This it was that brought forcibly to his mind the self-imposed but by now half-forgotten mission that he had made his own. He had boasted that he would make the voice which M. de La Tour d’Azyr had sought to silence ring through the length and breadth of the land. And what had he done of all this that he had boasted? He had incited the mob of Rennes and the mob of Nantes in such terms as poor Philippe might have employed, and then because of a hue and cry he had fled like a cur and taken shelter in the first kennel that offered, there to lie quiet and devote himself to other things — self-seeking things. What a fine contrast between the promise and the fulfilment!
Thus Andre–Louis to himself in his self-contempt. And whilst he trifled away his time and played Scaramouche, and centred all his hopes in presently becoming the rival of such men as Chenier and Mercier, M. de La Tour d’Azyr went his proud ways unchallenged and wrought his will. It was idle to tell himself that the seed he had sown was bearing fruit. That the demands he had voiced in Nantes for the Third Estate had been granted by M. Necker, thanks largely to the commotion which his anonymous speech had made. That was not his concern or his mission. It was no part of his concern to set about the regeneration of mankind, or even the regeneration of the social structure of France. His concern was to see that M. de La Tour d’Azyr paid to the uttermost liard for the brutal wrong he had done Philippe de Vilmorin. And it did not increase his self-respect to find that the danger in which Aline stood of being married to the Marquis was the real spur to his rancour and to remembrance of his vow. He was — too unjustly, perhaps — disposed to dismiss as mere sophistries his own arguments that there was nothing he could do; that, in fact, he had but to show his head to find himself going to Rennes under arrest and making his final exit from the world’s stage by way of the gallows.
It is impossible to read that part of his “Confessions” without feeling a certain pity for him. You realize what must have been his state of mind. You realize what a prey he was to emotions so conflicting, and if you have the imagination that will enable you to put yourself in his place, you will also realize how impossible was any decision save the one to which he says he came, that he would move, at the first moment that he perceived in what direction it would serve his real aims to move.
It happened that the first person he saw when he took the stage on that Thursday evening was Aline; the second was the Marquis de La Tour d’Azyr. They occupied a box on the right of, and immediately above, the stage. There were others with them — notably a thin, elderly, resplendent lady whom Andre–Louis supposed to be Madame la Comtesse de Sautron. But at the time he had no eyes for any but those two, who of late had so haunted his thoughts. The sight of either of them would have been sufficiently disconcerting. The sight of both together very nearly made him forget the purpose for which he had come upon the stage. Then he pulled himself together, and played. He played, he says, with an unusual nerve, and never in all that brief but eventful career of his was he more applauded.
That was the evening’s first shock. The next came after the second act. Entering the green-room he found it more thronged than usual, and at the far end with Climene, over whom he was bending from his fine height, his eyes intent upon her face, what time his smiling lips moved in talk, M. de La Tour d’Azyr. He had her entirely to himself, a privilege none of the men of fashion who were in the habit of visiting the coulisse had yet enjoyed. Those lesser gentlemen had all withdrawn before the Marquis, as jackals withdraw before the lion.
Andre–Louis stared a moment, stricken. Then recovering from his surprise he became critical in his study of the Marquis. He considered the beauty and grace and splendour of him, his courtly air, his complete and unshakable self-possession. But more than all he considered the expression of the dark eyes that were devouring Climene’s lovely face, and his own lips tightened.
M. de La Tour d’Azyr never heeded him or his stare; nor, had he done so, would he have known who it was that looked at him from behind the make-up of Scaramouche; nor, again, had he known, would he have been in the least troubled or concerned.
Andre–Louis sat down apart, his mind in turmoil. Presently he found a mincing young gentleman addressing him, and made shift to answer as was expected. Climene having been thus sequestered, and Columbine being already thickly besieged by gallants, the lesser visitors had to content themselves with Madame and the male members of the troupe. M. Binet, indeed, was the centre of a gay cluster that shook with laughter at his sallies. He seemed of a sudden to have emerged from the gloom of the last two days into high good-humour, and Scaramouche observed how persistently his eyes kept flickering upon his daughter and her splendid courtier.
That night there, were high words between Andre–Louis and Climene, the high words proceeding from Climene. When Andre–Louis again, and more insistently, enjoined prudence upon his betrothed, and begged her to beware how far she encouraged the advances of such a man as M. de La Tour d’Azyr, she became roundly abusive. She shocked and stunned him by her virulently shrewish tone, and her still more unexpected force of invective.
He sought to reason with her, and finally she came to certain terms with him.
“If you have become betrothed to me simply to stand as an obstacle in my path, the sooner we make an end the better.”
“You do not love me then, Climene?”
“Love has nothing to do with it. I’ll not tolerate your insensate jealousy. A girl in the theatre must make it her business to accept homage from all.”
“Agreed; and there is no harm, provided she gives nothing in exchange.”
White-faced, with flaming eyes she turned on him at that.
“Now, what exactly do you mean?”
“My meaning is clear. A girl in your position may receive all the homage that is offered, provided she receives it with a dignified aloofness implying clearly that she has no favours to bestow in return beyond the favour of her smile. If she is wise she will see to it that the homage is always offered collectively by her admirers, and that no single one amongst them shall ever have the privilege of approaching her alone. If she is wise she will give no encouragement, nourish no hopes that it may afterwards be beyond her power to deny realization.”
“How? You dare?”
“I know my world. And I know M. de La Tour d’Azyr,” he answered her. “He is a man without charity, without humanity almost; a man who takes what he wants wherever he finds it and whether it is given willingly or not; a man who reckons nothing of the misery he scatters on his self-indulgent way; a man whose only law is force. Ponder it, Climene, and ask yourself if I do you less than honour in warning you.”
He went out on that, feeling a degradation in continuing the subject.
The days that followed were unhappy days for him, and for at least one other. That other was Leandre, who was cast into the profoundest dejection by M. de La Tour d’Azyr’s assiduous attendance upon Climene. The Marquis was to be seen at every performance; a box was perpetually reserved for him, and invariably he came either alone or else with his cousin M. de Chabrillane.
On Tuesday of the following week, Andre–Louis went out alone early in the morning. He was out of temper, fretted by an overwhelming sense of humiliation, and he hoped to clear his mind by walking. In turning the corner of the Place du Bouffay he ran into a slightly built, sallow-complexioned gentleman very neatly dressed in black, wearing a tie-wig under a round hat. The man fell back at sight of him, levelling a spy-glass, then hailed him in a voice that rang with amazement.
“Moreau! Where the devil have you been hiding your-self these months?”
It was Le Chapelier, the lawyer, the leader of the Literary Chamber of Rennes.
“Behind the skirts of Thespis,” said Scaramouche.
“I