Xun and I never discussed the key-fishing episode. Indeed, perhaps the meaning I have bestowed on this event is more a product of my own projections and associations than a reflection of the significance it held for him. In making these connections, however, I draw on conversations that occurred over a number of years as well as my sense of his patterns of moving in and making sense of the world. I thought I could feel Xun finding the pleasures of rediscovering his own inventiveness as he opened doors that appeared to have closed on him. Subtle, situated acts like this one were part of how the past came to be negotiated and a “return to society” enacted.
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