Look in any direction from Freedom Corner today, and it is readily apparent that Dr. Fullilove’s in-depth study and workshops helped galvanize the community. Good things are happening in the Hill. The contentious civic auditorium that spurred the urban redevelopment matter in the first place is gone—this, for some at least, settled the score a bit. In place of the civic auditorium a multi-use development, including affordable housing, is underway. More importantly, the new Crawford Square housing development and similar developments taking place throughout the Hill District attest to the community’s ongoing recovery.
While recognizing that the demolition of the Lower Hill was a sad chapter in the community’s long history, and should never be forgotten, the community works to reseed its roots. Residents have developed a beneficial master plan of their own—spurring revitalization and occupying a place at the table with the city and developers rebuilding the Lower Hill.
Through her book, Root Shock, Dr. Fullilove addresses an important societal problem that might have otherwise gone unnoticed, especially by politicians, developers, architects, and planners, and whoever else is making frontline decisions that affect many. She addresses matters of common civil rights owed to anybody, anywhere. Dr. Fullilove delivers her message to communities, the unknowing sufferers, comprised of individuals like me who dare not call ourselves the victims that we are.
I wanted to walk away from the Freedom Corner Monument on its opening day, but now, thanks to Dr. Fullilove’s informative book, I not only recognize my contribution at Freedom Corner, I understand the traumas my family and many others suffered from the city’s failed urban renewal project, as well as how that outlandish project hastened the civil rights movement in Pittsburgh. Moreover, thanks to Dr. Fulliove’s undertaking, I accept that Freedom Corner stands in spirit of the many unscripted stories like mine . . . and as the place that welcomes me home.
—Carlos F. Peterson
Pittsburgh, July 2016
1 Excerpt from “Once Upon a Hill”, a memoir by Carlos F. Peterson
When there is emotional pain, psychiatrists like me believe that we can help. But before we act, we need to find some handle for the problem, some name to guide action. Once in a while, we realize that these names are inadequate for the problems we are seeing. Then we search for new names, or new ways to group old names.
When I bumped into the emotional pain related to displacement, I had the option of using labels like “posttraumatic stress disorder,” “depression,” “anxiety,” and “adjustment disorders.” But I didn’t think those labels—useful as they are—were enough to tell the whole story. Like Robert Coles, Oliver Sacks, and Arthur Kleinman, I wanted to understand displacement through the words of the people who had suffered from it. I wanted to walk the streets they were talking about, examine their photographs, visit their houses, and get a deep feeling for what they were sharing with me. I wanted to know the emotional truth of the experience through which they had lived. Between 1995 and 2003, I logged thousands of air miles, walked hundreds of city streets, examined archives, collected photographs, and talked to people who had stories to tell.
I had listened to many voices when, on December 2002, the truth hit me. At the time, I was sitting in the comfortable living room of Dr. Walter Claytor, listening to the story of his remarkable family, a family that in one generation went from slavery to professional education, a family that built significant buildings and provided a high level of health care for the surrounding community. I was so proud of Dr. Claytor and his father and his grandfather that I found it unbearable that this great American family had been dispossessed by urban renewal, a program of the U.S. government that had, between 1949 and 1973, bulldozed 2,500 neighborhoods in 993 American cities. A million people were dispossessed by the program, among them the Claytors.
I don’t know if it was Dr. Claytor’s charm or his insouciance that helped pull the pieces together for me. He was not seeking my pity. In fact, he strove to maintain his dignity while telling the story of his losses. But the pain was such that he couldn’t quite keep it out of his voice. It was the breaking edge of his grief that linked it to the sound of pain that I’d so often heard, a sound that was obvious in some voices, and just beneath the cheerfulness in others. There was a remarkable emptiness in that pain. In that searing moment, I realized the loss he was describing was, in a crucial way, the collective loss. It was the loss of a massive web of connections—a way of being—that had been destroyed by urban renewal; it was as if thousands of people, who seemed to be with me in sunlight, were at some deeper level of their being wandering lost in a dense fog, unable to find one another for the rest of their lives. It was a chorus of voices that rose in my head, with the cry, “We have lost one another.”
Being in touch with such sorrow was not easy. What popped into my mind were the famous words spoken by Jack Nicholson in the movie A Few Good Men: “You don’t want the truth. You can’t handle the truth.”
Nope, I thought, I can’t handle the truth. The phrase, though it seemed a bit irreverent, was rather comforting. This is one of those handy mental tricks that people use to manage intense emotions. I might have used denial (“That never happened”) or repression (“What did you say, Dr. Claytor?”) or intellectualization (“How many people feel the way you do?”) but I used Jack. I must have told a hundred people, “I can’t handle the truth,” before I started to feel differently.
This process taught me a new respect for the story of upheaval. It is hard to hear, because it is a story filled with a large, multivoiced pain. It is not a pain that should be pigeonholed in a diagnostic category, but rather understood as a communication about human endurance in the face of bitter defeat.
There is a song written by an anonymous slave that has the line “I hear the archangels are rockin’ Jerusalem, I hear the archangels are ringin’ them bells.” Imagine, for a moment, that songwriter: living in the oppression of slavery, torn from Africa, separated from family, driven by the lash, worked from sunup to sundown, yet able to imagine a rockin’ Jerusalem. In the pain of upheaval, there is the unremitting effort of the oppressed to shake off the agony of unequal treatment. It is that effort that calls us, tells us not to be afraid of the truth, but to join the movement toward a more equitable future.
One hundred years ago, the distinguished African American scholar Dr. W. E. B. Du Bois wrote that the problem the twentieth century needed to solve was the problem of the color line. It took sixty more years for the United States to engage wholeheartedly in the battle for civil rights. Yet, as we have faced the truth of the color line, we have acted, reacted, thought, and felt differently. We are a better nation for it.
I venture to propose that displacement is the problem the twenty-first century must solve. Africans and aborigines, rural peasants and city dwellers have been shunted from one place to another, as progress has demanded, “Land here!” or “People there!” In cutting the roots of so many people, we have destroyed language, culture, dietary traditions, and social bonds. We have lined the oceans with bones, and filled the garbage dumps with bricks.
What are we to do?
I have seen people in many towns and cities working to reconnect after root shock. Whether it was building a labyrinth, or holding a flea market, they were gathering together as neighbors to re-form the web of relationships. Within such a moment, people can recover and prosper. This highly respected type of healing, which is called “milieu therapy” by psychiatrists, works through the creation of healing places. For an environment to lift the spirit, attention must be focused on opportunities for relatedness. A psychiatric team might accomplish this by setting up a hospitable dayroom, or by having a meeting in which all the patients are