She laughed prettily, not scornfully, then striking an attitude of the mock heroic, added, on the spur of the moment—
"And the oven was burning, not baking,
The tarts of my soul's desire!"
—for at the moment one of those fumes the kitchen was constantly firing at the drawing-room, came storming up as if a door had been suddenly opened in yet lower regions. Cornelius was too much offended and self-occupied to be amused, but both Mrs. Raymount and Vavasor laughed, the latter recognizing in Hester's extemporization a vein similar to his own. But Hester was already searching, and presently found a song to her mind—one, that was, fit for Cornelius.
"Come now, Corney," she said; "here is a song I should like you to be able to sing!"
With that she turned to the keys, and sang a spirited ballad, of which the following was the first stanza:
This blow is for my brother:
You lied away his life;
This for his weeping mother,
This for your own sweet wife;
For you told that lie of another
To pierce her heart with its knife.
And now indeed the singer was manifest; genius was plainly the soul of her art, and her art the obedient body to the informing genius. Vavasor was utterly enchanted, but too world-eaten to recognize the soul she almost waked in him for any other than the old one. Her mother thought she had never heard her sing so splendidly before.
The ballad was of a battle between two knights, a good and a bad—something like Browning's Count Gismond: the last two lines of it were—
So the lie went up in the face of heaven
And melted in the sun.
When Hester had sung these, she rose at once, her face white, her mouth set and her eyes gleaming. Vavasor felt almost as if he were no longer master of himself, almost as if he would have fallen down to kiss the hem of her garment, had he but dared to go near her. But she walked from the room vexed with the emotion she was unable to control, and did not again appear.
The best thing in Vavasor was his love of music. He had cultivated not a little what gift he had, but it was only a small power, not of production, but of mere reproduction like that of Cornelius, though both finer and stronger in quality. He did not really believe in music—he did not really believe in anything except himself. He professed to adore it, and imagined he did, because his greatest pleasure lay in hearing his own verses well sung by a pretty girl who would now and then steal, or try to steal, a glance at the poet from under her eyelids as she sang. On his way home he brooded over the delight of having his best songs sung by such a singer as Hester; and from that night fancied he had received a new revelation of what music was and could do, confessing to himself that a similar experience within the next fortnight would send him over head and ears in love with Hester—which must not be! Cornelius went half way with him, and to his questions arising from what Miss Raymount had said about the professional, assured him, 'pon honor, that that was all Hester's nonsense!
"She in training for a public singer!—But there's nothing she likes better than taking a rise out of a fellow," said Cornelius. "She would as soon think of singing in public as of taking a bar-maid's place in a public-house!"
"But why did you never tell me your sister was such an awful swell of a singer?" asked Vavasor.
"Do you think so? She ought to feel very much flattered! Why I didn't tell you?—Oh, I don't know! I never heard her sing like that before. Upon my word I never did. I suppose it was because you were there. A brother's nobody, don't you know?"
This flattered Vavasor, as how should it not? and without the least idea of whither the spirit in the feet of his spirit was leading him, he went as often to the Raymounts' lodging as for very shame of intrusion he dared—that is, all but every night. But having, as he thought, discovered and learned thoroughly to understand her special vein, as he called it, he was careful not to bring any of his own slight windy things of leaf-blowing songs under Hester's notice—not, alas! that he thought them such, but that he judged it prudent to postpone the pleasure: she would require no small amount of training before she could quite enter into the spirit and special merit of them!
In the meantime as he knew a good song sometimes when he saw it, always when he heard her sing it, never actually displeased her with any he did bring under her notice, had himself a very tolerable voice, and was capable of managing it with taste and judgment, also of climbing upon the note itself to its summit, and of setting right with facility any fault explained to him, it came about by a scale of very natural degrees, that he found himself by and by, not a little to his satisfaction, in the relation to her of a pupil to a teacher. Hester in truth gave herself a good deal of trouble with him, in the endeavor, by no means an unsuccessful one, to improve the quality of his singing—his style, his expression, and even his way of modeling his tones. The relation between them became therefore one which, had it then lasted, might have soon led to something like genuine intimacy—at least to some truer notion on the part of each of the kind of being the other was. But the day of separation arrived first; and it was only on his way back to London that Vavasor began to discover what a hold the sister of his fellow-clerk had taken of his thoughts and indeed of his heart—of the existence of which organ he had never before had any very convincing proof.
All the time he had not once brought his aunt and the Raymounts together.
CHAPTER X.
HESTER AND AMY.
Hester did not miss Vavasor quite so much as he hoped she might, or as perhaps he believed she did. She had been interested in him mainly because she found him both receptive and capable of development in the matter of music—ready to understand, that is, and willing to be taught. To have such a man listen with respect to every word she said, never denying, defending or justifying what she might point out as a fault, but setting himself at once to the correction of the same, and in general with some measure of immediate success, could not fail to be not merely pleasant but flattering to her. Brothers, I suspect, have a good deal to answer for in the estimation of men by their sisters; their behavior at home leads them to prize the civilities of other men more highly than they deserve; brothers, I imagine, have therefore more to do than they will like to learn, with the making of those inferior men acceptable to their sisters, whose very presence is to themselves an annoyance. Women so seldom see a noble style of behavior at home!—so few are capable of distinguishing between ceremony and courtesy between familiarity and rudeness—of dismissing ceremony and retaining courtesy, of using familiarity and banishing rudeness! The nearer persons come to each other, the greater is the room and the more are the occasions for courtesy; but just in proportion to their approach the gentleness of most men diminishes. Some will make the poor defense that it is unmanly to show one's feelings: it is unmanly, because conceited and cowardly to hide them, if, indeed, such persons have anything precious to hide. Other some will say, "Must I weigh my words with my familiar friend as if I had been but that moment presented to him?" I answer, It were small labor well spent to see that your coarse-grained evil self, doomed to perdition, shall not come between your friend and your true, noble, humble self, fore-ordained to eternal life. The Father cannot bear rudeness in his children any more than wrong:—my comparison is unfit, for rudeness is a great and profound wrong, and that to the noblest part of the human being, while a mere show of indifference is sometimes almost as bad as the rudest words. And these are of those faults of which the more guilty a man is, the less is he conscious of the same.
Vavasor did not move the deepest in Hester. How should he? With that deepest he had no developed relation. There were worlds of