To his divinity he gave a name—“Galatea”; and always on still nights the myriad silver stars would seem to breathe to him “Galatea” … and on those days when the tempests blew across the sandy wastes of Arabia and churned up the fierce white surf on the rocks of Cyprus, the very spirit of the storm seemed to moan through the crash of waves in longing, hopeless and unutterable—“Galatea! … Galatea! …” For her he decked a couch with Tyrian purple, and on the softest of pillows he laid the beautiful head of the marble woman that he loved.
So the time wore on until the festival of Aphrodite drew near. Smoke from many altars curled out to sea, the odour of incense mingled with the fragrance of the great pine trees, and garlanded victims lowed and bleated as they were led to the sacrifice. As the leader of his people, Pygmalion faithfully and perfectly performed all his part in the solemnities and at last he was left beside the altar to pray alone. Never before had his words faltered as he laid his petitions before the gods, but on this day he spoke not as a sculptor-king, but as a child who was half afraid of what he asked.
“O Aphrodite!” he said, “who can do all things, give me, I pray you, one like my Galatea for my wife!”
“Give me my Galatea,” he dared not say; but Aphrodite knew well the words he would fain have uttered, and smiled to think how Pygmalion at last was on his knees. In token that his prayer was answered, three times she made the flames on the altar shoot up in a fiery point, and Pygmalion went home, scarcely daring to hope, not allowing his gladness to conquer his fear.
The shadows of evening were falling as he went into the room that he had made sacred to Galatea. On the purple-covered couch she lay, and as he entered it seemed as though she met his eyes with her own; almost it seemed that she smiled at him in welcome. He quickly went up to her and, kneeling by her side, he pressed his lips on those lips of chilly marble. So many times he had done it before, and always it was as though the icy lips that could never live sent their chill right through his heart, but now it surely seemed to him that the lips were cold no longer. He felt one of the little hands, and no more did it remain heavy and cold and stiff in his touch, but lay in his own hand, soft and living and warm. He softly laid his fingers on the marble hair, and lo, it was the soft and wavy burnished golden hair of his desire. Again, reverently as he had laid his offerings that day on the altar of Venus, Pygmalion kissed her lips. And then did Galatea, with warm and rosy cheeks, widely open her eyes, like pools in a dark mountain stream on which the sun is shining, and gaze with timid gladness into his own.
There are no after tales of Pygmalion and Galatea. We only know that their lives were happy and that to them was born a son, Paphos, from whom the city sacred to Aphrodite received its name. Perhaps Aphrodite may have smiled sometimes to watch Pygmalion, once the scorner of women, the adoring servant of the woman that his own hands had first designed.
PHAETON
“The road, to drive on which unskilled were Phaeton’s hands.”
Dante—Purgatorio.
To Apollo, the sun-god, and Clymene, a beautiful ocean-nymph, there was born in the pleasant land of Greece a child to whom was given the name of Phaeton, the Bright and Shining One. The rays of the sun seemed to live in the curls of the fearless little lad, and when at noon other children would seek the cool shade of the cypress groves, Phaeton would hold his head aloft and gaze fearlessly up at the brazen sky from whence fierce heat beat down upon his golden head.
“Behold, my father drives his chariot across the heavens!” he proudly proclaimed. “In a little while I, also, will drive the four snow-white steeds.”
His elders heard the childish boast with a smile, but when Epaphos, half-brother to Apollo, had listened to it many times and beheld the child, Phaeton, grow into an arrogant lad who held himself as though he were indeed one of the Immortals, anger grew in his heart. One day he turned upon Phaeton and spoke in fierce scorn:
“Dost say thou art son of a god? A shameless boaster and a liar art thou! Hast ever spoken to thy divine sire? Give us some proof of thy sonship! No more child of the glorious Apollo art thou than are the vermin his children, that the sun breeds in the dust at my feet.”
For a moment, before the cruel taunt, the lad was stricken into silence, and then, his pride aflame, his young voice shaking with rage and with bitter shame, he cried aloud: “Thou, Epaphos, art the liar. I have but to ask my father, and thou shalt see me drive his golden chariot across the sky.”
To his mother he hastened, to get balm for his hurt pride, as many a time he had got it for the little bodily wounds of childhood, and with bursting heart he poured forth his story.
“True it is,” he said, “that my father has never deigned to speak to me. Yet I know, because thou hast told me so, that he is my sire. And now my word is pledged. Apollo must let me drive his steeds, else I am for evermore branded braggart and liar, and shamed amongst men.”
Clymene listened with grief to his complaint. He was so young, so gallant, so foolish.
“Truly thou art the son of Apollo,” she said, “and oh, son of my heart, thy beauty is his, and thy pride the pride of a son of the gods. Yet only partly a god art thou, and though thy proud courage would dare all things, it were mad folly to think of doing what a god alone can do.”
But at last she said to him, “Naught that I can say is of any avail. Go, seek thy father, and ask him what thou wilt.” Then she told him how he might find the place in the east where Apollo rested ere the labours of the day began, and with eager gladness Phaeton set out upon his journey. A long way he travelled, with never a stop, yet when the glittering dome and jewelled turrets and minarets of the Palace of the Sun came into view, he forgot his weariness and hastened up the steep ascent to the home of his father.
Phœbus Apollo, clad in purple that glowed like the radiance of a cloud in the sunset sky, sat upon his golden throne. The Day, the Month, and the Year stood by him, and beside them were the Hours. Spring was there, her head wreathed with flowers; Summer, crowned with ripened grain; Autumn, with his feet empurpled by the juice of the grapes; and Winter, with hair all white and stiff with hoar-frost. And when Phaeton walked up the golden steps that led to his father’s throne, it seemed as though incarnate Youth had come to join the court of the god of the Sun, and that Youth was so beautiful a thing that it must surely live forever. Proudly did Apollo know him for his son, and when the boy looked in his eyes with the arrogant fearlessness of boyhood, the god greeted him kindly and asked him to tell him why he came, and what was his petition.
As to Clymene, so also to Apollo, Phaeton told his tale, and his father listened, half in pride and amusement, half in puzzled vexation. When the boy stopped, and then breathlessly, with shining eyes and flushed cheeks, ended up his story with: “And, O light of the boundless world, if I am indeed thy son, let it be as I have said, and for one day only let me drive thy chariot across the heavens!” Apollo shook his head and answered very gravely:
“In truth thou art my dear son,” he said, “and by the dreadful Styx, the river of the dead, I swear