speech in his talks with her.
"What are you three gossiping about?" said Ashe, strolling in presently from the other room to join them.
"As usual," said Darrell. "I am listening to perfection. Miss Lyster and Harman are discussing pictures."
Ashe stifled a little yawn. He threw himself down by Mary, vowing that there was no more pleasure to be got out of pictures now that people would try to know so much about them. Mary meanwhile raised herself involuntarily to look into the farther room, where the noise made by Cliffe and Lady Kitty had increased.
"They are going to sing," said Ashe, lazily—"and it won't be hymns."
In fact, Lady Kitty had opened the piano, and had begun the first bars of something French and operatic. At the first sound of Kitty's music, however, Lady Grosville drew herself up; she closed the volume of Evangelical sermons for which she had exchanged the Times; she deposited her spectacles sharply on the table beside her.
"Amy!—Caroline!"
Those young ladies rose. So did Lady Grosville. Kitty meanwhile sat with suspended fingers and laughing eyes, waiting on her aunt's movements.
"Kitty, pray don't let me interfere with your playing," said Lady Grosville, with severe politeness—"but perhaps you would kindly put it off for half an hour. I am now going to read to the servants—"
"Gracious!" said Kitty, springing up. "I was going to play Mr. Cliffe some Offenbach."
"Ah, but the piano can be heard in the library, and your cousin Amy plays the harmonium—"
"Mon Dieu!" said Kitty. "We will be as quiet as mice. Or"—she made a quick step in pursuit of her aunt—"shall I come and sing, Aunt Lina?"
Ashe, in his shelter behind Mary Lyster, fell into a silent convulsion of laughter.
"No, thank you!" said Lady Grosville, hastily. And she rustled away followed by her daughters.
Kitty came flying into the inner room followed by Cliffe.
"What have I done?" she said, breathlessly, addressing Harman, who rose to greet her. "Mayn't one play the piano here on Sundays?"
"That depends," said Harman, "on what you play."
"Who made your English Sunday?" said Kitty, impetuously. "Je vous demande—who?"
She threw her challenge to all the winds of heaven—standing tiptoe, her hands poised on the back of a chair, the smallest and most delicate of furies.
"A breath unmakes it, as a breath has made," said Cliffe. "Come and play billiards, Lady Kitty. You said just now you played."
"Billiards!" said Harman, throwing up his hands. "On Sunday—here?"
"Can they hear the balls?" said Kitty, eagerly, with a gesture towards the library.
Mary Lyster, who had been perfunctorily looking at a book, laid it down.
"It would certainly greatly