Mr. Walter Durnford, then an Eton House master, and afterwards Provost of King’s, in a poem he wrote in the visitors’ book, speaks of Membland as a place where everything reminded you of the presence of fairy folk, “Where telegrams come by the dozen, concocted behind the door.”
Certainly people enjoyed themselves at Membland, and the Christmas parties were one long riot of dance, song, and laughter. Welcome ever smiled at Membland, and farewell went out sighing.
As I got nearer and nearer to the age of ten, when it was settled that I should go to school, life seemed to become more and more wonderful every day. Both at Membland and in Charles Street the days went by in a crescendo of happiness. Walks with Chérie in London were a daily joy, especially when we went to Covent Garden and bought chestnuts to roast for tea. The greatest tea treat was to get Chérie, who was an inspired cook, to make something she called la petite sauce. You boiled eggs hard in the kettle; and then, in a little china frying-pan over a spirit lamp, the sauce was made, of butter, cream, vinegar, pepper, and the eggs were cut up and floated in the delicious hot mixture. A place of great treats where we sometimes went on Saturday afternoons was the Aquarium, where acrobats did wonderful things, and you had your bumps told and your portrait cut out in black-and-white silhouette. The phrenologist was not happy in his predictions of my future, as he said I had a professional and mathematical head, and would make a good civil engineer in after-life.
Going to the play was the greatest treat of all, and if I heard there was any question of their going to the play downstairs, and Mr. Deacon, my father’s servant, always used to tell me when tickets were being ordered, I used to go on my knees in the night nursery and pray that I might be taken too. Sometimes the answer was direct.
One night my mother and Lord Mount Edgcumbe were going to a pantomime together by themselves. Mr. Deacon told me, and asked me if I was going too, but nothing had been said about it. I prayed hard, and I went down to my mother’s bedroom as she was dressing for dinner. No word of the pantomime was mentioned on either side. She then, while her hair was being done by D., asked for a piece of paper and scribbled a note and told me to take it down to my father.
I did so, and my father said: “Would you like to go to the pantomime, too?” The answer was in the affirmative.
What a fever one would be in to start in time and to be there at the beginning on nights when we went to the play! how terribly anxious not to miss one moment! How wonderful the moment was before the curtain went up! The delicious suspense, the orchestra playing, and then the curtain rising on a scene that sometimes took one’s breath away, and how calm the grown-up people were. They would not look at the red light in the background, the pink sky which looked like a real pink sky, or perhaps some moving water. People say sometimes it is bad for children to go to the theatre, but do they ever enjoy anything in after life as much? Is there any such magic as the curtain going up on the Demon’s cave in the pantomime, or the sight in the Transformation scene of two silvery fairies rising from the ground on a gigantic wedding cake, and the clown suddenly breaking on the scene, shouting, “Here we are again!” through a shower of gold rain and a cloud of different-coloured Bengal lights? Is there any such pleasure as in suddenly seeing and recognising things in the flesh one had been familiar with for long from books and stories, such as Cinderella’s coach, the roc’s egg in Sinbad the Sailor, or Aladdin’s cave, or the historical processions of the kings of England, some of whom you clapped and some of whom you hissed? Oh! the charm of changing scenery! a ship moving or still better sinking, a sunset growing red, a forest growing dark; and then the fun! The indescribable fun, of seeing Cinderella’s sisters being knocked about in the kitchen, or the Babes in the Wood being put to bed, and kicking all their bedclothes off directly they had settled down; or best of all, the clown striking the pantaloon with the red-hot poker and the harlequin getting the better of the policeman! Harry Paine was the clown in those days, and he used, in a hoarse voice, to say to the pantaloon: “I say, Joey.” “Yes, master,” answered the pantaloon in a feeble falsetto.
Childhood bereft of such treats I cannot help thinking must be a sad affair; and it generally happens that if children are not allowed to go to the play, so that they shall enjoy it more when they are grown-up, they end by never being able to enjoy it at all.
One great event of the summer was the Eton and Harrow match, when Cecil and Everard used to come up from Eton with little pieces of light blue silk in their black coats. John had gone to Cambridge, and I hardly remember him as an Eton boy. We used to go on a coach belonging to some friends, and one year one of the Parkers bowled three of the Harrow boys running.
As Chérie had been with Lord Macclesfield in the Parker family before she came to us, and as this boy, Alex Parker, had either been or nearly been one of her pupils, she had a kind of reflected glory from the event.
Eton was always surrounded with a glamour of romance. John had rowed stroke in the Eton eight, and when Cecil rose to the dignity of being Captain of the Oppidans we were proud indeed. One summer we all went down to Eton for the 4th of June.
We went to speeches and had tea in Cecil’s room, and strawberry messes, and walked about in the playing-fields and saw the procession of boats and the fireworks.
From that day I was filled with a longing to go to Eton, and resented bitterly having to go to a private school first.
Another exciting event I remember was a visit to Windsor, to the Norman Tower in Windsor Castle, where my uncle, Henry Ponsonby, and my Aunt M’aimée lived. This happened one year in the autumn. We stayed a Sunday there. The house was, for a child, fraught with romance and interest. First of all there were the prisons. My aunt had discovered and laid bare the stone walls of two octagonal rooms in the tower which had been prisons in the olden times for State prisoners, and she had left the walls bare. There were on them inscriptions carved by the prisoners. She had made these two rooms her sitting-rooms, and they were full of books, and there was a carpenter’s bench in one of these rooms, with a glass of water on it ready for painting.
Windsor was itself exciting enough, but I think what struck me most then was the toy cupboard of the boys, Fritz, Johnny, and Arthur. All their toys were arranged in tiers in a little windowless room, a tier belonging to each separate boy, and in the middle of each beautiful and symmetrical arrangement there were toys representing a little room with a table and lamp on it. As if all this was not exciting enough, my Cousin Betty told me the story of the Corsican Brothers.
Before I went to school my father had to go to Contrexéville to take the waters. My father and mother took me with them. I faintly regretted not playing a solo at Mademoiselle Ida’s pupils’ concert, which was to have been part of the programme, but otherwise the pleasure and excitement at going were unmitigated. We started for Paris in July. Bessie Bulteel came with us, and we stopped a night in Paris, at the Hôtel Bristol. My father took me for a walk in the Rue de la Paix, and the next day we went to Contrexéville. I never enjoyed anything more in my life than those three weeks at Contrexéville. There were shops in the hotel gardens called les Galeries, where a charming old lady, called Madame Paillard, with her daughter, Thérèse, sold the delicious sweets of Nancy, and spoilt me beyond words. The grown-up people played at petits chevaux in the evening, and as I was not allowed to join in that game, the lady of the petits chevaux, Mademoiselle Rose, had a kind of rehearsal of the game in the afternoon at half-price, in which only I and the actresses of the Casino, whom I made great friends with, took part. My special friend was Mademoiselle Tusini of the Eldorado Paris Music Hall. She was a songstress.
One day she asked me to beg Madame Aurèle, the directrice of the Theatre, to let her sing a song at the Casino which she had not been allowed to sing, and which was called “Les allumettes du Général.” Mademoiselle Tusini said it was her greatest success, and that when she had sung it at Nancy, nobody knew where to look. I pleaded her cause; but Madame Aurèle said, “Un jour quand il n’y aura que des Messieurs,” so I am afraid the song can hardly have been quite nice. When we went away, Mademoiselle Tusini gave me a large photograph of herself in the rôle of a commère,