Means of conveyance for those who cannot afford the diligence are provided by vehicles of more genuine Spanish nature and discomfort; they may be compared to the neat accommodation for man and beast which is doled out to third-class passengers by our monopolist railway kings, who have usurped her Majesty’s highway, and fleece her lieges by virtue of act of Parliament.
First and foremost comes the galera, which fully justifies its name; and even those who have no value for their time or bones will, after a short trial of the rack and dislocation, exclaim—“que diable allais-je faire dans cette galère?” These machines travel periodically from town to town, and form the chief public and carrier communication between most provincial cities; they are not much changed from that classical cart, the rheda, into which, as we read in Juvenal, the whole family of Fabricius was conveyed. In Spain these primitive locomotives have stood still in the general advance of this age of progress, and carry us back to our James I., and Fynes Moryson’s accounts of “carryers who have long covered waggons, in which they carry passengers from city to city; but this kind of journeying is so tedious, by reason they must take waggons very early and come very late to their innes, none but women and people of inferior condition used to travel in this sort.” So it is now in Spain.
CARRIAGES AND CARTS.
This galera is a long cart without springs; the sides are lined with matting, while beneath hangs a loose open net, as under the calesinas of Naples, in which lies and barks a horrid dog, who keeps a Cerberus watch over iron pots and sieves, and such like gipsey utensils, and who is never to be conciliated. These galeras are of all sizes; but if a galera should be a larger sort of vehicle than is wanted, then a “tartana” a sort of covered tilted cart, which is very common in Valencia, and which is so called from a small Mediterranean craft of the same name, will be found convenient.
The packing and departure of the galera, when hired by a family who remove their goods, is a thing of Spain; the heavy luggage is stowed in first, and beds and mattresses spread on the top, on which the family repose in admired disorder. The galera is much used by the “poor students” of Spain, a class unique of its kind, and full of rags and impudence; their adventures have the credit of being rich and picturesque, and recall some of the accounts of “waggon incidents” in ‘Roderick Random,’ and Smollett’s novels.
Civilization, as connected with the wheel, is still at a low ebb in Spain, notwithstanding the numerous political revolutions. Except in a few great towns, the quiz vehicles remind us of those caricatures at which one laughed so heartily in Paris in 1814; and in Madrid, even down to Ferdinand VII.’s decease, the Prado—its rotten row—was filled with antediluvian carriages—grotesque coachmen and footmen to match, which with us would be put into the British Museum; they are now, alas for painters and authors! worn out, and replaced by poor French imitations of good English originals.
THE COCHE DE COLLERAS.
As the genuine older Spanish ones were built in remote ages, and before the invention of folding steps, the ascent and descent were facilitated by a three-legged footstool, which dangled, strapped up near the door, as appears in the hieroglyphics of Egypt 4000 years ago; a pair of long-eared fat mules, with hides and tails fantastically cut, was driven by a superannuated postilion in formidable jackboots, and not less formidable cocked hat of oil-cloth. In these, how often have we seen Spanish grandees with pedigrees as old-fashioned, gravely taking the air and dust! These slow coaches of old Spain have been rapidly sketched by the clever young American; such are the ups and downs of nations and vehicles. Spain for having discovered America has in return become her butt; she cannot go a-head; so the great dust of Alexander may stop a bung-hole, and we too join in the laugh and forget that our ancestors—see Beaumont and Fletcher’s ‘Maid of the Inn’—talked of “hurrying on featherbeds that move upon four-wheel Spanish caroches.”
While on these wheel subjects it may be observed that the carts and other machines of Spanish rural locomotion and husbandry have not escaped better; when not Oriental they are Roman; rude in form and material, they are always odd, picturesque, and inconvenient. The peasant, for the most part, scratches the earth with a plough modelled after that invented by Triptolemus, beats out his corn as described by Homer, and carries his harvest home in strict obedience to the rules in the Georgics. The iron work is iniquitous, but both sides of the Pyrenees are centuries behind England; there, absurd tariffs prohibit the importation of our cheap and good work in order to encourage their own bad and dear wares—thus poverty and ignorance are perpetuated.
The carts in the north-west provinces are the unchanged plaustra, with solid wheels, the Roman tympana which consist of mere circles of wood, without spokes or axles, much like mill-stones or Parmesan cheeses, and precisely such as the old Egyptians used, as is seen in hieroglyphics, and no doubt much resembling those sent by Joseph for his father, which are still used by the Affghans and other unadvanced coachmakers. The whole wheel turns round together with a piteous creaking; the drivers, whose leathern ears are as blunt as their edgeless teeth, delight in this excruciating Chirrio, Arabicè charrar, to make a noise, which they call music, and delight in, because it is cheap and plays to them of itself; they, moreover, think it frightens wolves, bears, and the devil himself, as Don Quixote says, which it well may, for the wheel of Ixion, although damned in hell, never whined more piteously. The doleful sounds, however, serve like our waggoners’ lively bells, as warnings to other drivers, who, in narrow paths and gorges of rocks, where two carriages cannot pass, have this notice given them, and draw aside until the coast is clear.
We have reserved some details and the mode of driving for the coche de colleras, the caroche of horse-collars, which is the real coach of Spain, and in which we have made many a pleasant trip; it too is doomed to be scheduled away, for Spaniards are descending from these coaches and six to a chariot and pair, and by degrees beautifully less, to a fly.
THE COCHE DE COLLERAS.
Mails and diligences, we have said, are only established on the principal high roads connected with Madrid: there are but few local coaches which run from one provincial town to another, where the necessity of frequent and certain intercommunication is little called for. In the other provinces, where these modern conveniences have not been introduced, the earlier mode of travelling is the only resource left to families of children, women, and invalids, who are unable to perform the journey on horseback. This is the festina lentè, or voiturier system; and from its long continuance in Italy and Spain, in spite of all the improvements adopted in other countries, it would appear to have something congenial and peculiarly fitted to the habits and wants of those cognate nations of the south, who have a Gotho-Oriental dislike to be hurried—no corre priesa, there is plenty of time. Sie haben zeit genug.
THE MAYORAL.
The Spanish vetturino, or “Calesero,” is to be found, as in Italy, standing for hire in particular and well-known places in every principal town. There is not much necessity for hunting for him; he has the Italian instinctive perception of a stranger and traveller, and the same importunity in volunteering himself, his cattle, and carriage, for any part of Spain. The man, however, and his equipage are peculiarly Spanish; his carriage and his team have undergone little change during the last two centuries, and are the representatives of the former ones of Europe; they resemble those vehicles once used in England, which may still be seen in the old prints of country-houses by Kip; or, as regards France, in the pictures of Louis XIV.’s journeys and campaigns by Vandermeulen. They are the remnant of the once universal “coach and six,” in which according to Pope, who was not infallible, British fair were to delight for ever. The “coche de colleras” is a huge cumbrous machine, built after the fashion of a reduced lord mayor’s coach, or some of the equipages of the old cardinals at Rome. It is ornamented with rude sculpture, gilding, and painting of glaring colour, but the modern pea-jacket and round hat spoil the picture which requires passengers dressed in brocade and full-bottomed wigs; the fore-wheels are very low, the hind ones very high, and both remarkably narrow in the tire; remember when they stick in the mud, and the drivers call upon Santiago, to push the vehicle out backwards, as the more you draw it forwards the deeper you get into the mire. The