Wind is in the cane. Come along.
Cane leaves swaying, rusty with talk,
Scratching choruses above the guinea’s squawk,
Wind is in the cane. Come along.
SONG OF THE SON
Pour O pour that parting soul in song,
O pour it in the sawdust glow of night,
Into the velvet pine-smoke air to-night,
And let the valley carry it along.
And let the valley carry it along.
O land and soil, red soil and sweet-gum tree,
So scant of grass, so profligate of pines,
Now just before an epoch’s sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.
In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.
O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing, before they stripped the old tree bare
One plum was saved for me, one seed becomes
An everlasting song, a singing tree,
Caroling softly souls of slavery,
What they were, and what they are to me,
Caroling softly souls of slavery.
GEORGIA DUSK
The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night’s barbecue,
A feast of moon and men and barking hounds,
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.
The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.
Smoke from the pyramidal sawdust pile
Curls up, blue ghosts of trees, tarrying low
Where only chips and stumps are left to show
The solid proof of former domicile.
Meanwhile, the men, with vestiges of pomp,
Race memories of king and caravan,
High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.
Their voices rise . . . the pine trees are guitars,
Strumming, pine-needles fall like sheets of rain . . .
Their voices rise . . . the chorus of the cane
Is caroling a vesper to the stars . . .
O singers, resinous and soft your songs
Above the sacred whisper of the pines,
Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.
FERN
Face flowed into her eyes. Flowed in soft cream foam and plaintive ripples, in such a way that wherever your glance may momentarily have rested, it immediately thereafter wavered in the direction of her eyes. The soft suggestion of down slightly darkened, like the shadow of a bird’s wing might, the creamy brown color of her upper lip. Why, after noticing it, you sought her eyes, I cannot tell you. Her nose was aquiline, Semitic. If you have heard a Jewish cantor sing, if he has touched you and made your own sorrow seem trivial when compared with his, you will know my feeling when I follow the curves of her profile, like mobile rivers, to their common delta. They were strange eyes. In this, that they sought nothing—that is, nothing that was obvious and tangible and that one could see, and they gave the impression that nothing was to be denied. When a woman seeks, you will have observed, her eyes deny. Fern’s eyes desired nothing that you could give her; there was no reason why they should withhold. Men saw her eyes and fooled themselves. Fern’s eyes said to them that she was easy. When she was young, a few men took her, but got no joy from it. And then, once done, they felt bound to her (quite unlike their hit and run with other girls), felt as though it would take them a lifetime to fulfill an obligation which they could find no name for. They became attached to her, and hungered after finding the barest trace of what she might desire. As she grew up, new men who came to town felt as almost everyone did who ever saw her: that they would not be denied. Men were everlastingly bringing her their bodies. Something inside of her got tired of them, I guess, for I am certain that for the life of her she could not tell why or how she began to turn them off. A man in fever is no trifling thing to send away. They began to leave her, baffled and ashamed, yet vowing to themselves that some day they would do some fine thing for her: send her candy every week and not let her know whom it came from, watch out for her wedding-day and give her a magnificent something with no name on it, buy a house and deed it to her, rescue her from some unworthy fellow who had tricked her into marrying him. As you know, men are apt to idolize or fear that which they cannot understand, especially if it be a woman. She did not deny them, yet the fact was that they were denied. A sort of superstition crept into their consciousness of her being somehow above them. Being above them meant that she was not to be approached by anyone. She became a virgin. Now a virgin in a small southern town is by no means the usual thing, if you will believe me. That the sexes were made to mate is the practice of the South. Particularly, black folks were made to mate. And it is black folks whom I have been talking about thus far. What white men thought of Fern I can arrive at only by analogy. They let her alone.
Anyone, of course, could see her, could see her eyes. If you walked up the Dixie Pike most any time of day, you’d be most like to see her resting listless-like on the railing of her porch, back propped against a post, head tilted a little forward because there was a nail in the porch post just where her head came which for some reason or other she never took the trouble to pull out. Her eyes, if it were sunset, rested idly where the sun, molten and glorious, was pouring down between the fringe of pines. Or maybe they gazed at the gray cabin on the knoll from which an evening folk-song was coming. Perhaps they followed a cow that had been turned loose to roam and feed on cotton-stalks and corn leaves. Like as not they’d settle on some vague spot above the horizon, though hardly a trace of wistfulness would come to them. If it were dusk, then they’d wait for the search-light of the evening train which you could see miles up the track before it flared across the Dixie Pike, close to her home. Wherever they looked, you’d follow