"Yes," he said. "Now you mention it, mademoiselle, I remember too. He was outside—there—in the corridor—just after I had shown M. Collingwood and you and madame to your rooms."
"Was that when we arrived?" Pauline asked. Her brown hands were trembling, her eyes were informed with anxiety.
Jacques bent his head forward. The two were vis-à-vis—he watched her intently.
"Yes," he answered.
Then Pauline seemed to lose all her caution. She threw up her hands and her face became wrinkled with excitement.
"La! la!" she cried, "but he was looking at madame's boxes at Boulogne. … "
With quiet but hurried steps she went up to the door leading to the corridor, turned the handle gently, flung it open and gazed out.
There was obviously nobody there, for in a moment she returned, closed the door, and once more confronted the waiter with a grey and troubled face.
"Que diable fait-il?" she said in a frightened voice. "But M. Jacques, what can it mean?"
Again the ugly leer came over the garçon's face. "Sentiment," he said.
The middle-aged Breton woman pressed both hands to her heart with one of those wild and expressive Celtic gestures which seem so exaggerated to English folk, but which are, nevertheless, so truly expressive of emotion.
"Madame!" she cried.
"I was not thinking of madame," Jacques answered quickly.
As if clutching at a hope, Pauline made a tremendous effort to get in key with her tormentor.
"No, no!" she said with an affectation of brightness. "What? Is it that you were thinking of me? Merci!—that would be funny!"
"Sans doute. That's what they say in England when they advertise 'No followers.'"
The woman caught the last word. Her face had been strained in anxious thought.
"Followers!" she said. "Even the English do not expect followers from London to Paris."
By this time Jacques had filled his tray, had folded up the shining white table-cloth and placed it over his pyramid of plates.
"Mademoiselle is too modest," he said, moving towards the door, but still watching Pauline intently.
The creature's ears seemed literally to twitch with greed of news as he crossed the great quiet room.
Pauline was speaking to herself. "It's queer," she said. "I do not like that. Everything has gone wrong to-day. First we nearly missed the train. Then on the boat we were all seasick. Then the douanier was a suspicious fool. Then at Boulogne we got on the wrong train and lost Lord Ellerdine and Lady Attwill——"
A little hard chuckle of amusement came from the retiring waiter, and as Pauline turned to him in indignation a distant voice called her name:
"Pauline!"
"Madame!"
"Good night, mademoiselle," the waiter said, one hand supporting the heavy tray, the other upon the handle of the door. "Good night, mademoiselle. Remember that Jock from Ecclefechan has a good memory."
Pauline was trembling, but she turned to the fellow. "Good night, Jock from——" She spluttered in her throat, laughed artificially, shut the door after the man, and then turned eagerly towards the door which led to Mrs. Admaston's bedroom.
There was a note of tremendous relief in her voice as she cried out "Madame!" once more.
The door from the bedroom opened and Mrs. Admaston entered.
She was a slim, girlish-looking woman, with a cascade of long dark hair falling over her shoulders.
The face was small, the complexion of it rose-brown, the eyes dark wells of laughing light, the lips twin rosebuds with a sense of humour.
She was wearing a long wrap, half tea-gown, half dressing-gown, of topaz-coloured silk, and round her slender waist was a cord of light-blue and gold threads ending in two large tassels of gold.
Now there was something half tired, half petulant, and wholly puzzled about her face as she swept into the room.
"It's no use," she said in a rippling musical voice; "it isn't a bit of use, Pauline! I can't go to sleep. In fact, I'm not in the least sleepy."
She looked round the room and sighed.
"What a barn of a place this is!" she said. "I hate those green curtains. They're so horribly conscious of the colour scheme. And then the topaz-shaded lights over the lamps—it's all so dreadfully wearing. And in my room, too, Pauline, it's simply horrid. It reminds me of a sarcophagus, or a mausoleum, or some appalling place like that. And the bed is too low! I don't think much of this room, but after all it's nicer in here."
She sank down with a sigh into an arm-chair.
"Yes," she said once more, "it really is much nicer in here. Make me cosy, Pauline, and do my hair."
She had brought two ivory brushes into the room, and placed them on the table. Now she pointed to them with a little hand as sweetly, faintly pink as the inside of a sea-shell. The light caught the broad wedding ring of dull gold as she did so.
Pauline took up the brushes and went up to her mistress. "I thought you wouldn't like the bed," she said, with the brusque familiarity of an old servant and friend. "In fact, I knew you wouldn't like it directly we arrived. You always wanted to sleep up in the air."
"Tiens, Pauline! I don't want to sleep anywhere to-night. Soothe me, make me comfortable. Be a good Pauline!"
The elder woman took up the brushes and stroked the shining hair with tender, loving hand. "It's been an upsetting day," she said.
Mrs. Admaston gave a sigh of relief as the kind hands busied themselves about her hair.
"Upsetting!" she cried; "that's it—just the word. I am upset. Everything has been upset. Lord Ellerdine will be fearfully upset. Oh, Pauline, just fancy our getting into the wrong train!"
The maid did not answer anything, but went on with her work.
"It was all owing to that fool of a Customs officer," the girl continued in a less strained voice. "And turning my things upside down! The way he upset my clothes was perfectly disgraceful. And before Mr. Collingwood, too! And all for half a dozen boxes of cigarettes! Keeping us there, paying their beastly tariff, until the last moment!"
Pauline put the brushes down upon the table and came round to the front of the chair. She looked critically at her mistress's hair. "Yes," she said; "but, after all, it was very lucky the porters put the boxes in the Paris train."
"Wasn't it?"
"Yes, madame."
"What a bit of luck!"
Pauline left her mistress for a moment and went into the bedroom. She returned with a bottle of eau-de-cologne and a handkerchief. Sprinkling some of the spirit upon it, she held it to Mrs. Admaston's forehead.
"There!" she said. "You seem tired, my dear; that will do you good. It was very clever of Mr. Collingwood not to have your boxes registered at Charing Cross."
For a moment or two Peggy Admaston leant back in the arm-chair with closed eyes. "Yes, wasn't it?" she said drowsily. There was a pause for a moment or two, and then suddenly the girl twisted round in her chair, caught hold of the elder woman's arm and looked at her searchingly.
"Pauline! what did you mean then?" she said.
"What did I mean, madame?" Pauline asked.
Peggy nodded. "Do you think—well, I suppose he forgot?"
Pauline raised her eyebrows. "Eh, bien," she said, "they do not as a rule let you forget to register at Charing