The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist. Friedrich Wilhelm Nietzsche. Читать онлайн. Newlib. NEWLIB.NET

Автор: Friedrich Wilhelm Nietzsche
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the highest thing must not have grown out of the lowest, it must not have grown at all. … Moral: everything of the first rank must be causa sui. To have been derived from something else, is as good as an objection, it sets the value of a thing in question. All superior values are of the first rank, all the highest concepts—that of Being, of the Absolute, of Goodness, of Truth, and of Perfection; all these things cannot have been evolved, they must therefore be causa sui. All these things cannot however be unlike one another, they cannot be opposed to one another. Thus they attain to their stupendous concept "God." The last, most attenuated and emptiest thing is postulated as the first thing, as the absolute cause, as ens realissimum. Fancy humanity having to take the brain diseases of morbid cobweb-spinners seriously!—And it has paid dearly for having done so.

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      People will feel grateful to me if I condense a point of view, which is at once so important and so new, into four theses: by this means I shall facilitate comprehension, and shall likewise challenge contradiction.

      Proposition One. The reasons upon which the apparent nature of "this" world have been based, rather tend to prove its reality—any other kind of reality defies demonstration.

      Proposition Two. The characteristics with which man has endowed the "true Being" of things, are the characteristics of non-Being, of nonentity. The "true world" has been erected upon a contradiction of the real world; and it is indeed an apparent world, seeing that it is merely a moralo-optical delusion.

      Proposition Three. There is no sense in spinning yarns about another world, provided, of course, that we do not possess a mighty instinct which urges us to slander, belittle, and cast suspicion upon this life: in this case we should be avenging ourselves on this life with the phantasmagoria of "another," of a "better" life.

      Proposition Four. To divide the world into a "true" and an "apparent" world, whether after the manner of Christianity or of Kant (after all a Christian in disguise), is only a sign of decadence—a symptom of degenerating life. The fact that the artist esteems the appearance of a thing higher than reality, is no objection to this statement For "appearance" signifies once more reality here, but in a selected, strengthened and corrected form. The tragic artist is no pessimist—he says Yea to everything questionable and terrible, he is Dionysian.

      HOW THE "TRUE WORLD" ULTIMATELY BECAME A FABLE

      THE HISTORY OF AN ERROR

      1. The true world, attainable to the sage, the pious man and the man of virtue—he lives in it, he is it.

      (The most ancient form of the idea was relatively clever, simple, convincing. It was a paraphrase of the proposition "I, Plato, am the truth.")

      2. The true world which is unattainable for the moment, is promised to the sage, to the pious man and to the man of virtue ("to the sinner who repents").

      (Progress of the idea: it becomes more subtle, more insidious, more evasive—It becomes a woman, it becomes Christian.)

      3. The true world is unattainable, it cannot be proved, it cannot promise anything; but even as a thought, alone, it is a comfort, an obligation, a command.

      4. The true world—is it unattainable? At all events it is unattained. And as unattained it is also unknown. Consequently it no longer comforts, nor saves, nor constrains: what could something unknown constrain us to?

      (The grey of dawn. Reason stretches itself and yawns for the first time. The cock-crow of positivism.)

      5. The "true world"—an idea that no longer serves any purpose, that no longer constrains one to anything—a useless idea that has become quite superfluous, consequently an exploded idea: let us abolish it!

      (Bright daylight; breakfast; the return of common sense and of cheerfulness; Plato blushes for shame and all free-spirits kick up a shindy.)

      6. We have suppressed the true world: what world survives? the apparent world perhaps? … Certainly not! In abolishing the true world we have also abolished the world of appearance!

      (Noon; the moment of the shortest shadows; the end of the longest error; mankind's zenith; Incipit Zarathustra.)

      MORALITY AS THE ENEMY OF NATURE

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      There is a time when all passions are simply fatal in their action, when they wreck their victims with the weight of their folly—and there is a later period, a very much later period, when they marry with the spirit, when they "spiritualise" themselves. Formerly, owing to the stupidity inherent in passion, men waged war against passion itself: men pledged