So she called Michael to come to her. He came, running like a little dog, obediently.
Michael was glad that he had been sent across the Heath to Grannie's house with a message. It made him feel big and brave. Besides, it would put off the moment when Mary-Nanna would come for him, to make him ready for the party. He was not sure that he wanted to go to it.
Michael did not much like going to Grannie's house either. In all the rooms there was a queer dark-greenness and creepiness. It smelt of bird-cages and elder bushes and of Grandpapa's funeral. And when you had seen Auntie Edie's Senegal wax-bills, and the stuffed fish, and the inside of Auntie Louie's type-writer there was nothing else to see.
His mother said that Grandpapa's funeral was all over, and that the green creepiness came from the green creepers. But Michael knew it didn't. She only said things like that to make you feel nice and comfy when you were going to bed. Michael knew very well that they had put Grandpapa into the drawing-room and locked the door so that the funeral men shouldn't get at him and take him away too soon. And Auntie Louie had kept the key in her pocket.
Funerals meant taking people away.
Old Nanna wouldn't let him talk about it; but Mary-Nanna had told him that was what funerals meant. All the same, as he went up the flagged path, he took care not to look through the black panes of the window where the elder bush was, lest he should see Grandpapa's coffin standing in the place where the big table used to be, and Grandpapa lying inside it wrapped in a white sheet.
Michael's message was that Mummy sent her love, and would Grannie and Auntie Louie and Auntie Emmeline and Auntie Edie come to tea? She was going to have tea in the garden, and would they please come early? As early as possible. That was the part he was not to forget.
The queer thing was that when Michael went to see Grannie and the Aunties in Grannie's house he saw four old women. They wore black dresses that smelt sometimes of something sweet and sometimes like your fingers when you get ink on them. The Aunties looked cross; and Auntie Emmeline smelt as if she had been crying. He thought that perhaps they had not been able to stop crying since Grandpapa's funeral. He thought that was why Auntie Louie's nose was red and shiny and Auntie Edie's eyelids had pink edges instead of lashes. In Grannie's house they never let you do anything. They never did anything themselves. They never wanted to do anything; not even to talk. He thought it was because they knew that Grandpapa was still there all the time.
But outside it the Aunties were not so very old. They rode bicycles. And when they came to Michael's Father's house they forgot all about Grandpapa's funeral and ran about and played tennis like Michael's mother and Mrs. Jervis, and they talked a lot.
Michael's mother was Grannie's child. To see how she could be a child you had only to think of her in her nightgown with her long brown hair plaited in a pigtail hanging down her back and tied with a blue ribbon. But he couldn't see how the three Aunties could be Grannie's other children. They were bigger than Grannie and they had grey hair. Grannie was a little thing; she was white and dry; and she had hair like hay. Besides, she hardly ever took any notice of them except to make a face at Auntie Emmeline or Auntie Edie now and then. She did it with her head a little on one side, pushing out her underlip and drawing it back again.
Grannie interested Michael; but more when he thought about her than when she was actually there. She stood for him as the mark and measure of past time. To understand how old Grannie was you had to think backwards; this way: Once there was a time when there was no Michael; but there was Mummy and there was Daddy. And once there was a time when there was no Mummy and no Daddy; but there was Grannie and there was Grandpapa. Now there was no Grandpapa. But he couldn't think back far enough to get to the time when there was no Grannie.
Michael thought that being Grannie must feel like being God.
Before he came to the black window pane and the elder bush he had to run down the slopes and jump the gullies on his side of the Heath, and cross the West Road, and climb the other slope to Grannie's side. And it was not till you got to the row of elms on Judge's Walk that you had to go carefully because of the funeral.
He stood there on the ridge of the Walk and looked back to his own side. There were other houses there; but he knew his father's house by the tree of Heaven in the garden.
The garden stood on a high, flat promontory jutting out into the Heath. A brown brick wall with buttresses, strong like fortifications on a breastwork, enclosed it on three sides. From the flagged terrace at the bottom of the garden you looked down, through the tops of the birch-trees that rose against the rampart, over the wild places of the Heath. There was another flagged terrace at the other end of the garden. The house rose sheer from its pavement, brown brick like the wall, and flat-fronted, with the white wings of its storm shutters spread open, row on row. It barred the promontory from the mainland. And at the back of it, beyond its kitchen garden and its courtyard, a fringe of Heath still parted it from the hill road that went from "Jack Straw's Castle" to "The Bull and Bush." You reached it by a lane that led from the road to the Heath.
The house belonged to the Heath and the open country. It was aware of nothing but the Heath and the open country between it and Harrow on the Hill. It had the air of all the old houses of Hampstead, the wonderful air of not acknowledging the existence of Bank Holidays. It was lifted up high above the town; shut in; utterly secluded.
Anthony Harrison considered that he had done well when he acquired West End House for his wife Frances, and for his children, Dorothea, Michael, Nicholas and John.
Frances had said that, if he was thinking of her, he needn't buy a big place, because she didn't want one. But he might buy it for the children if he liked. Anthony had said that she had no idea of what she mightn't want, once she began to give her mind to it, and that he would like to think of her living in it after he was gone. Not that he had any intention of going; he was only thirty-six (not much older than Frances) and incurably healthy. But since his wife's attention had become absorbed in the children--to the exclusion of every other interest--he was always trying to harrow her by the suggestion. And Frances only laughed at him and told him that he was a silly old thing, and that he needn't think he was going to get round her that way.
There was no other way open for Anthony; unless he were to go bankrupt or get pneumonia or peritonitis. Frances would have been the first to acknowledge that illness or misfortune constituted a claim. And the only things he ever did get were loud, explosive colds in his head which made him a mark for derision. His business was so sound that not even a revolution or a European war could shake it. And his appearance was incompatible with his pretensions to pathos.
It would have paid him better to have been small and weedy, or lamentably fat, or to have had a bald place coming, or crow's feet pointing to grey hairs; for then there might have been a chance for him. But Anthony's body was well made, slender and tall. He had blue eyes and black-brown hair, and the look of an amiable hawk, alert, fiercely benevolent. Frances couldn't see any pathos in the kind of figure she happened to admire most, the only kind she would have tolerated in a husband. And if she had seen any pathos in it she wouldn't have married it. Pathos, she said, was all very well in a father, or a brother, or a friend, but in choosing a husband you had to think of your children; and she had wanted boys that would look like Michael and Nicholas and John.
"Don't you mean," Anthony had said, "boys that will look like me?"
"I mean," she had answered, "exactly what I say. You needn't be so arrogant."
Her arrogance had been beyond all bearing since John, the third son, had been born.
And it was Frances, after all, who had made him buy West End House for her own reasons. Both the day nursery and the night nursery had windows to the south. It was the kind of house she had always dreamed of living in, and of Michael, or Nicky living in after she and Anthony were gone. It was not more than seven minutes' walk from the bottom of the lane to the house where her people lived. She had to think about the old people when the poor dears had come up to London in order to be thought about. And it had white storm shutters and a tree of Heaven in the garden.
And,