I have in what just goes before been engaged in physical inquiries a little further than perhaps I intended. But, it being necessary to make the nature of sensation a little understood; and to make the difference between the QUALITIES in bodies, and the IDEAS produced by them in the mind, to be distinctly conceived, without which it were impossible to discourse intelligibly of them;—I hope I shall be pardoned this little excursion into natural philosophy; it being necessary in our present inquiry to distinguish the PRIMARY and REAL qualities of bodies, which are always in them (viz. solidity, extension, figure, number, and motion, or rest, and are sometimes perceived by us, viz. when the bodies they are in are big enough singly to be discerned), from those SECONDARY and IMPUTED qualities, which are but the powers of several combinations of those primary ones, when they operate without being distinctly discerned;—whereby we may also come to know what ideas are, and what are not, resemblances of something really existing in the bodies we denominate from them.
23. Three Sorts of Qualities on Bodies.
The qualities, then, that are in bodies, rightly considered are of three sorts:—
FIRST, The bulk, figure, number, situation, and motion or rest of their solid parts. Those are in them, whether we perceive them or not; and when they are of that size that we can discover them, we have by these an idea of the thing as it is in itself; as is plain in artificial things. These I call PRIMARY QUALITIES.
SECONDLY, The power that is in any body, by reason of its insensible primary qualities, to operate after a peculiar manner on any of our senses, and thereby produce in US the different ideas of several colours, sounds, smells, tastes, &c. These are usually called SENSIBLE QUALITIES.
THIRDLY, The power that is in any body, by reason of the particular constitution of its primary qualities, to make such a change in the bulk, figure, texture, and motion of ANOTHER BODY, as to make it operate on our senses differently from what it did before. Thus the sun has a power to make wax white, and fire to make lead fluid.
The first of these, as has been said, I think may be properly called real, original, or primary qualities; because they are in the things themselves, whether they are perceived or not: and upon their different modifications it is that the secondary qualities depend.
The other two are only powers to act differently upon other things: which powers result from the different modifications of those primary qualities.
24. The first are Resemblances; the second thought to be Resemblances, but are not, the third neither are nor are thought so.
But, though the two latter sorts of qualities are powers barely, and nothing but powers, relating to several other bodies, and resulting from the different modifications of the original qualities, yet they are generally otherwise thought of. For the SECOND sort, viz. the powers to produce several ideas in us, by our senses, are looked upon as real qualities in the things thus affecting us: but the THIRD sort are called and esteemed barely powers, v.g. The idea of heat or light, which we receive by our eyes, or touch, from the sun, are commonly thought real qualities existing in the sun, and something more than mere powers in it. But when we consider the sun in reference to wax, which it melts or blanches, we look on the whiteness and softness produced in the wax, not as qualities in the sun, but effects produced by powers in it. Whereas, if rightly considered, these qualities of light and warmth, which are perceptions in me when I am warmed or enlightened by the sun, are no otherwise in the sun, than the changes made in the wax, when it is blanched or melted, are in the sun. They are all of them equally POWERS IN THE SUN, DEPENDING ON ITS PRIMARY QUALITIES; whereby it is able, in the one case, so to alter the bulk, figure, texture, or motion of some of the insensible parts of my eyes or hands, as thereby to produce in me the idea of light or heat; and in the other, it is able so to alter the bulk, figure, texture, or motion of the insensible parts of the wax, as to make them fit to produce in me the distinct ideas of white and fluid.
25. Why the secondary are ordinarily taken for real Qualities and not for bare Powers.
The reason why the one are ordinarily taken for real qualities, and the other only for bare powers, seems to be because the ideas we have of distinct colours, sounds, &c. containing nothing at all in them of bulk, figure, or motion we are not apt to think them the effects of these primary qualities; which appear not, to our senses, to operate in their production, and with which they have not any apparent congruity or conceivable connexion. Hence it is that we are so forward as to imagine, that those ideas are the resemblances of something really existing in the objects themselves since sensation discovers nothing of bulk, figure, or motion of parts in their production; nor can reason show how bodies BY THEIR BULK, FIGURE, AND MOTION, should produce in the mind the ideas of blue or yellow, &c. But, in the other case in the operations of bodies changing the qualities one of another, we plainly discover that the quality produced hath commonly no resemblance with anything in the thing producing it; wherefore we look on it as a bare effect of power. For, through receiving the idea of heat or light from the sun, we are apt to think IT is a perception and resemblance of such a quality in the sun; yet when we see wax, or a fair face, receive change of colour from the sun, we cannot imagine THAT to be the reception or resemblance of anything in the sun, because we find not those different colours in the sun itself. For, our senses being able to observe a likeness or unlikeness of sensible qualities in two different external objects, we forwardly enough conclude the production of any sensible quality in any subject to be an effect of bare power, and not the communication of any quality which was really in the efficient, when we find no such sensible quality in the thing that produced it. But our senses, not being able to discover any unlikeness between the idea produced in us, and the quality of the object producing it, we are apt to imagine that our ideas are resemblances of something in the objects, and not the effects of certain powers placed in the modification of their primary qualities, with which primary qualities the ideas produced in us have no resemblance.
26. Secondary Qualities twofold; first, immediately perceivable; secondly, mediately perceivable.
To conclude. Beside those before-mentioned primary qualities in bodies, viz. bulk, figure, extension, number, and motion of their solid parts; all the rest, whereby we take notice of bodies, and distinguish them one from another, are nothing else but several powers in them, depending on those primary qualities; whereby they are fitted, either by immediately operating on our bodies to produce several different ideas in us; or else, by operating on other bodies, so to change their primary qualities as to render them capable of producing ideas in us different from what before they did. The former of these, I think, may be called secondary qualities IMMEDIATELY PERCEIVABLE: the latter, secondary qualities, MEDIATELY PERCEIVABLE.
CHAPTER IX.—OF PERCEPTION.
1. Perception the first simple Idea of Reflection.
PERCEPTION, as it is the first faculty of the mind exercised about our ideas; so it is the first and simplest idea we have from reflection, and is by some called thinking in general. Though thinking, in the propriety of the English tongue, signifies that sort of operation in the mind about its ideas, wherein the mind is active; where it, with some degree of voluntary attention, considers anything. For in bare naked perception, the mind is, for the most part, only passive; and what it perceives, it cannot avoid perceiving.
2. Reflection alone can give us the idea of what perception is.
What perception is, every one will know better by reflecting on what he does himself, when he sees, hears, feels, &c., or thinks, than by any discourse of mine. Whoever reflects on what passes in his own mind cannot miss it. And if he does not reflect, all the words in the world cannot make him have any notion of it.
3. Arises in sensation only when the mind notices the organic impression.
This is certain, that whatever alterations are made in the body, if they reach not the mind; whatever impressions are made on the outward